Trying to find something to motivate myself and I found this little line from Van Gogh
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Trying to find something to motivate myself and I found this little line from Van Gogh

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For Month of Love 2017
I realized I never posted this to my own Tumblr. Duh.
ErlkĂśnig, by Goethe
Wer reitet so spät durch Nacht und Wind? Es ist der Vater mit seinem Kind; er hat den Knaben wohl in dem Arm, er fasst ihn sicher, er hält ihn warm.    Whoâs riding so late where winds blow wild?    It is the father grasping his child;    He holds the boy embraced in his arm,    He clasps him snugly, he keeps him warm.
âMein Sohn, was birgst du so bang dein Gesicht?â âSiehst, Vater, du den ErlkĂśnig nicht? Den ErlenkĂśnig mit Kronâ und Schweif?â - âMein Sohn, es ist ein Nebelstreif.â    "My son, why cover your face in such fear?â    "You see the elf-king, father? Heâs near!    The king of the elves with crown and train!â    "My son, the mist is on the plain.â
âDu liebes Kind, komm, geh mit mir! Gar schĂśne Spiele spielâ ich mit dir; manchâ bunte Blumen sind an dem Strand; meine Mutter hat manchâ gĂźlden Gewand.â   âSweet lad, o come and join me, do!    Such pretty games I will play with you;    On the shore gay flowers their color unfold,    My mother has many garments of gold.â
âMein Vater, mein Vater, und hĂśrest du nicht,  was ErlenkĂśnig mir leise verspricht?â - Sei ruhig, bleibe ruhig, mein Kind! In dĂźrren Blättern säuselt der Wind.â   "My father, my father, and can you not hear   The promise the elf-king breathes in my ear?"   "Be calm, stay calm, my child, lie low:    In withered leaves the night-winds blow.â âWillst, feiner Knabe, du mit mir gehn? Meine TĂśchter sollen dich warten schĂśn; meine TĂśchter fĂźhren den nächtlichen Reih'n und wiegen und tanzen und singen dich ein.â   âWill you, sweet lad, come along with me?   My daughters shall care for you tenderly;   In the night my daughters their revelry keep,   Theyâll rock you and dance you and sing you to sleep.â âMein Vater, mein Vater, und siehst du nicht dort, ErlkĂśnigs TĂśchter am dĂźstern Ort?â - "Mein Sohn, mein Sohn, ich sehâ es genau: es scheinen die alten Weiden so grau."   "My father, my father, o can you not trace   The elf-kingâs daughters in that gloomy place?â   âMy son, my son, I see it clear   How grey the ancient willows appear.â âIch liebe dich, mich reizt deine schĂśne Gestalt; Und bist du nicht willig, so brauchâ ich Gewalt." "Mein Vater, mein Vater, jetzt fasst er mich an! ErlkĂśnig hat mir ein Leids getan!â   âI love you, your comeliness charms me, my boy!   And if youâre not willing, my force Iâll employ.â   âNow father, now father, heâs seizing my arm.   Elf-king has done me a cruel harm.â Dem Vater grausetâs, er reitet geschwind, er hält in Armen das ächzende Kind, erreicht den Hof mit MĂźh und Not; in seinen Armen das Kind war tot.   The father shudders, his ride is wild,   In his arms heâs holding the groaning child,   Reaches the court with toil and dread.   The child he held in his arms was dead.Â
nakedsasquatch itâs ya man
Okay but seriously folks - as often as I joke about this movie stirs my loins and as weirdly popular as this text post got a while back, I wanna rap with you all about why the George of the Jungle remake is a pretty important piece of cinema.
Itâs literally the only movie I can think of that is based completely around the unheard of âFEMALE gaze.â Granted, while Iâm a huge movie buff Iâve not seen every movie ever made. But even so, even if thereâs another example of the âfemale gazeâ in cinema that has escaped me itâs still damn impressive that a kids movie from 1997 based on a Jay Ward cartoon from the 60âs managed to turn gender representation in media on itâs fucking ass!
First things first, letâs look at our leading lady and love interest - Ursula, played by Leslie Mann.
Let me just say that while Leslie Mann is adorable and a talented actress, she does look a little less conventional and a little more plain compared to the bombshells that Hollywood likes to churn out. Leslie, in comparison, looks much more like a real women youâd meet on the street. She dresses pretty conservatively and plain throughout the film ; Wearing outfits that are more functional than fashionable for trekking through the jungle, pulling her hair back and so forth. Not that if she was dolled up and more scantily clad it would give her character any less integrity, but can we appreciate how RARE that is in the male dominated industry of film? Just think about all the roads a film about a woman in the jungle COULD have taken but didnât - no scenes with her clothes strategically ripped or anything! You can say this is a kids movie, intended for children and thatâs why the sensuality of the female lead is so downplayed but there are PLENTY of kids movies that handle women in a very objectifying and sexualized manner despite the target audience is pre-pubescent. Like, a disgusting amount. So I donât think âitâs a kids movieâ is why the film doesnât take ANY, let alone EVERY, opportunity to showcase the main female characterâs sex appealâŚ
âŚespecially considering the sex appeal of the film rests squarely on the well defined shoulders of our male lead, George of the Jungle played by Brendan Fraser in the best god damn shape of his life!
*Homer Simpson Drooling Noises*
Whenever members of the reddit community try to compare the sexualization of women in fiction to the design of characters such as Batman and Superman, I always want to just sit them down and show them this movie. Because THIS is what the female sexual fantasy looks like, and Batman and Superman are male power-fantasies. Look at him - his big blue eyes, his soft hair, his lean, chiseled physique built for dexterity rather than power. Heâs wild and free, but gentle. Itâs like he fell right out of that steamy romance novel your mom tried to hide from you growing up.
Hell, the whole plot seems to be designed around how damn hot he is! First, for the majority of the film, he wears only a small strip of cloth to cover the dick balls and ass. Everything else is FAIR GAME to drool over for 40 minutes. Then, after he meets Ursula she takes him with her to San Francisco just so we can enjoy him in a well-tailored suit (as seen in the gif set), running around in an open and billowy shirt along side horses while Ursula and all of her friends literally crowd around and make sexual comments about him, and my personal favorite, ditch the loincloth entirely and have him walk around naked while covering his man-bits with various objects while one of Ursulaâs very lucky friends oogles him and makes a joke along the lines of âSo THATâS why they call him the âKING of the JungleââŚâ
And yes, itâs also a very cute and funny little movie. Out of all the movies based on Jay Ward cartoons, it was the most faithful to the fast-paced humor and wit of the original source material (yes even the new Peabody and Sherman movie which honestly I thought was too cutesy-poo.) But thatâs not why this movie is popular with the gay community or why we all became women in 1997. Itâs just really cool that thereâs a film out there where the sensuality of the female form takes a back seat for the oiled up, chiseled, physique of Brendan Fraser (in his prime that is)
One thing to add: in the scene mentioned above where the ladies are watching him in the billowy shirt running with the horses, it pans back to about 50 feet away to two guys in suits at this party looking at the women and one of the guys says, âMan, what is it with women and horses?â So not only does this movie highlight the female gaze, but it blatantly points out that western male sensibilities donât have a clue what actually appeals to women.
ALSO
heâs non threatening
as mentioned above, he looks built for dexterity rather than power, but heâs still a 6+ foot tall extremely muscular man, and not once are you worried for Ursula when heâs with her
ALSO
letâs take a look at his rival - Lyle is a cravat-wearing trust-fund kid (who, interestingly, is into Ursulaâs fortune more than her, which kind of makes this a gender-swapped gold-digger thing too). Heâs blonde and Ursulaâs mom LOVES him. Heâs more uncomfortable and less prepared to cope with the jungle than Ursula is, in his pastels and shiny shoes.
But he talks over Ursula, insists he knows whatâs best for her, ignores her autonomy. In spite of the fact that Lyle Van de Groot is a rich, educated, social climber who cares deeply about his clothing and appearances he is a point-by-point checklist of unhealthy masculinity in a way that beefy, inarticulate, uneducated George could never be. Ursula is off on her own doing her own thing and Lyle hires two FUCKING POACHERS to track her down in the middle of the jungle while sheâs working (or on vacation? Itâs never made clear because he interrupts her before she can explain why she went on the expedition). Lyle ignores the local guides, claiming his experience with a bridge in Maui means the bridge theyâre on is safe - which leads to a significant injury for one of the guides. He then tells Ursula the guides are conspiring against him, trying to make himself and his poachers seem safe and the Africans who make up the rest of their party seem dangerous.
Check that body language! A post above points out that weâre never worried about Ursula when sheâs around George. Thatâs because Lyle talks to her like this. Look at his aggressive lean! Look at him literally looking down at her! Sheâs tilted away from him in the least threatening position possible and heâs so aggressive about whatever point heâs making. When he finds her after he pushed her toward a damned lion he kisses her and she pushes him away. Want a textbook example of gaslighting? Here you go: she says âdonât get all smoochy with me! I remember what happened with that lionâ and he responds âWhat are you talking about? I was fighting that lion the whole time - you were just so terrified you donât remember.â Then he shoots George! And then he kidnaps Ursula and attempts to force her into marriage!
Now look at how George and Ursula interact (slightly NSFW):
Even though heâs a big strong dude and he thinks heâs doing whatâs okay he lets her set the tone for their interactions. He accepts that heâs out of his wheelhouse and even if he doesnât understand it he does what she says is culturally appropriate. He learns from her! He listens to her! Compare Lyle leaning into Ursula above to this image of George and Ursula talking:
Heâs listening to her, all of his attention is on on her, but heâs totally nonthreatening. His torso is turned toward her but heâs not invading her space, his hands are clasped, heâs smiling, and sheâs the one leaning into him. Look at that smile she has, look how happy she is to be listened to. Her posture in both images is vulnerable but in this one with George sheâs vulnerable because she has chosen to share with him instead of because she feels threatened.
When George rescues Ursula from Lyle at the end of the film it isnât a typical damsel situation - George doesnât have a knock-down-drag-out fight with Lyle, he swings into a tree and offers Ursula a hand so she can reach up and save herself (and before he does it he acknowledges how much itâs going to hurt and *whimpers* and looks human and scared). And youâve gotta remember that George rescues everybody. Itâs not just Ursula - he also rescues a parasailer and gets shot rescuing Shep and Ape. He just likes helping, dammit!
AND this movie offers a perfect counter to the ânice guyâ thing - Ursula starts engaged to a jerk who her mom thinks is a ânice guyâ the moves on to actual nice man George who isnât *just* nice - heâs also patient, listens to her, has his own skills and talents, is okay with being goofy, has his own social circle and isnât totally dependent on Ursula, and looks amazing. Ursula doesnât go with George just because heâs a *nice* guy who rescued her from an asshole, Ursula goes with George because heâs an interesting, fun person who is supportive of her different way of being an interesting, fun person. AND heâs emotionally available. Google image search George of the jungle and see how many smiles you can find, see how many open looks of confusion there are, see how much sadness you can see in Georgeâs face. Now look for images of Lyle. His two expressions are a smirk and cartoonish fear. I know this is a cartoonish kidâs movie, but it is SO powerful that the hero shares his emotions while the villain masks every emotion but fear. Lyle doesnât want to open up, he doesnât want to be vulnerable, he wants CONTROL. George wants to learn, to protect people he cares about, to explore new places, to laugh when heâs happy and to be sad when heâs sad, and that he does that while being a broad-shouldered, physically powerful dude who is NOT totally self-involved is justâŚ
Like, look, I didnât sign on to tumblr dot com for George of the Jungle discourse, but Iâm just now realizing that this movie may have done the most for destroying my conception of stoic masculinity and gender roles as a child.
Like
Damn.
2nd reblog because this is even better.Â
One of my favorite movies growing up. Also so non-threatening and casually down-to-earth fun that I'd completely forgotten how much skin he shows when, haha.
Yep me

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Male character function: be a character; Girl character function: love interest
When I was about 18, I was in a community theater production of Robin Hood. As is so often the case with theater, there were more girls than guys who auditioned, but there were more guy than girl parts in the play. I was one of three girls cast as a silent, hooded âMerry Man.â During rehearsals it quickly became ridiculous. Though we kept our hoods on all the time, three of us girls playing Merry Men were really bad at walking and moving like men. I remember talking with the lead male actors.
Me: Why do all of the Merry Men have to be men? I could still be a girl and be in the band. Actor: But if there was a girl in the band, why wouldnât Robin fall in love with her and not Marian? We donât want to confuse the audience.
I was confused myself. Why would that even be an issue? The presence of a single woman in proximity to the lead other than the Love Interest would confuse the audience? In real life, do guys go around falling in love with every girl who happens to be nearby? Obviously, I thought, Marian happens to be Robinâs type. He must like the polished, noble, girlie-girl, and a Merry Girl would be rough-and-tumble. Whatâs confusing about that?
But it is. As I look at movies, especially action movies and animated movies, there are rarely any girls besides the Love Interest. Audiences are accustomed to this. The main characterâs Love Interest can have an elderly female friend, or even a comic-relief female friend her same age (so long as sheâs overweight, extremely quirky, lacking classical beauty features, etc.). But No Extra Girls Allowed. Itâs as if the only function of a female character is to be the Love Interest. So if there are, say, two female characters then the audience will be confused. But wait, there are two! Which is the Love Interest? We donât know who to expect will end up with the Lead and the unexpected is upsetting!
Just when I watch a film thatâs an exceptionâlike Thor, which had several female characters (though male characters still represented the large majority)âI think, hey, weâre over it! Then I see 4-5 action or animated movies in a row with an all male cast and one token femaleâthe Love Interest.
I want to be conscious of this. I want all of us to be aware. Because I donât want to see the reverse happen either. In an effort to over-correct, are we doing that with the boys? In YA novels, do we have female characters with 1 male character (The Love Interest) or two if thereâs a triangle? Iâm begging writers of movies and books, be respectful of the girls. Include them in the stories. Girls can be funny and interesting and daring and shy and adventurous and evil and anything a character should be.
Itâs a baby bat ray brunch! Using plate-like teeth to grind and chew their sustainable seafood, these youngsters will grow quickly into their role as majestic sea flap flaps.
THEY DID IT. THEY DID IIIIIT.
The Legend of Jing Wei by William Wu
So, letâs say youâve given your manuscript to all your alpha-readers already. They pointed out trouble-areas and you fixed those then gave your manuscript to your beta-readers. They pointed out mâŚ
Hey guys, Iâm available for beta-reading. Follow the link for more details. :)
The first caveat I'd like to make is - if I've ever volunteered to beta for you, I'm not asking you for money now. This is just to open up the option for strangers to seek help with their projects, and for me to start a new revenue stream to help me pay for health expenses & my own projects in 2017.
All money earned thru beta-reading/sensitivity reading will go towards getting me back on my own self-reliant feet and funding the editing/publication of a few projects I hope to release by the end of this year.
So, in other words, instead of swapping beta-reads, I'll be reading for clients and they'll be helping fund my copy-edits.
I have no expectations of whether or not this revenue stream will be successful; I've fallen off the radar these past few years, but nothing ventured, nothing gained? Happy new year! :)
so last night i was rereading house proud by astolat, aka the best harry potter fic there ever ever was, & then i started having Thoughts about hp wizards being the descendants of the fae cuz it just makes!! so much sense!!!
i am perpetually disappointed by so much of jkrâs world-building but this in particular bothers me so much cause like
she placed so much emphasis on blood lines & ~purity but the only ever used it as a shite allegory for racism
u know who gives a thousand shits about blood lines? the fae. u know who goes to great lengths to exist separately from humans? the fae. u know whose society is split into groups based on personality? the fae!!
the evolution of wizarding society makes so much more sense!! if u interpret them as being fae adapting to the changing world!!!
no wait actually im not done
like just consider, for a second, hogwarts houses being based on fae courts
they align so perfectly??
hufflepuff is the spring court (cheerful, optimistic, peaceful); gryffindor is the summer court (fierce, bold, energetic); ravenclaw is the autumn court (serene, reflective, wise); slytherin is the winter court (aloof, harsh, unforgiving)
and that makes hufflepuff & gryffindor seelie, and ravenclaw & slytherin unseelie
so wizarding society is slowly shifting from the formality of courts to something more casual as bloodlines are diluted & muggleborns become more common
& then hogwarts is founded and cements the shift by making it formal but not directly connected to the old ways
which explains why wizarding society places so much importance on the house system, and why personality/character factors into it, and why slytherin has such a pureblood bias because of COURSE the winter court is going to be pickiest about itâs members
i am never going back from this headcanon this is my life now
OH SHIT YâALL QUIDDITCH IS TOTALLY THE WILD HUNT???
like what if it was literally originally the hunt. it gets more sport-like as bloodlines dilute & picks up more muggle elements as muggleborns increase but
originally, the snitch was a person & it was a hunt
cuz why else would catching the snitch end the game!!!
& over time the area hunts can pass through get smaller & smaller so they adapt, and the snitch becomes an enchanted object when wizards start becoming few enough killing each other for sport is a bit ridiculous, & muggleborns come along & suggest beaters and goals and a point system
but they never get rid of the snitch or catching it or that being The Goal because it feels rightÂ
I feel very strongly that @seananmcguire needs to see this.
You realize "mage" and "faerie" were interchangeable terms in the past right? Right. ;) @notquiteaghost

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Does anybody know any fairy tales/folktales/myths that feature unrequited love as a plot point?
The only ones I can think of at the moment are Andersenâs âThe Little Mermaidâ and âThe Sweethearts,â and the story of Echo and Narcissus. But I feel like there should be moreâŚ
Yup!
Definitely unrequited, though like the other tales you mentioned: falling for a complete stranger, is that love~
âThe Silver Rose,â Alsatian folktale.
Why Iâm a Feminist
(Cross-posted from my writing blog.)
(I wrote this back at the beginning of the year.  I was waiting to post it until Iâd written its Feminism & Fairy Tales follow-up post but havenât been able to get to it, for health reasons.  Weâll see if I pull it off later.  Meanwhile, I should actually post this before the yearâs upâŚ.)
So, the topic came up and so I decided to write it all out, as thatâs easier for me than trying to come up with sound-byte style pithy spoken statements to address all the concerns about feminism, what it is, and whether or not feminists are manhaters.
The short answer is no, feminists as a whole havenât hated men (theyâre evil, donât marry them, donât sleep with them, etc.) since the feminist wave in the 60s, but you have to remember what the 60s feminists were reacting to and pushing up against. Â But Iâm not going to go into the history of feminism and feminists here. Â The only thing I can really speak to are my own experiences. Â So. Â The shorter answer is no, I donât hate men.
Now for the longer answer: how I became a feminist.
Stage 1: âI believe in the power of women but Iâm not a feminist.â
I grew up really privileged to have a father who is kind, thoughtful, reflective, humbleâbut also compassionate, patient, intuitive, and empathetic. Â Even though the chores around the house and yard were mostly split along traditional gender-role lines, my father not only embodies a lot of personality traits that society has delegated to women, but he was always open to watching things like chick flicks, reading the female-led books I practically shoved in his hands growing up, and whenever I expressed opinions about the world he listened and responded to me as an equal. Â I also saw how my mom was allowed to pursue her goals, to become a professional on her own terms and timing.
I thought the whole world must be like this. Â And, if the whole world is like this, where traditionally feminine things are given equal value to traditional male ones, then the world clearly had no need for Feminism and Feminists. Â One of the things I have always disliked is when people complain about their blessings, or complain just to complain, irregardless of whether or not the thing actually needs improvement, and thatâs what I thought feminists did.
Thatâs not to say that the world I actually lived in was perfect. Â But it does mean that I ignored all the imperfections, just âletting boys be boysâ or âmen be men,â because it was easier to deal with a lot of the ways I was treated or the misogynist things I experienced by not dealing with them or confronting them at all. Â Plus, I was told over and over that feminists are only really adamant about things like âequal pay for equal work,â but I didnât know anyone whoâd ever earned less than a man. But more on this later.
Stage 2: Too many dramatic, eye-opening experiences.
This attitude of mine continued for many years, even through many unpleasant experiences, until finally in 2009-2010 I reached saturation point. Â I finally had enough. Â I could no longer deny my own experiences and observations.
In 2009 I started living and volunteering in Armenia. Â Now, Armenia is a place where bride-kidnapping is an accepted cultural norm, (though not necessarily a wanted one). Â To demonstrate, let me give you a few slices of life.
-From my first week or so there, I got to deal with an insistent man/stalker trying to follow us home. Luckily Iâm tall and can be very intimidating, but it was the first in a long series of varied incidents over the year+ I lived there. Â Leering drunks, stalkers, unwanted propositions and proposals, kidnapping threats, harassment at home, etc., etc. Â And I had it so much easier than most of the other female volunteers because Iâm tall, curve-less, not super blonde, and I cut my hair boyishly short.
-The words we heard used for âkidnapâ and the word for âelopeâ are the same word in Armenian. Â The excuse I heard was that getting married requires an âexpensiveâ license, though I never found out how much it actually costed and whether or not it was expensive because it wasnât free.
But this concept of kidnapping and eloping meaning the same thing meant that once, when weâd heard a girl had had this done to her, we had to track her down to figure out whether or not it was voluntaryâit was. Â She felt that it was her only way to get married, and so she took being kidnapped as a compliment.
But I remember clearly the day I innocently asked a young mother at a dinner Iâd been invited to how she and her husband had met/married, and she told me the story point-blank that âHe asked me to marry him, I said âno,â he asked me again, I said âno,â so he kidnapped me.â And since once you were married you become touched, spoiled goods culturally and can never marry again, sheâd resigned herself to it like so many women before her.
To add to this underlying horror, I met a man who bragged about the women heâd chloroformed and helped kidnap for his friends. Â And on television, soap operas often portrayed women being kidnappedâbut with the happy ending of being rescued by their fathers and brothers.
However, the woman I know of who was rescued by her father from kidnapping is now culturally shunned because even though she wasnât raped yet no one would believe her word on that.
-Changing to a less dramatic example, in Armenia women are not allowed/encouraged to drive.  Female drivers are⌠extremely extremely rare.  And few women sit up front/ride shotgun.
-Extended families often live together, and these dynamics can be⌠really eye-opening, as well.  Daughters-in-law are the lowest in rank and treated like servants doing the housework for everyone while the matron sits back, her reward for doing her duty to her own mother-in-law when she was young. The men laze about as well, going off to drink and play games with their friends, minus the single father-figure who provides for the family.  However, it wasnât just the work-sharing dynamics that felt off.  We also encountered too many men who beat their women, including sons beating their mothersâI even knew young, five year old sons beating on their mothers who were allowed to get away with it, as if it were âexpected.â
This isnât to say that everyone in Armenia was like this, because theyâre not. Â I met good men in Armenia and good women and functioning families with tender relationships. Â I mean no disrespect towards these good men and women living like candles in a much darker world, nor to all the families who live surrounded by these things and are strong enough not to participate in them.
But my point here is that I was also exposed to a lot of extreme, dramatic examples of this dysfunctional relationship between men and women on a cultural whole, and I canât deny that.
(And you know what? It doesnât matter that the people who made me hit my saturation point and opened my eyes were Armenian. Â There are sectors of every culture and society where the disparity is frankly rather obvious.)
Stage 3: Once I saw and acknowledged the dramatic examples, I began to see the subtle.
After living surrounded by men not respecting women in dramatic, rotten ways, my whole perspective changed. Â I began to pick up on the subtler trends Iâd encountered all my life that Iâd previously ignored. For example,
-how I learned quickly in elementary school that boys would flip my skirt to see my underwear unless I wore shorts beneath.
-anything girly or feminine was âstupidâ or âboringâ or âsillyâ unless a boy liked it too (pink was only cool because Michael proudly/defiantly loved hot pink)
-I began to hide my love of ballet and instead talk more of jazz and tap to my friends.
-I eventually gave up skirts and became a rough-housing tomboy because those aspects of myself were far more acceptable than my more feminine half.
-I loved and could identify with books/films with male protagonists but none of my guy friends ever gave girl-led books the time of day, and though this made me feel sad and often lonely, I dismissed the feeling every time: they were boys, they didnât have to like the stuff I liked, even if I liked their stuff.
-Once I hit high school and started working at Sears, I was often sexually harassed. Â My body and its sexinessâor lack thereofâwas often put on display, talked about, and ridiculed by my coworkers and the storeâs patrons, both male and female. Â Then, whenever I worked in the hardware section, I dealt with customers often disrespecting my knowledge of the tools we sold, where they were, what they did, what they were called. Â These things hurt me, but I dismissed them all as âexpected.â
-Then I hit college and that opened a whole new can of worms. Â The most awful was how when I would tell people ânoâ or âstopâ they wouldnât. Â My noâs meant nothing. Â âNo that hurts meâ became a phrase to laugh at or mock or dismiss, not take seriously. I realized I was just a body, a receptacle, an object, a bystander. Â My feelings and wants meant less than a manâs, no matter the situationâI wonât go into them here. Â You will just have to take my word for it. Â Can you?
-I counted and realized that 10+ of my female friends had been raped by people they knew, including family members. Â I counted the number up several years ago, and since then Iâve met more.
-While in college I had fellow students (both men and women) tell me that 1) women are terrible writers they should stop writing books, 2) women could never learn to be fluent in another language they should just stop trying so hard, 3) women arenât as smart as men. Â And yes, THIS IS THE TWENTY-FIRST CENTURY. Â I also had a professor mock women who make money off their hobbies as part of our class discussion, to enthusiastic agreement, specifically mocking mothers who write books while raising children. Â I stood up to him and called him out on it, and he later ended up hiring me, but still. Â Too many incidents.
-My grandpa often tried to correct my driving. Â Not in the âoops you made a mistakeâ way but in the âyou canât possibly know how to drive well, youâre a young woman, so Iâd better tell you everything you need to doâ way.
-All the anti-woman jokes. Â As an example, an uncle once made a âletâs us men sit in the front and keep women in their backseat placeâ joke that I let him know was not funny. Â Yâknow, considering all the men Iâd encountered who fully believe that, not just 50% believe it. Â Because if no part of him believed it, the joke never would have occurred to him.
-All the times Iâve participated in a discussion and my opinions are dismissed (by a man), and then the only topic they want to know about/from me is whether or not I have a boyfriend.
-All the entertainment about women we take for granted and that persists in popularity. Â Like Shakespeareâs Much Ado About Nothing that was turned into a popular Joss Whedon movie in 2012. Â Watch that, but picture every dynamic about the female leads being real, because it was, and still in the world somewhere is.
-I got a bunch of 1950s comedies for us to watch when I was taking care of Grandma. Â 1950s are supposed to be the golden age of clean, wholesome entertainment. Â But what I saw instead, with all these experiences behind me, was the stand-up comedian joking non-stop about inane women and womenâs work and womenâs lives; the comedy duo arguing about who gets the gorgeous, personality-less girl who cleans up after them, makes them food, cleans their clothes, and does their housework; Annie Get Your Gun that changed history to an ending where she gives up her career so that a man doesnât have to compare himself to her anymore. Â Needless to say we only watched a few before I had to put it all away for both our sakes.
So, What is Feminism?
Feminism is not about man-hating. Â Itâs recognizing the trend that on the whole, women are still treated like theyâre a step beneath men, that feminine is valued less than masculine, that a womanâs word is valued less than a manâs, that women are still objectified, that womenâs voices and stories are given less representation, and so on.
As an example of women being treated as less than men, think of the disparity between women reading books and watching films with lead male protagonists written by male writers vs. men reading books and films by women with female protagonists. Â Why is there a disparity? Â How are male characters seen as universal or a default but female characters are seen as specific and niche or deliberate? Â Why do boys see âgirlyâ stories as âbeneath themâ or uninteresting? Â Weâre just as interesting and just as human as boys. Â But the inequality is at the subconscious, cultural level.
As an example of how culturally âfeminineâ things are seen as a taint to be avoided at all costs, look at the trend of naming. Â When girls are given boys names it feels like a step up, like they have something to prove to those above, that theyâre being edgy and cool. Â But then once that âboyâ name is given to a girl, it canât be used for a boy anymore. Â Itâs tainted, itâs girly and gross and the boy will be mocked forevermore if heâs given a girl name. Â This is proof that women are treated like something less. Â If women were valued and honored, then having a girlâs name would be a blessing for a boy, not a curse. Â It would be cool and edgy and unique, too.
As an example of how culturally womenâs word is valued less than a manâs, look at the story of Cassandraâthe prophetess who spoke the truth but wasnât believedâversus the story of The Boy Who Cried Wolf, the boy who lied again and again but was continually believed despite proof from the beginning he was a liar. Â These two stories keep replaying themselves in life. Â I keep encountering stories in the news about women who are raped but how their rapist is given the benefit of the doubt, not them. Â She isnât believed, and if she was drunk then she was âinvitingâ it. Â Being devalued is just expected. Â A manâs reputation is by default protected over the womanâs.
As an example of how women are objectified culturally, letâs take a brief look at how we teach modesty in conservative communities.  Weâre taught that women need to cover up to protect men from seeing things that might give them lusty thoughts.  In other words, itâs the womanâs job to protect a man from himself, and that whatever sheâs wearing is at fault, that a piece of clothing or lack thereof is a provocation.  But arousal is more complicated than that.  Sight-based arousal is as much about what youâre used to seeing as what youâre not used to seeing, so what arouses a man will vary from community to community and from man to man, thereby making it impossible for a woman to protect all men from themselves.  Iâve also learned that wearing âtoo muchâ clothing is as âprovokingâ as wearing too little, to further add to the impossible job of man-protecting.  Iâve been propositioned, cat-called and wolf-whistled and shouted advice at in all kinds of clothes and situations and cultures.  But the point is, it all comes down to being taught that my body is not my own but belongs to the eyes of the beholder, specifically to male eyes.  And people wonder why there is such a huge problem with pornography addictions in conservative communitiesâŚ. Mental boundaries are not taught about anything except respecting the bodies of your sister, your mother, your daughter.  (And even thenâŚ.)
As an example of how womenâs voices are given less representation culturally, Iâll briefly mention the 70/30 principle. Â The principle states that when we âfeel that women and men are given equal representation, that in fact itâs not a 50/50 split but a 70 male/30 female percentage split, and when itâs actually a 50/50 split then we feel like women are dominating or taking everything over.â Â Andrea K. HĂśst recently counted up all the male and female characters in a book she wrote that she thought sheâd skewed to lean female as an experiment. Â You can see the interesting results here. Related to that, the Washington Post just published an article studying male/female ratios of dialogue and dialogue content in Disney princess movies. Â The results might surprise you.
Though Iâm trying to stay away from statistics, since numbers can be easily gathered then twisted to say whatever you want them to, I think both of these links provide good examples of the trend. Â One prominent female character generally âneedsâ to be balanced out by a lot of men in order for us to feel comfortable.
thedatingfeminist said on Tumblr: âFeminism didnât teach me to hate men, but it did teach me to stop prioritizing them over women. And it turns out a lot of men think thatâs the same thing as hatred.â
Why is Feminism important for everyone, not just women?
Assigning traits like compassion and intuition, colors like pink and purple, occupations like child-carer, careers like fashion or elementary school teacher, and interests like self-care and health to women and then simultaneously valuing them as âlessâ hurts and limits everyone. Â It puts people in boxes and devalues anyone, male or female, who is compassionate, who likes pink, who stays at home to raise kids, who wants to teach children, who is interested in living healthily, and so on. It also builds resentment and adds to the burden, if your partner simultaneously devalues housework as âwomenâs workâ and also as âtoo hardâ and ânot my problem.â
I have heard young men complain over and over again about women being âtoo hard to understandâor âtoo hard to dateâ who donât read books written by women with female protagonists. Â I can promise you that once you start seeing women as people, with stories of equal value and interest, the quality of your relationships with women will go up.
I have also heard lots of men complain about womenâs tendency to be passive aggressive.  ButâŚthey rarely ever stop to think how women, as a whole, got that way.  If nothing you say is listened to, believed, or matters, then youâll find ways to express yourself in a backhanded, backwards, upside-down manner.  If all the women in your life canât speak to you directly, then maybe you should ask yourself if youâre the problem.  Trust me,  I hate it when Iâm blocked into being passive aggressive about my thoughts and wishes, too.
Thereâs another angle to passive aggressive-ness that I should mention, and that is that women are often forced to use it as a defense mechanism. Â Women can find themselves stuck in situations where denying a man can either lead to a dangerous repercussion (such as being kidnapped or killed) or on the more day-to-day level, disagreeing with a man can lead to his rage, offense, or hurt. Â He may see it as his authority being questioned, his opinion being set down, his self-esteem belittled because this woman-creature beneath him dared to disagree or hold her own inconvenient opinion as his equal. Â When you have to protect someone elseâs ego in order to survive from day-to-day, itâs really hard to consistently say what you think to whoever holds the power.
As for how feminism is needed in religious communities, think about the traits you say are âdivinely delegated to womenâ and which are âdivinely delegated to menâ and then ask yourself if your very masculine, father-figure God is kind, merciful, compassionate, nurturing, loving, intuitive, empathetic, and emotional. Â If youâre a man who believes that youâre incapable of nurturingâor that itâs somehow beneath youâbecause that trait wasnât given to you but to women then think again. Â Please. Â For all our sake. Â (You will note that even though women are taught that we are emotional nurturers from birth, that we still often seek to develop stereotypically/âdivineâ masculine traits like courage, strength, foresight, intelligence, knowledge, wisdom, leadership, stoicism, fortitude).
And last but not least, to the men in my life who are compassionate, intuitive, patient, understanding, thoughtful and considerate but find themselves walked over, made fun of, or verbally and emotionally abused by women or men for possessing these âweakerâ aka âfeminineâ traits, then feminism is definitely for you. Â Because, at its core, it is about respecting all of human nature, and finding value in all of its goodness.
The Political and Corporate Side to Feminism.
Feminism is an ethical and social-consciousness battle rather than a political battle, first and foremost. Â So Iâm not going to spend very much time on corporate or political topics such as equal pay or equal work and the legislative battles there. Â However, I should say that, due to the efforts of feminists, laws allowing womenâs right to vote and laws against domestic abuse exist. Â Legally, the definition of rape and sexual abuse didnât include abuse within marriage until the 70s/80s. Â It was not legally possibly in the United States to sexually abuse someone if you were married to them, before.
I think itâs easy to get caught up in arguments about whether or not women are paid less or whether or not companies pass over women when hiring, and use those arguments to oversimplify and then dismiss everything feminism is asking for. Â But you should always remember: if someone tells you about their own personal experiences, you should give them the benefit of the doubt and listen to them. Â Being skeptical and wanting to wait for more evidence is allowed, but never dismiss someoneâs experiences out of hand.
All this is to say â
Feminism is about seeing the trends of inequality between men and women and about how this trend hurts all of us, both men and women. Â Itâs not about subjugating or hating on men. Â Observing and pointing out trends is not hatred. Â Asking to be treated with respect and equal value is not suppression of male voices. Â (Though I do agree with the insight that the men who are afraid of being oppressed or losing their current male privileges and unquestioned voice are generally afraid of being treated like women already are).
An Apology to my Friends.
I want to formally apologize to my girl-friends who tried to convince me of the need for feminism before I finally hit saturation point for myself. Â There was a lot I didnât see because of my home-life, and a lot I didnât see because I didnât want to. Â I also want to apologize to my friends who confided in me how little their husbands respect their opinions/words/experiences and how I blew you off, too, choosing to take your husbandâs side automatically and instinctively. Â I still cringe whenever I think about how I treated you. Â I didnât think. Â Iâm sorry.
Next up: Feminism and Fairy Tales.
(I delayed posting this because I wanted to write a follow-up blog entry about feminist expression within fairy tales, but this year has been hard health-wise so Iâm not sure when/if it will get done.)
Was tagged by @petrifiedpetrichor just like old times, man. ;)
Name: Laura Nickname: Soooo many. Best not to collect them all in one place. The Internet remembers everyyything. ;) Star sign: Capricorn tralala. Time right now: Check your watch :p Last thing googled: A math equation so I wouldnât have to do it in my head. <.< Favorite music artists: Hmm. Iâve gotten out of the habit of listening to music, itâs harder to concentrate with it on atm. Song stuck in your head: A sad song from an Avatar Korra episode we were watching last night. Last TV show watched: Doctor Who Season 4! Watching for the first time, so no spoilers! What are wearing right now: What am indeed. New, too-fancy-for-you capris, old old not-fancy top, even olllder, probably-older-than-me dragon necklace. When did you create your blog?: Uh...a year? two years ago? What kind of stuff do you post: Anything fantasticallll... I actually donât really know! It was supposed to be a fairytale translation type platform but mostly Iâve been consuming media rather than producing it this year. I rarely reblog because itâd be all too different for my followers to handle, so I tell myself. Do you have any other blogs: Just ask me how long Iâve been on the Internet and that answer will tell you how many blogs I have, ha. Do you get asks regularly: Not for a while! See again: not producing much content this year. Why did you choose your URL: My love of translation + my health issues + my insecurity about my abilities, might as well declare all of that upfront? haha Hogwarts House: Slytherinnnn. All the misguided ambitions and then paying for them, yes. PokĂŠmon team: Who knows! Favorite color: Greennnnn, but a cool forest green, yum. Average hours of sleep: 7ish, but I need 9ish? See again, current health issues. Lucky number: 12:34 pm Favorite character(s): Uh...mine? <.<...>.>....Okay, okay characters you might know. 10th Doctor? Haha. Sleep with: Two notebooks, my tablet, headphones, sleep mask (we have no blinds), and moonshadows going the wrong way Dream job: Would love love love to be able to be healthy enough to write more and support myself writing. Maybe with a sideline part-time job to get out of the house/headspace. Working on getting there! In slooow motionnnnnnn. Soooo sloooow but it is motion? Yes? Yes. Following: 102
Justice, Halfway through the Major Cards of my FairytaleTarot! PRINTS OF ALL CARDS TO DATE AVAILABLE AT INPRNT https://www.inprnt.com/gallery/yoshisquared/ The Justice card is about making decisions, and being aware of their consequences. Itâs about truth, impartiality, and balance. Where wicked deeds are punished and good ones rewarded. I picked the Amhaeng-eosa, or Undercover royal inspectors of the Joseon era of Korea. The Amhaeng-eosa were real historical figures, who would secretly enter various provinces and towns to investigate the goings on. Afterwards, they would reveal themselves (with their horse requisition medallion) , and had the power to punish the corrupt and promote the deserving. While real, they were popularized in dramas and literature even during the Joseon period, so in some ways, they became mythologized. They represented power wielded with intelligence and impartiality. And reminded people that justice could be served to anyone at anytime.
OMG ITâS THE VERY LAST MAJOR CARD This is the Star Card for my FairyTaleTarot
As always, if youâre interested in this deck, sign up here to get emailed updates about crowd funding http://goo.gl/forms/T4CfPxGgYuuczH7f1 The Star is about hope after a disaster. After something traumatic, itâs important to remember that things can get better again. Keep your chin up and stay positive. I chose the Russian story of Sister Alyonushka and Brother Ivanushka. In the tale, the sister warns her brother not to drink from a particular water source. He doesnât listen and is turned into a goat. Here, the Sister promises to take care of him, and by staying optimistic, is able to live a good life and eventually turn him back. Donât disregard the opportunities in front of you!

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Sleeping Beauty as the Hanged man in another FairytaleTarot card
UPDATE: PRINTS OF ALL CARDS TO DATE AVAILABLE AT INPRNT https://www.inprnt.com/gallery/yoshisquared/
This is the Hanged Man, which classically viewed as having some rather tricky symbology. The original character is Odin, who hangs himself from the tree of life in order to gain knowledge. The idea is you have to stop what you are doing, forward movement may lead to disaster. It is important to stop and meditate, and perhaps give up the current situation for the sake of more favorable circumstances later.
I chose Sleeping Beauty, because she is the ultimate symbol of stasis. Itâs also critical that she sleep, because her other option is death. But we must also consider, what would she dream for a hundred years? In this variation, I have her as having chosen to sleep willingly, and is enjoying whatever she is dreaming. While this card is about remaining still and sacrificing current desires, it is hopeful, with buds waiting to bloom. In the Raider Waite Deck, the Hanged Man actually depicts Odin. As an homage to that, I put his symbol on her necklace!
Stephanie Stephens as Peter Pan, 1915.