LoneDonut

you’ve seen the gif

When the game finally imitates life. This is why I have trust issues. 

I would tell an illustrator to response “What guarantee do I have that this project will actually happen once I make art for it?”

Exposure & experience are important, and they can be very good reasons to do a job for less money. But rarely, if ever, should they be reason enough for NO money. Those reasons should be sure bets: like proof of specific exposure (for example, a company that has a huge social media following guaranteeing in writing X amount of shares on their network) or perhaps donating work for a charity project you believe in. DO NOT TAKE JOBS FOR EXPOSURE FROM A COMPANY YOU HAVE NEVER HEARD OF.

Taking a low-paying gig to gain experience and move up the industry ladder is also a very accepted way to move up in the ranks (for example, working for self-published authors and small presses to gain experience and attention towards working for larger publishers). However, you still should get paid something. 

If this company is not willing to give you a deposit on the art you’re creating, or at least to guarantee in a contract that if the project does not come out or earn royalties you will still get some amount of money, then no, you shouldn’t do the job. They’re not taking you seriously as an artist. There are plenty of companies that can’t offer you a lot of money, but EVERY company you work for should offer you respect and understand that you need to protect yourself. If they don’t, then walk away.

—Agent KillFee

We also have received some details on an upcoming new stage called Snapper Canal. In this stage, a river is running right down the middle!

It appears a new Brella weapon, called the Tenta Brella, will also be available soon.

Beautiful Bengal Cat Suki Adds Magic With Her Dazzling Sea Blue Eyes Against Nature

THAT WE WERE PLAGUED

BY THAT FREAKING POST

FOR WEEKS

WHEN WE

COULD’VE

HAD