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Penelope, Charles-François Marchal, ca. 1868, European Paintings

Gift of Mrs. Adolf Obrig, in memory of her husband, 1917 Size: 43 ½ x 19 ½ in. (110.5 x 49.5 cm) Medium: Oil on canvas

City Night, Georgia O'Keeffe, 1926, Minneapolis Institute of Art: Paintings

Landscape. Urban. Architecture. Georgia O‘Keeffe produced more than twenty scenes of New York City between 1925 and 1930. Here, the power and presence of the modern era are epitomized in the city’s thrusting architecture. During the first half of the 1900s, skyscrapers came to exemplify U.S. ingenuity. O’Keeffe reduced these immense buildings to simple geometric forms that converge in the upper reaches of the dark canvas, towering even above the moon. She places the viewer between these architectural giants. We might feel small in their midst, forced to crane our necks skyward to take it all in, or we might marvel at the staggering feats of engineering that soar above our heads. The brightly glowing moon offers a round contrast to the super-straight lines of the city. Size: 48 x 30 in. (121.92 x 76.2 cm) (canvas) 47 ¾ x 29 ¾ in. (121.29 x 75.57 cm) (sight) 53 x 35 ½ x 3 5/8 in. (134.62 x 90.17 x 9.21 cm) (outer frame) Medium: Oil on canvas

Ceiling of the Camera Picta or Camera degli Sposi, 1470, Andrea Mantegna

Medium: fresco

Onoe Matsusuke as Usui Sadamitsu, Katsukawa Shunzan, 1781, Cleveland Museum of Art: Japanese Art

Size: Sheet: 31 x 14.5 cm (12 3/16 x 5 11/16 in.) Medium: color woodblock print

The Fighting Temeraire tugged to her last berth to be broken up, 1839, William Turner

Medium: oil

Untitled, Menashe Kadishman, 1974, Tate

Presented by Rose and Chris Prater through the Institute of Contemporary Prints 1975 Size: image: 613 x 914 mm Medium: Screenprint on paper

The Angry Sea, 1870, Gustave Courbet

Half Figure (Nlo Byeri), Fang, 1875, Art Institute of Chicago: Arts of Africa

Among the Fang people, figures that serve as guardians of ancestral remains often conflate features of infants and the elderly, combining the wide-eyed stare and rounded arms and hands of a child with the sunken cheeks and drawn mouth of an old man. These visual oppositions infuse a figure with the vitality and animation that are crucial to its ongoing role as an intermediary with the ancestors. Gift of Mr. and Mrs. Raymond Wielgus Size: 50.2 × 14.6 × 14.9 cm (19 ¾ × 5 ¾ × 5 7/8 in.) Medium: Wood with oil

The Confusion of Tongues, 1868, Gustave Dore

Prometheus Bound, 1612, Peter Paul Rubens

A Prison Scene, 1814, Francisco José de Goya y Lucientes

Apollo’s Chariot, 1909, Odilon Redon

Medium: oil,canvas