"Beware, beware, lost creature!"

This yokai is a sentient smoke cloud from Japanese folklore. As the story goes, a pauper once lit a fire to repel the mosquitoes from his home. The smoke from the fire was very thin and took on strange and unnatural shapes, eventually taking the shape of an ethereal living being, which was then given the name Enenra, or 'net smoke'.

As such, Enenra is composed entirely of smoke. There’s not a lot of backstory here, and it’s left ambiguous whether there are more individuals of this ‘species’ out there.

Toriyama Sekien, in his 18th century yokai encyclopedia, was the first to give a face to the smoky phenomenon. He gave it a friendly appearance with a large, round, smiling head for an almost cute aesthetic, communicating to the reader that this is not a malicious being. With this, he created the design that most future depictions of this creature would be based on.

Like many yokai in Japanese folktales, it is connected to an animistic tradition where a supernatural identity is given to a phenomenon or object. The Enenra also carries a connotation of poverty with it, because Sekien implied that the smoke is so ghostly thin because the pauper only had a little bit of firewood and couldn’t afford more. The kanji used for the ‘ra’ syllable refers to thin gauze fabric, such as the netting that trappers used.

Sources: Yoda, H. and Alt, M., 2016, Japandemonium Illustrated: the Yokai Encyclopedias of Toriyama Sekien, 319 pp., p. 180. Van der Linden, M., 2018, Toriyama Sekien och hans arv: En analys av Toriyama Sekiens yōkai kataloger, deras kawaii-estetik och Sekiens inflytande på det japanska folkets föreställningsvärld, Linnéuniversitetet, Växjö, Kandidatuppsats, 36 pp., p. 20-22.

(Image source 1: Olivia Leppard)

Buckle up witches, we're doing spirit work!

So over the last ten or so years I've been working on connecting with spirits of the land in order to create my own personal set of correspondences.

Now, I'm not going to just list my personal gnosis about the various flora and fauna of where I live because unless you also live in Gubbi Gubbi Country, it won't be of much use to you. Instead, I'm going to give you the tools to do this for yourself so you can take your witchcraft from a beginner level where you're using common correspondences written in books, to an intermediate level where you're making your own.

Let's do this thing!

So, first you need to step away from the witchcraft books, with their carefully curated lists of correspondences, and step outside. It's important to note that most of the common flora and fauna used in traditional witchcraft originates from Europe. If you live in Europe, this makes it easier for you to make your own correspondences. If you don't... well be prepared to do a bit of hard yakka yourself.

"Using what is local and connecting with one's own land is fundamental." (Horne, 2019)

Step 1: Take a Walk

I know it might seem simple but you're going to walk around your local area. Wear some sensible shoes; fill a water bottle; bring your phone and keys; a plastic bag to put rubbish in; and a small notebook with a pen/pencil. I like to put all of this in a backpack but use whatever works for you.

If this is your first time doing this, you're not going to be making any correspondences. As you walk, reach out with your magic and introduce yourself to the local spirits. It will take time for them to be open to you, so the more often you do this, the better.

Don't pick any flowers or plants on these early journeys. Just take your time and if you see any litter, pick it up. This is a great offering to local spirits and helps pave the way for your connection to the land.

You will soon begin to 'sense' local places where there are stronger / more cognisant spirits. I like to call these 'places of power' and have made a hand drawn map of my local area with little symbols showing where these spirits reside.

Step 2: Learn Your Spirits

Now, learning the 'personality' of these spirits will help you to create correspondences later on down the line. Here are some general guidelines that I've found for my local spirits. Yours may be different.

Because I live in a colonised country, many local spirits don't like colonisers and will be actively hostile towards people who are not indigenous. For example, during the 1700s and 1800s there were massacres of the local Gubbi Gubbi people on this land by colonisers. The spirits of the land remember the blood of their cousins spilt by outsiders. In the 'lifespan' of older spirits like rivers, islands and mountains, these atrocities didn't happen that long ago... so you can understand why they wouldn't like non-indigenous people.

Water Spirits

Rivers tend to have strong spirits associated with them. They are slow moving, often nourishing, revitalising and cleansing. They're also OLD, like thousands of years old. The age of the river usually dictates the wisdom of the spirit. But you also need to do research into the history of the river, what plants and animals call it home and how it's been treated by humans as this often dictates how hostile the spirit will be with you when interacting with it. Most of the time river spirits will ignore you. Don't be discouraged, but understand that you are just one of the millions of entities living on their banks. Be respectful and persistent. It takes time.

Creeks and Streams are much younger than rivers most of the time and their speed reflects this. They often have more energising, almost playful spirits but this is not always the case. For example, there is a creek in Gubbi Gubbi Country called Murdering Creek... It's called that because in 1862, approximately 25 Gubbi Gubbi men were simply fishing in canoes during bunya season only to be ambushed and massacred by the Manager of the Yandina Station, Walter Taplock Chippindall, and five other stockmen (Gibbons, 2014). The spirit of this creek understandably does not like white people and did not want to work with me. That is totally fine and I respected its wishes. Just like people, not all spirits are going to like you. That's okay.

Lakes are often more calm spirits. They nourish the land around them and are often more reflective and quiet. You often have to really listen closely to connect with the spirit of a lake. Do not expect a quick response from a lake... let them ruminate for a while and come back later.

Swamps are simultaneously teeming with both life and death; with fallen trees, rotting logs, buzzing mosquitoes and all manner of wildlife. Spirits of swamps are slow and stagnant like the water that inhabits them. Not much phases them most of the time as they are used to the quickly turning wheel of life and death that lives in or around the swamp. They don’t really care about you most of the time… almost like an indifference that tastes like death and rebirth.

Freshwater springs are usually lively spirits bursting with energy bringing forth life-giving, generous refreshment from beneath the surface of the earth. They are cool and bright with an almost ‘mineral’ taste. There aren’t really many freshwater springs where I am that don’t have bottled water companies taking the water so admittedly, my connection with these types of spirits is limited.

The Ocean… Stand in awe at the majesty of these spirits. They are both life-giving and devastating. I love the ocean and feel safe when in its waters, but I also know it doesn’t give a shit about me. It is vast, ancient and tumultuous. There is deep, deep wisdom here… be respectful and you’ll be fine.

Earth Spirits

Mountains here are often proud and headstrong. The spirits of the Mountains on Gubbi Gubbi Country often have stories associated with them. The most famous are the volcanic plugs known nowadays as the Glasshouse Mountains. They’re a family: Tibrogargan, the father, and Beerwah, the mother, had many children. One day, Tibrogargan was gazing out to sea and noticed a great rising of the waters. He ran to his children and told them to flee inland. He told his eldest son, Coonowrin, to help his mother Beerwah, who was with child. But Coonowrin fled, leaving his mother behind. Enraged, Tibrogargan pursued Coonowrin and hit him in the neck with his club, leaving it crooked and bent. When the floods had subsided the family returned to the plains. Feeling ashamed, Coonowrin begged Tibrogargan for forgiveness, but filled with shame at his son’s cowardice, Tibrogargan could do nothing but weep copious tears, which, trickling along the ground, formed a stream that flowed into the sea. Then Coonowrin went to his brothers and sisters, but they also wept at the shame of their brother’s cowardice. The lamentations of Coonowrin’s parents and of his brothers and sisters at his disgrace explain the presence of the numerous small streams of the area. Tibrogargan then called to Coonowrin, asking him why he had deserted his mother. Coonowrin replied that as Beerwah was the biggest of them all she should be able to take care of herself. He did not know that she was pregnant again, Then Tibrogargan turned his back on his son and vowed that he would never look at him again. Even today Tibrogargan gazes far out to sea and never looks around at Coonowrin, who hangs his head and cries, his tears running off to the sea. His mother Beerwah is still heavy with child, as it takes a long, long time to give birth to a mountain.

Trees here in Australia have all sorts of different spirits and personalities. For example, most paperbark trees feel revitalising, like a snake shedding its skin, they are often spirits of renewal and change. They are also protective and healing as paperbark was used to make waterproof shelters,bedding, bandages, rafts, containers and more. The leaves were also used to add flavour to cooking, and a traditional ground oven will often include layers of paperbark leaves. Tea Tree spirits are also cleansing and healing. They often live beside lakes or swamps that are traditionally called “healing lakes”. The tannins of these trees leach into the water making the water change to a tea color while infusing the water with antibacterial and medicinal qualities. Eucalyptus or Gum tree spirits are often cleansing and protective as the leaves have traditionally been used in smoking ceremonies for millenia and their wood for shields. These spirits are also closely associated with fire as the leaves and bark don't decompose and are filled with a highly flammable oil. Eucalypts are therefore destructive, protective and even regenerative as our landscape needs fire to survive with many native plants requiring heat and smoke to crack open seed pods and help them germinate in the new carbon-rich soil.

Step 3: Write your Correspondences

I’m not going to go into detail here as Bree @breelandwalker has an excellent post all about Creating Correspondences which I will direct you to look at.

So yeah ~ hope this was helpful!

~ Marci 

References

Gibbons, R, 2014, ‘Deconstructing the Myth of Murdering Creek’.

YOU'RE TELLING ME

THE TITLE CARD FROM CINDERELLA (1950) EXPLICITLY SAYS IT'S BASED ON THE PERRAULT VERSION OF THE STORY???

WE COULD HAVE AVOIDED ALL THE SANCTIMONIOUS EDGELORDS SMARMING ABOUT HOW "well Disney toned it down; the One True Grimms' Original akschully has blood and no fairy and feet getting cut up, so there" IF THEY HAD JUST

BOTHERED TO PAY ATTENTION TO THE MOVIE AND THEN GOOGLE "PERRAULT CINDERELLA???"

excuse me I need to go scream into a pillow

Royal Mail Myths And Legends Stamps 2025

A wise old Owl

Russian Folk Tales as Retold by W. Carrick

A Flame Burns in the Igloo / В яранге горит огонь (1956)  

[letterboxd | imdb]

Director: Olga Khodatayeva

Art Directors: Leonid Aristov, Vladimir Arbekov, Vladimir Danilevich, Viktor Nikitin

Artists: Irina Svetlitsa, Elena Tannenberg, Konstantin Malyshev, Irina Troyanova

Animators: Vladimir Arbekov, Boris Butakov, Vladimir Danilevich, Vadim Dolgikh, Vladimir Krumin, Viktor Likhachov, Kirill Malyantovich, R. Markano, Renata Mirenkova, Lev Popov