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‘Les Afro-Pop’ (1973) from “Sory Sanle: Volta Photo, 1965-85” by @reelartpress & @mortonhillphoto #sorysanlé #voltastudio #burkinafaso #artbook #artbookdap #afropop

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joeinct

I’m going to take off, Photo by Sanle Sory, 1977

agelessphotography

Jamais Sans Ma Vespa (Never Without My Vespa), Sanlé Sory, 1980

psikonauti

Malick Sidibé (Malian, ca. 1936–2016)

thephotoregistry

Malick Sidibe

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psikonauti

Malick Sidibé (Malian,ca. 1936–2016)

Regardez moi!, 1962

kenyuh

Malick Sidibe’s “Chemises”

sheltiechicago

Nuit de noël (Happy Club) by Malick Sidibé, 1963, via Sotheby’s

African Art Photography of Malick Sidibé (West Africa)

Nuit du 10 octobre 1970 (Night of October 10, 1970) by Malick Sidibé, 1970, via MoMA, New York City

mybeingthere

Seydou Keïta, Malian (1920-2001)

The self-trained Keita opened a studio in Bamako, Mali, in 1948 and produced thousands of negatives of the Bamakoise. The photos included here were private commissions made by, and for, Africans, to be printed on an intimate scale and circulated among family and friends. The photographs typically represent how the subjects desired to be represented, and these works are often interpreted as illustrating the assurance of an African nation in its transition to independence.

http://art.chicagobooth.edu/index.php?q=viewimage&ID=105

pam3pr

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creativespark

Seydou Keita, Untitled, 1949-51

irenelichtensteinblog

Seydou Keita, Les deux soeurs, 1958

irenelichtensteinblog

Seydou Keita, 1948-1954

nobrashfestivity

Seydou Keita Mali

rudygodinez

Marcel Duchamp and Jacques Villon in Villon’s studio at Puteaux.

In the back, resting on the ground is a poster for the French national chess championship designed by Duchamp.

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myownprivate

L’Homme Assis, 1934, Jacques Villon, 1875-1963. France

terminusantequem

Jacques Villon (French, 1875-1963), Le cake-walk des petites filles, 1904. Drypoint and aquatint in colors on paper, 30.5 × 41.9 cm

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