angstpt1.jpg
RMH

Origami Around
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
Peter Solarz
I'd rather be in outer space đ¸
TVSTRANGERTHINGS

Love Begins
let's talk about Bridgerton tea, my ask is open
AnasAbdin
will byers stan first human second
Game of Thrones Daily

Janaina Medeiros
noise dept.
YOU ARE THE REASON

⣠Chile in a Photography âŁ
Xuebing Du
taylor price
"I'm Dorothy Gale from Kansas"

JBB: An Artblog!
seen from Tunisia

seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from Canada
seen from United States
seen from Canada

seen from Malaysia

seen from Indonesia
seen from United Kingdom
@livrelady
angstpt1.jpg

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
julian comes back from internment camp 371 speaking nearly fluent klingon. mainly because the only way to pass the time during the long, lonely nights is to ask martok to tell him traditional klingon stories and martok insists that julian turns the UT off to preserve the nuance.
garak tells himself that this is Fine, even though julian hasnât bothered to learn kardasi. in the five years theyâve known each other. even though julian and martok are laughing and joking together in the runabout back. itâs good to know more languages, of course. what is not Fine is julian insisting from that point on that they only read klingon stories for their book club. âtheyâre so engagingâ, julian says. âso romantic and muti-facetted! so much better that that last play you forced on me-â
and this is where garak decides that stoâvoâkor might be a good place for general martok to go, actually
Waiting for the S3 photobooth promo to drop
Finished watching the Overlord anime and now I am, of course, thinking about a Scum Villain version.
Shen Yuan in the not-too-distant future plays an immersive virtual reality MMO, a revolutionary one of its kind that offers unprecedented customization options, called YGGDRASIL. While the basic game inclines itself most strongly to western fantasy TTRPG tropes, it's so flexible that players can create a wide range of fantasy archetypes.
Shen Yuan ended up falling in with, and eventually taking over, a guild that was focused on xianxia tropes and workshopping character classes and race types to create them. The guild had pretty strict rules on what players could do racially and aesthetically to fit in -- stuff like secret dragons and demons and aesthetically-swapped paladins were in, elves were allowed as long as the character lore steered more towards nature spirits and less towards tolkien, and undead were taken on a case-by-case basis.
Over the course of several years, the Cang Qiong guild rose to prominence on their server as one of the strongest good-aligned roleplay groups, to the point of even having some dedicated copycats and rivals. The original twelve founding members each built a different segment of the guild's base, styling it as a mountain range with twelve peaks, and a lot of energy was poured into constructing NPCs to defend the peaks from the frequent incursions of rival player factions.
But over time, other games like YGGDRASIL started to appear and pulled players in. Some were more complementary to the eastern fantasy genre, some had better immersive features or superior tech, more hype, and etc. Other plays began to filter out as different aspects of their lives took over and they started families, got too busy with work, found other hobbies, and so on.
Twelve years after its launch, YGGDRASIL announced rather unceremoniously that it would be shutting the game down, with everything on it destined for the deletion bin. By then, the only players left in Cang Qiong guild were Shen Yuan and Xiang Fei, the latter only ever logging on occasionally to goof around and build extra NPCs for his novel ideas, while Shen Yuan kept maintaining the guild out of nostalgia and a firm belief that the game would be getting some kind of renewed interest any day now.
Accordingly, Shen Yuan was pissed to learn it was just going to be shut down, without even any word of a possible YGGDRASIL 2 or if players would get any bonuses for carrying over their accounts.
Shen Yuan decides to stay online until the last possible moment as the server goes dark. Xiang Fei joins him and nearly has to log off to go to sleep and get up in time for work in the morning, but decides to tough it out for his bro. As Shen Yuan laments, the two gather up all the major NPCs in the sect, head for the peak lords hall on Cang Qiong, and arrange the "Peak Lord" NPCs around the table with them. The NPCs can't talk, but each was styled as the lord and defender of a different peak and as brethren of a united sect, deferring only to their ancestral masters and creators, the godlike players of the setting.
Shen Yuan also insists on bringing along Luo Binghe, the secret demon emperor and trump card for the sect's defenses. Binghe was, in Shen Yuan's opinion, the pinnacle of Xiang Fei's creativity. Though with the appearance of a humble (read: ridiculously beautiful) disciple, in reality Binghe was a top level max skill demon lord, who had taken so many resources and quests to bulk out that it was ridiculous. His programming was fussy, to the point where he had once gone on a rampage and wiped out the actual guild players -- sort of the last interesting thing to have happened before another more popular game was released, and their guild activity plummeted.
Xiang Fei had often teased Shen Yuan about liking Binghe so much, especially since, in his opinion, he was a less interesting secret demon than the one defending his home peak of An Ding. As a final gesture, Xiang Fei reprograms Binghe to be a disciple of Qing Jing (Shen Yuan's peak) in specific, and chuckling to himself deletes the line about him being a playboy and replaces it with a line that says he's madly in love with Shen Qingqiu (SY's avatar).
As the players and their NPCs sit around the table, the game servers go dark. Shen Yuan closes his eyes, braces for the forced log-out...
Then feels himself draw a lungful of cool mountain air, instead.
Ensue Shen Qingqiu and Shang Qinghua freaking out as they realize that they've apparently transmigrated into some sort of reality based on their game. At first the other "Peak Lords" (the NPCs who have suddenly come to life) are confused as to why their sect brothers are acting so erratically, but then they go out and discover that their entire mountain range has seemingly been displaced from its geographical location in YGGDRASIL, to some unfamiliar spot in a totally different world.
Shen Qingqiu and Shang Qinghua double freak out because not only have they somehow become real in the context of the game, they've also brought their mountain range wholesale to yet another fantasy world?!
Shang Qinghua takes some of the other peak lords and goes to check on the actual peaks, to confirm if the other NPCs have come to life and that everything from the guild has made the inexplicable transfer. Shen Qingqiu sets out to check the surrounding area, while tentatively agreeing to let Liu Qingge, Yue Qingyuan, and Qi Qingqi go check in other directions. Luo Binghe ends up insisting on accompanying him, much to Shen Qingqiu's bewilderment, but he just ends up going with it. Outside the unfamiliar world is in its night cycle. Most of the exterior wards are still functional, although they've lost some of the alert arrays from the further outposts. Shen Qingqiu flies up for as high of an aerial view as he can get, surveying the situation, and musing that it really does seem that they've been transported to a totally new world. Also, using all his cool cultivator/class abilities is even more exciting in the flesh.
Anyway, Shen Qingqiu warns Luo Binghe that this unknown world could also contain unknowable threats, they don't know how their respective abilities would stack up here, etc etc, and Luo Binghe privately vows to bring this world to heel and lay its treasures safely at his shizun's feet.
Additional thoughts under the cut:
#mannn I dont have time to watch overlord but now I wanna#THIS IS SO FUN oh my goddd#the idea that this is in the MDZS world is so funny. MDZS precanon? post canon? MID-CANON? WWX comes back from the dead like huh.#âthat wasn't there beforeâ#Fuctionally Sy was the guild leader but in Cang Diong hes not the sect leader... curious how that plays out when they become real people?#the idea that the sect leader isnt even a player is hilarious also#svsss au#I'm not super familiar with overlord but SY and SQQ still gotta try be their in game identities ye? because I am curious what#backstories they DID write and keep for their avatars that they now have to deal with (@thesadisticsiren)
Loving the idea of it being mid-canon. Wei Wuxian is just like hey. Where did. Why's there...? And yet he can't just ask because obviously anyone should know the deal about the Mysterious Mountain of Cultivators that appeared sometime in the years he was dead.
And SY and Airplane do have to stay in their identities, yup! It would probably destabilize too much for the NPC characters who've newly spawned into actually being alive for them to try and add the additional layers to it, and who knows how they might react? They're all now very powerful cultivators, some even more powerful than Shen Qingqiu and Shang Qinghua, so it's safer just to go along.
I think Shen Qingqiu's probably got no actual backstory that he settled on for himself, beyond a few sentences about being the Qing Jing peak lord and being important enough as a strategist and political player that even the sect leader defers to him on many matters. Then when everything becomes Real he somehow finds that he's Shen Jiu's twin brother and Yue Qingyuan defers to him because of trauma reasons, by some alchemy of the system trying to work out the most reasonable explanations.
Shang Qinghua on the other hand has written a fairly extensive and damning backstory as an embittered traitor, but luckily since he never acted it out or revealed any of it, he's free to ignore big chunks of it if he wants to.
Spoken for me - svsss
[VD: A Scum Villain animatic set to "Spoken For" by Flavor Foley featuring Luo Binghe and centering the duality of his character. He's depicted as a disciple and a demon lord, conflicted or faceless as Bingge, happy with Shen Qingqiu during disciple era or unhappy with Shen Jiu, as a child on a riverbank or as Luo Bingzu. Shen Qingqiu is also depicted as being unable to speak to him, and Shen Jiu is occasionally shown in a pot or the Water Prison. End VD]

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Donât let fake fans tell you different, Trek has always been queer đłď¸âđđŞđ
I think Rocky named Grace âDumbassâ or âIdiotâ or something and then just never changed it. Then when they get to Erid heâs so used to calling his alien friend âShithead Moronâ that when he introduces him to a large crowd theyâre all like âwoah man what the fuckâ and âthatâs not nice!â and âyou canât say that bro thatâs too meanâ and Rocky has to awkwardly explain to Grace why theyâre upset. Grace, who is now very familiar with Rockyâs standard vocabulary, laughs until he is crying on the floor and canât breath, which makes all the other Eridians panic while Rocky stands there yelling at Grace that itâs not that funny asshole.
my vision of the great unified Omni Stratt where I graft her book and movie selves together with hot glue is that this woman is the most effusively warm, bleeding-heart, hopeful and loving person there has ever been. she likes her hair and clothes soft as can be, she listens to top 40 pop music, she's a singer in what little spare time she has, she likes boosting people's confidence, and she could almost wrap her arms around the entire planet in an embrace with how much love she has for every person on it. and, she is neither ignorant nor stupid. she's hopeful but a realist; she knows perfectly well that human nature is often violent and destructive and that the right choice isn't always the kind choice, it's just that knowing these things doesn't make her love her species any less or dampen her desire to be kind when she can.
she'll do anything she can to protect the world without hesitation, not doing so would be unthinkable, so she crosses boundaries and breaks her morals and contorts her soul and hurts some people to save a greater number of people. hurting people is difficult, but just letting the world freeze over when she has a chance to fix it is simply not an option, so she stores the guilt somewhere for safekeeping out-of-sight where she doesn't have to address it until she's done. if she felt all she was doing she'd crumple up and freeze forever, which would mean she would get less efficacious, and that's also not an option.
she's not a saint made of cold marble, she's not immune to the occasional mini power trip and she sometimes acts with the assurance that she already knows best without, yknow, actually checking if she really knows best first, but she gets no joy in cruelty for cruelty's sake. she gets carte blanche permission to commit any crime she wants for who knows how many years in a row and it never occurs to her to abuse that power for her own pleasure because for her that just wouldn't be pleasant. she'll bomb the antarctic without flinching then console her accomplice as he buckles under the remorse she is categorically not allowed to feel. she'll kidnap and conscript people into labor then make sure they never want for anything while they live in her domain. she'll see the prison sentence barreling ever towards her and never say a word about it. she'll give her friend the barest chance to say "yes" so that maybe he won't ever have to know that "no" isn't an option. it's her spark of hope, the mad idea that he'll be the first person to spare her a hard choice.
when she has to hurt him, it's the only thinkable choice available. she loves humanity too much to even consider lowering its chances, it would be the worst most selfish cruelty to not send him just because she doesn't want to, so she makes the arrangements and gives the orders and files the new guilt in that same ignorable dark corner. but when he goes down kicking and screaming and threatening and begging, when it's playing out right in front of her eyes, that she can't tuck away in time. it makes contact with her stupid heart and the sudden pang behind her ribs for the first time in years has her wishing with a kind of resentment that she could just make him agree. but she can't, obviously. she is neither ignorant nor stupid, she knows human nature, so she has to be right over being kind. towards him or towards herself.
she loves people, she loves warmth, she loves her team, she loves him, she loves the world, and she's ensuring that he'll never get to see it again. her heart overflows with bitter, angry, terrified empathy as she sends him away, and she feels it full-force as the most vile thing that's ever been done. it's just that the only thing viler would have been to let him stay.
give him a minute
just the ol' nine-to-five
[another regular day at work || a regular workplace relationship]

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
yknow I'm feeling a bit brave so I will venture to say what this blighted essay's pitch actually is: reading project hail mary (novel and film) as a ravishment fantasy. in both main threads of the narrative grace is brought wildly out of his element and pulled into the orbit of a mysterious foreign stranger who is significantly stronger / richer / more powerful than him, forced to accept unsolicited lavish gifts and personal praise despite protests and discomfort, and made to live in isolated locations in extremely close proximity to these people with no say in the matter, all of which are common motifs in ravishment fantasies. on her own, stratt also brings in other common motifs of restraints, drugging, being above the law, multiple kidnappings (I'm doing crazy things with the classical definition of "rape" as in "abduction" and its shared etymology with "rapture" as in "being taken to the heavens"), and the very specific yet still common motif of "otherwise trustworthy partner goes too far and doesn't take 'no' for an answer." rocky on his own brings in the overprotective flavor common to a lot of dark romance novel heroes, i.e. "I make sure you sleep and I like to watch you while you do it, I make sure you eat enough even if you've got baggage about it, I make inhuman displays of strength when you're injured, and as long as I'm around I'll make sure nothing bad ever happens to you ever again."
the issue I was running into with researching this a few weeks ago is that almost all of the scholarly writing on the content of people's forced-sex fantasies focuses solely on women's fantasies and starts with the research question of "why would women enjoy imagining such a horrible misogynistic thing?" despite surveys often showing that men have force-fantasies (where they are the one being forced) at very comparable rates to women. my hypothesis for a bit was "either men's fantasies are exactly the same as women's or they're completely different in [x] way," which was disproven interestingly when I did finally find something about men's force-fantasies: in content they are almost exactly the same as women's fantasies but the emotional motivations are often different in [y] way, which I hadn't expected. and [y] also super applies to my buddy ryland, perhaps even more than my original [x] hypothesis.
my hopes for writing this are twofold: a) to address the question I sometimes see phm audience members come away with of "if grace likes his life by the end and doesn't seem that mad about all of that, is the message supposed to be 'violation of bodily autonomy is good, actually?'", and b) to lightly resist one of the prevailing notions in the study of forced-sex fantasies, that ravishment fantasies are solely abstracted and fantastical and pleasurable and are completely 100% separate from fearful paranoid imaginings of / flashbacks to realistic sexual violence.
oh also: the most common interpretation of why people have ravishment fantasies is that it allows the fantasist to disavow a desire they feel ashamed of because, in the fiction of the forcing, they don't *want* it at all, they're being made to do whatever it is and can't be considered at fault. as I allude to in my final paragraph of the original post, I think it's a tad more nuanced, but there's definitely a lot of truth to that. grace can tell stratt that he's not smart or important or capable or brave or selfless enough to do what she wants, but she'll ignore it, make him do it anyway, and kit him out with skilled staff members and expensive lab equipment and coffee just the way he likes it. it's a fantasy of being respected and heroic and good whether he likes it or not.
with rocky, the fantasy is of being forced to be loved and protected. rocky decides to initiate contact, he decides that he's moving into the hail mary, he decides that he's always going to watch grace sleep even if grace says he doesn't need it, he decides to gift grace the fuel to get home even when grace pretends he doesn't want it, and he decides he's not going to let grace die to save him even when grace says he's made his choice. the two scenarios allow grace to experience the rewards of being selfless without needing to be so gauche as to ever say he thinks he's that good of a person AND to experience the rewards of being selfish without saying he thinks he deserves to be cared for.
Women in Shakespeare
Also like to point out that when her mother says âI was your mother much upon these years that you are now a maid,â (translation: I had you when I was your age) you have to remember her fatherâs words: âearth hath swallowed all my hopes but she,â (translation: all the other children died.)Â The whole plot point of Juliet being an only child is explained by her mother being a Margaret Beaufort type who had her first child too young and it damaged her past the point of being able to bear more children.
Margaret Beaufort died in 1509. She was a major player in the Wars of the Roses, the swirling on-again-off-again civil wars that consumed England from 1455-1487. Romeo and Juliet was written and first performed in the early 1590s. Your average English person of Shakespeareâs day would probably have had at least a vague understanding of who she was and what happened to her, because she was a key figure in recent history and was still getting passed around as a cautionary tale.
There are two great problems with what happened to Margaret (and that her parents are trying to do to Juliet). One is easy for modern people to spot (but was also a common response back in her own day). And thatâs the moral implications of what was done to her. She was too young to be married, and it was horrifying that she was forced into it so young. Every one of the adults around her either acted immorally or failed to protect her. They were wrong. This is what modern people see, and itâs important to remember that people back in her day mostly agreed with it. Youâre supposed to think itâs fucked up! When girls were married that young (and it didnât happen often!) it was a formality 99% of the time. It was for dynastic or financial reasons (the girl has lots of money and/or land and/or a title that her husband wants), but the âcoupleâ donât consummate their marriage for years. And itâs not just that they would have separate bedrooms. They might not even live in the same country until the girl was in her late teens and physically and mentally mature enough to bear and raise kids. Hell, a lot of times they didnât even meet until the girl was older! They had this thing called âproxy marriageâ where you would have two separate ceremonies, in two separate places, with each party saying their vows separately, one in one city and the other in a different one. So, yeah, sure, the girl was technically married at 12, but she didnât actually meet her âhusbandâ in person until she was 17 and they didnât start sleeping together until she was 20. That was a thing they did.
The other problem, the one that modern people donât notice, is dynastic. See, marriage wasnât generally because you loved someone. It was because you had the resources to support a family, and you or your family wanted to pool those resources with someone. Itâs about âour family has these resources, and we want that to continue.â Itâs about continuity across generations. Itâs about making sure that your children and grandchildren have the best possible resources to survive and thrive, whether those resources are land or a trade or a title or money or whatever. In order for this to work, you have to have kids! The family and the familyâs resources depend on the married couple having children. If the couple doesnât have children, the marriage is a failure. And that failure affects not only the couple, but both families. This is a really big problem. And you canât have just one kid to pass on the family name, because half of all kids die in early childhood. If you want to be safe, you need several kids, to be sure at least one will survive to adulthood (when they can marry and pass on the family name and resources.
You know what happens when a girl has her first pregnancy too young? She is very likely to either die in childbirth, or have complications that destroy her future fertility. Just like Margaret Beaufort. Just like Julietâs mother. In other words, the marriage is a failure, not just for her, but also for her family, and her husband (who canât divorce her, itâs not allowed except in extremely rare circumstances), and her husbandâs family. So even the people who didnât have a moral problem with adult men having sex with pubescent girls had a practical problem with girls married too young because you are very likely to destroy the entire purpose of the marriage by doing it. As Shakespeare reminds us in the play through Julietâs mother having been married too young and only having one child.
Shakespeare is telling us âyeah, this is fucked up. but even if youâre the kind of awful person who doesnât think girls marrying too young is morally wrong, itâs also a problem for practical and dynastic reasons, donât forget that by doing this wrong thing you are very likely to destroy what you most want out of it.â
Interesting
It bears repeating:
donât forget that by doing this wrong thing you are very likely to destroy what you most want out of it.â
yes, excellent discussion!
another thing i noticed, the year my local community shakespeare theater did r&j, and i made the costumes so i got to watch the show every night: part of why capulet is telling paris, take your time, get to know each other, no rush, is that he still has his nephew tybalt as his heir. as long as tybalt is in the picture, there is no pressure on juliet to go further with paris, than get acquainted. once tybalt is killed, then suddenly capulet needs an heir, he needs a husband for juliet, now, this week. (the role of capulet is best given to the actor in the company that can do over the top apoplexy, you need to believe his urgency comes at least in part by how clearly he could drop dead any moment from giving himself a stroke)
i feel like this play is often taught in middle schools as if it was somehow relevant to, or about, teen hormone storms. really it's got more to do with the social structures around family and inheritance. leaving that context out makes it confusing, why is capulet suddenly flipping from nice dad to evil dad?
art history matters.
I've been thinking about this play a lot lately. I really wanna highlight that Lord Capulet asks Paris to wait and get to know her, and to woo her, while Tybalt lives. While Tybalt is alive, Juliet has something of a reprieve, and her wellbeing as his only child matters more to Capulet. But once Tybalt has died, the gloves come off. Lord Capulet was worried about his daughter's wellbeing when he felt he had the space to care, but as soon as his dynasty is at stake, as soon as this becomes larger than Juliet's happiness, his consideration for her health and mental wellbeing get thrown away. Which also is due in part to the fact that Capulet's family is implicated in a brawl that has left several dead after the Prince's family EXPLICITLY told the Capulets and Montagues to stop fighting or face dire consequences, AND Capulet is trying to align himself with the Prince's family by marrying Juliet off to County Paris, a relative of the Prince. So to Lord Capulet, it is now less important that Juliet is happy, and more important than he reminds the Prince of his loyalty via this marriage and aligns his family with the Prince's before it's too late. And he believes this must be done, at any cost...until Juliet kills herself. And that's when he realises the devastating cost of treating his family as chess pieces. He realises his wrongdoing far too late.
Seriously Romeo and Juliet is HEAVY on the dynastic politics, and I think you can't fully understand the play without understanding how that all works, especially because the impact of dynastic marriages on women and girls is like. THE POINT of the play
REGULAR YAOI ISNâT ENOUGH!!! I NEED THEM TO SPIRITUALLY MERGE AT A COSMIC LEVEL!!!!!!!!!
You know damn well he was messing around, Ryan
me when all iâve done is mess around

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
my favorite trope isnât really âforbidden love.â itâs âstrongly disapproved of love.â no one can stop the two characters from being together; itâs not illegal, but, boy howdy, nobody likes it very much.
I would like to remind everyone that Shang qinghua is, in fact, a peak lord.
Don't get me wrong, I love how pathetic he is in canon and even moreso in fanon. But still, he is very much a peak lord. No matter how mediocre his skills are, he would still be in the top percentage of cultivators.