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(via Sorrell Kerrison: Exuberant and colourful portraits in stitch - TextileArtist.org)

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Ovartaci
Nunavut Qajanartuk (Our Beautiful Land), Kenojuak Ashevak (1927â2013). Inuit; Baffin Island, Nunavut, Canada. 1999. Hand-coloured lithograph.
Courtesy Alain Truong
Leonora Carrington

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Embroidery - Heidi Leitzke
William Robinson (Australian, b. 1936), Nimbin Rocks in Fog, 1996. Oil on canvas, 137.5 x 183 cm.
Leonora Carrington (English-Mexican, 1917-2011, b. Clayton-le-Woods, Lancashire, England) - Ab Eo Quod, 1956Â Paintings: Oil on Canvas
Iâve been thinking about the way, when you walk down a crowded aisle, people pull in their legs to let you by. Or how strangers still say âbless youâ when someone sneezes, a leftover from the Bubonic plague. âDonât die,â we are saying. And sometimes, when you spill lemons from your grocery bag, someone else will help you pick them up. Mostly, we donât want to harm each other. We want to be handed our cup of coffee hot, and to say thank you to to the person holding it. To smile at them and for them to smile back. For the waitress to call us honey when she sets down the bowl of clam chowder, and for the driver in the red pick-up to let us pass. We have so little of each other, now. So far from tribe and fire. Only these brief moments of exchange. What if they are the true dwelling of the holy, these fleeting temples we make together when we say, âHere, have my seat,â âGo ahead - you first,â âI like your hat.â
-Â Danusha LamĂŠris, âSmall Kindnesses"Â
Sailing Ship against a Sandy Beach, Alfred Wallis

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Woodland Bowls // clayliciousÂ
âThe Inland Printerâ, Vol. 24, 1899-1900 Source
Kurylev I. St.Johnâs Eve. (Ivan Kupala Eve) 1920
Restoration AD | 01 | Abigail Doan (2018)Â

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