Tom Hiddleston on ‘Betrayal’ and the Art of Self-Protection
Tom Hiddleston was posing for a portrait, and the face he showed the camera wasn’t entirely his own.
That had been his idea, to slip for a few moments into the character he’s playing on Broadway, in Harold Pinter’s “Betrayal”: Robert, the cheated-on husband and backstabbed best friend whose coolly proper facade is the carapace containing a crumbling man. And when Mr. Hiddleston became him, the change was instantaneous: the guarded stillness of his body, the chill reserve in his gray-blue eyes.
“It’s interesting,” Mr. Hiddleston said after a while, analyzing Robert’s expression from the inside. “It gives less away.” A pause, and then his own smile flickered back, its pleasure undisguised. “O.K.,” Mr. Hiddleston announced, himself again, “it’s not Robert anymore.”
It was late on a muggy August morning, one day before the show’s first preview at the Bernard B. Jacobs Theater, and Mr. Hiddleston — the classically trained British actor best known for playing the winsomely chaotic villain Loki, god of mischief and brother of Thor, in the Marvel film franchise — had been in New York for less than a week.
He’ll be here all autumn for the limited run of the production, a hit in London earlier this year, but he wasn’t going to pretend that he’d settled in. “I literally have never sat in this room before,” he’d said at the top of the photo shoot, in his cramped auxiliary dressing room, next door to the similarly tiny one he had been occupying.
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