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INTERVIEW Sebastian Stan: âTrauma either destroys you, or it gives birth to you, or rebirths you.â
by Alexandra TÄnÄsescu April 24, 2026
Photo: Adi BulboacÄ for Cultura la dubÄ
âThis is your responsibility â to look at all the parts of yourself, even the ones you donât like, the questions youâre afraid of, to see who you are, how you were made, and then ask yourself: okay, now what do you want to do with that?â
Departure. For an 8-year-old child, departure can be a concept absorbed far too early, especially when it leads into the unknown. It becomes, however, bearable when accompanied by a mother determined to offer a new life.
Departure is deeply rooted in Sebastian Stanâs life story. He left ConstanČa as a child, leaving behind his beloved grandparents and his friends from the apartment building stairwell. He arrived with his mother in Austria, then in America, in New York. And later, his acting career would also involve countless other departures.
But today we wonât talk about leaving â weâll talk about returning.
Sebastian Stan as a child in Romania/ photo: personal archive, through the courtesy of the actor
With an extraordinary ability to transform, choosing vastly different scripts, Sebastian Stan is now one of the most acclaimed actors in Hollywood, a Golden Globe winner and an Academy Award nominee. He holds dual citizenship â American and Romanian.
And in just a few weeks, he will be seen for the first time in a Romanian film, Fjord, directed by Cristian Mungiu â exactly where any cinema artist belongs: at the Cannes Film Festival, in the official competition.
To get close to a celebrity like Sebastian Stan, you would normally have to pass through an army of agents, managers, publicists, or quite literally, security personnel.
On the Fjord set in Norway, however, things were different. For over a month, Stan set aside his invisible superstar cloak and integrated himself into the various layers of the film crew, made up of Romanians, Norwegians, Swedes, and Finns.
Typically, such a celebrity gives interviews rarely and only to major, internationally known publications.
The fact that Sebastian Stan chose to give his first interview in Romania after his Oscar nomination to a small publication like Cultura la dubÄsays much more about him than about us. It is just one of the ways in which he uses his notoriety in service of others â to support causes he believes in, causes that otherwise do not receive much attention. With the same reasoning, he supported, as a producer and financier, the debut feature film of a Romanian director â A Riverâs Gaze, by Andreea BorČun.
The conversation with Sebastian Stan flowed as naturally as possible and touched on personal subjects that help us discover him beyond his acting career. From the search of a child suddenly awakened in a completely different world, to the 42-year-old adult trying to find his true identity and his role on earth. All of this, in the context of the painful loss of his father â âI only spoke Romanian with my father, which created a very special intimacy between us, like an invisible thread that belonged only to us.â
What role does film play in all of this? It is the art form through which Stan can bring his most authentic contribution to a world torn by conflict. And it is also part of his own personal search.
The interview took place in Norway, in April 2025, during a filming break. Sebastian chose to speak in Romanian, though at times some ideas were expressed in English.The material also features the first images of Sebastian Stan on the Fjord film set, captured by photographer Adi BulboacÄ for Cultura la dubÄ.
âââ
âSebastian, weâre in Norway, close to the end of filming on Fjord. First of all, how are you, how do you feel here?
I canât even believe we only have two weeks left and weâre done. Itâs a bit strange here, youâre in a different state. After so much time spent here, in isolation, among these wild mountains, itâs like you no longer know whether the thoughts that pass through your mind truly belong to you or to the character.
Norway, april 2025/ photo: Adi BulboacÄ for Cultura la dubÄ
Probably this very austerity of the landscape was perfect for me, it helped me disconnect from anything else and sink into a completely different world, one that feels almost timeless.
Being in this location helped us a lot to understand what life would be like here for this family in the film, what each characterâs world would look like. It really is a space where the boundaries between you and the role gradually blur, which is wonderful, right?
Ferry in Norway/ photo: Adi BulboacÄ
Before I left, I didnât really have time to think about what it would be like here from an objective perspective, being a totally new experience, after all, itâs my first film with a crew made up of so many Romanians.
What made you accept this project and work with Cristian Mungiu?
Iâve wanted for a long time to collaborate with Cristian. If I look at the last few years, I can say Iâve become more and more dependent on directors and on stories that allow me to go into the characterâs depth.
I like to discover in myself and in the character something unexpected, maybe even frightening, that kind of fear that pushes you to dig deeper.
That inner fear, of not being fully prepared or of failing in front of a new nuance, of a character foreign to me, is what Iâm looking for, I think itâs what makes me grow as an actor.
I have admired Cristian since I saw his first film. We met a few years ago and kept trying to find a project to work on together. In the end, we found this one and Iâm grateful it came together.
Sebastian Stan in costume for his character in Fjord, photo: Adi BulboacÄ for Cultura la dubÄ
You have lived most of your life outside Romania and youâve already had extraordinary film projects in your career. How can you explain this desire of yours, to have not only a personal connection to the country where you were born, but also a professional, artistic one? How and when did this desire or need appear and what lies, in its depth?
Romania is the place where I was born and where part of what I am today was formed. And yes, for a long time I wanted to get involved in a Romanian cinematic project.
My first project with the Romanian film industry isnât this one, Fjord, but the film directed by Andreea BorČun, âMalul VânÄtâ (A Riverâs Gaze), where I got involved as a producer and financier. It made me very happy that I had this opportunity to be part of, to support a project by a young director, at the beginning of her journey, on her first feature film.
Actress Mihaela SubČiricÄ in A RIverâs Gaze, directed by Andreea BorČun/ photo: Malul VânÄt
I think itâs very important, if we can, to support such new voices. Often great careers are born from these first steps. Think of Martin Scorsese, who debuted with Whoâs That Knocking at My Door (1967) thanks to the support of producer Roger Corman, opening the road toward masterpieces like Taxi Driver later. I wonât say that my support was just as decisive, just as important, but I tried to be there for her in this effort as much as I could.
My roots are there, even if I left at only 8, and my first return was only at 21. That long break made the return not just physical, but much more revealing, I could even call it spiritual.
I needed to mature, to gather experiences and, most of all, to cultivate my curiosity and my desire to better understand where I come from. This rediscovery influenced me a lot from the start of my career, realizing that my place of origin and the traits that set me apart are, in fact, parts that define me and support me in life â after a large part of childhood I only wanted to fit in and be like the others.
Sebastian Stan in USA, New York/ photo: personal archive, through the courtesy of the actor
Being different societies I had to adapt to (n.r. Austria, USA), itâs probably natural to want to belong.
With age, you realize that uniqueness doesnât come from what you share with others, but precisely from those qualities and experiences that shape your own identity and challenge you to build a path of your own. Our differences and particularities are, in the end, what give us an original perspective on the world and allow us to live detached from norms, in accord with who we truly are.
This matters enormously, especially in the film industry, where, as an actor, everything starts from how you find your voice.
I think success also depends on the power to express yourself honestly, which often comes from your own roots, feelings, and life experiences. That is exactly what stands behind the ability to understand the depth of characters and stories I was talking about earlier, but also of the people you work with, each with their unique history. That richness makes the performance alive, relevant.
Sebastian Stan/ photo: Aaron Stern, through the courtesy of the photographer
These thoughts have always followed me and made me want more and more to return to the place I left, a place that appears to me in some bizarre memories from the Revolution of 1989, but especially in those with my grandparents, family, friends from back then, with how âthe grown-upsâ related to each other and to the social and political situation of those times.
All of that took shape around 2003, when I met a Romanian woman, Alexandra TĂŽnjalÄ, who later became my friend.
I was in England with my acting classmates from America, from Rutgers â where I was going to college. She was friends with someone in my class and that friend said: hey, youâre Romanian, sheâs Romanian, talk. I, until then, had no contact in Romania anymore. I hadnât kept in touch with the kids I played with in childhood. My grandparents, poor souls, had died. I had nobody anymore. We were all gone.
Sebastian Stan, 21 years old, and Alexandra TĂŽnjalÄ/ photo: personal archive
And because of Alexandra I began to rediscover Romania, Romanian cinema, Romanian directors. She introduced me to the Romanian new wave â Cristi Puiu, Porumboiu, Mungiu, then to Radu Judeâs films and other Romanian directors. She sent me films: âThe Death of Mr. LÄzÄrescuâ, â4 months, 3 weeks and 2 daysâ, â12:08 East of Bucharestâ â which remains one of my favorite films, and many others.
I remember that around 2008 she brought me a DVD with Cristianâs film â4 Months, 3 Weeks and 2 Daysâ, which she had gotten his autograph on. Iâm really curious if I can still find it at home. That would be something!
Then I started to get involved in Alexandraâs volunteer program, Our Big Day Out, as a volunteer, which targets children in placement institutions and disadvantaged people. Alexandra is also a volunteer of the NGO The Alex Fund, founded by Leslie Hawke (n.r. Ethan Hawkeâs mother).
Sebastian Stan and Leonard BÄrbieru/ photo: Silviu Pal, Our Big Day Out
They, this NGO, The Alex Fund, had an event at Lincoln Center, in New York â the screening of Cristian Mungiuâs film, Graduation. And Alexandra invited me to this screening, a perfect occasion to meet Cristian Mungiu, especially since I lived in New York.
So I took my mom with me, and at this event I met Cristian for the first time. I donât think he knew anything about me then. It was happening around 2016, I think.
How did your relationship develop after that moment? Did you keep in touch?
Until 2018 I didnât hear anything from him, but in 2018 Alexandra suggested that he invite me to the American Independent Film Festival, in Bucharest. There I was invited with the film âI, Tonyaâ, in which I had just acted. In that same week I also met Corneliu Porumboiu, whose fan I already was for a good few years. And only from then on can I say I kept in touch more often both with Cristian and with Corneliu.
You said earlier that you had several attempts to work together, but only now you matched. Do you feel this collaboration with a Romanian director came at exactly the right moment in your career?
Yes, now, after more than 20-something years in this business (itâs very interesting to hear myself saying that), I realized much more that, surprisingly, you canât control everything, no matter how much you want to.
You always want to work with certain directors, to get specific roles, but for me all the important films, from âThe Apprenticeâ and âI, Tonyaâ, âA different manâ and now, âFjordâ, came exactly when I wasnât expecting it.
Sebastian Stan as Donald Trump, in The Apprentice, dir. Ali Abbasi/ photo: The Apprentice
It was as if I let myself be carried by the wave, as if I raised my hands in the air and said: you know what? If itâs meant to be, itâs going to happen, if not, not. And right then, letting things flow naturally, everything came together.
And I feel extremely lucky that âFjordâ came together. We were talking about it back in the summer of 2024 and I still wasnât sure if we would do it in December or January, but in the end, here we are, it happened now, in spring. And yes, it feels like it was meant to be that way.
I had also talked with Cristian about R.M.N. We tried then too to see if that film could suit me, but we didnât synchronize.
And I think, in the end, Fjord is much more suitable for us.
Sebastian Stan and Alexandra TÄnÄsescu, Norway 2025/ photo: Adi BulboacÄ for Cultura la dubÄ
What is it like to work with him? Did you get used quickly to his style on set, with long takes, with many takes?
Itâs fascinating to work with a director who has such a personal and meticulous style. What I like most in this job is that every director comes with their own methods.
For me, the first rehearsal, that moment when the door opens toward the directorâs vision and universe, is one of the most interesting moments of this career. â Sebastian Stan
Itâs somehow a moment that never stops exciting me. As an actor you have to always be open to absorb something new from each project â what worked in one film doesnât necessarily mean it will work in the next.
Also, I donât like to play the same thing all the time, it becomes boring.
Sebastian Stan at Zurich Film Festival/ photo: Fabienne Wild for ZFF
This very instability makes a creative career feel alive. Somehow it forces you to reinvent yourself constantly, to discover all kinds of unsuspected resources in you, especially with a director who reconstructs reality down to the millimeter. I admit (laughs), I need someone to guide me. I think trust in directors is crucial.
Since I saw his first films I noticed his unmistakable style: each scene is kept as a long sequence, sometimes 20 minutes, and sometimes with a hundred people involved. And you watch those sequences and you feel like youâre watching a documentary â the actors donât seem to act a role, they seem to live the story. I think thatâs how the situation becomes very real, believable.
But I didnât know how much he works on what we see, how attentive he is to every detail.
Cristian Mungiu during the filming of Fjord in Norway/ photo: Adi BulboacÄ for Cultura la dubÄ
For example, he worries down to the millimeter how a child sits in a corner or how a flag flutters, everything is thought through meticulously to create impeccable visual authenticity.
After seeing all these things, I look at him now more as a complex artist, almost like a painter. You can stop his films on any frame and look at it like a work of art. And I donât think thatâs accidental. He has an extraordinary eye for detail, which gives his films a rare aesthetic level. It seems to me itâs very difficult to achieve something like that and thatâs why it amazes me, I keep asking myself âhow did he manage to think up this whole universe?â
And thereâs one more interesting thing about Cristian, he is extremely attentive to how we react in real life, and when he says action, he knows exactly when something sounds false, melodramatic or gratuitous. â Sebastian Stan
For me, all these things were very motivating and pushed me daily to want to rise to the level of the universe he creates in his films.
The big difference between American films and European ones is that in many American films you often feel youâre being told how to feel, like someone is spoon-feeding you. Whereas in European films, youâre shown a situation, and you, as a viewer, are the one who draws conclusions, you decide how to feel, how to interpret the characters and the story.
Sebastian Stan in A Different Man, dir Aaron Schimberg. The actor received the Silver Bear award at The Berlin Film Festvial for this role
Itâs a much more creative and artistic approach and, in my view, thatâs the impact film should have on the public. Thatâs life, after all, there isnât only black or white, nobody is only good or only bad, we all try every day to live and make peace with our decisions, aware that we are subject to mistakes and nobody is perfect.
Coming back to working with Cristian, shooting a sequence 20â30 times is a huge challenge, something happens. Itâs also a very heavy subject, it contains some very emotional scenes. To try to hold those emotions, as an actor, for that long time, every time, 20â30 times, is not easy at all.
Alexandra TÄnÄsescu and Sebastian Stan in Norvegia, during the interview/ photo: Adi BulboacÄ for Cultura la dubÄ
You can feel you entered that state perfectly at take five, but maybe the other actors didnât hit it. Everything has to be synchronized impeccably.
Sometimes what feels authentic to you on set, in the edit or even on screen can look false.â Sebastian Stan
In a way, this style of filming resembles staging a theater play: you do daily rehearsals, you have shows a few times a week, you have to keep the rhythm and intensity, but still find new nuances in the same structure, even if you repeat the same text or scene.
Itâs fascinating to go again and again toward that emotional state trying to improve it each time, not to repeat it, but to outdo yourself.
For this role, you needed to radically change your look. How did you reach an agreement about that? Was it hard for you to do?
I donât think it was hard, especially after the experiences with the series Pam & Tommy, where I lost over 9 kilograms, or for the role in The Apprentice, where I gained about the same.
Sebastian Stan in the miniseries Pam and Tommy/ photo: Erin Simkin, Hulu
I think adapting the look helps enormously and brings authenticity to the character. Not only in what the public sees, but in how I relate, as an actor, to the character: you behave differently, you move differently, mannerisms change, certain instincts seem to adapt automatically. The closer you are to the characterâs physicality, the closer you get to him.
I donât see changing the look as something hard, but rather necessary if the character demands it. If you go to work knowing exactly how it will be, you have nowhere to move forward, and in the long run you only lose.
As I said, to me, discomfort, fear and the unknown are crucial in the projects I get involved in. To me, they are the basis of creative freedom and evolution.
Sebastian Stan in I, Tonya, dir Craig Gillespie/ photo: Neon
Do you feel this collaboration gave you a new perspective on Romania, not only with Cristian, but with the whole Romanian crew? You spent a lot of time with them, I donât know if youâve ever spent so much time with so many Romanians in one place.
Yes, I spoke with my mom on the phone a few days ago and she told me my Romanian is much better since I came here.
Sebastian Stan gives his mother a kiss during an interview at the Oscars/ photo: youtube snapshot
To be able to speak Romanian for so long has been nice and very good. Still, for me, the relationship with Romania is a process that is still developing and it will take some time until I reach all the layers I want. There are still many directors and people in the Romanian industry I want to work with. (n.r. Radu Jude told Cultura la DubÄ in an interview that he will make a film with Sebastian Stan).
There is certainly a Romanian style and itâs hard for me to describe it in words. Itâs a particular feeling, a mix of humor that I used to know and now Iâm remembering.â Sebastian Stan
Romanians have an expansive way of speaking, full of gestures, on one side theyâre very warm-hearted, on the other, very stubborn. I laughed a lot with them and I liked feeling that energy, which, yes, feels very familiar to me.
For example, when I filmed a sequence with Alin Panc, I could barely stop myself from laughing â he had a way of being that made me collapse laughing with just a look! And Adrian Titieni, whom I had seen in the film Graduation, where he was outstanding, is an incredible actor. I was deeply impressed by his presence and professionalism and Iâm very grateful to work with him, but also with the rest of the Romanian team.
Sebastian Stan in front of the camera during filming of Fjord, Norway 2025/ photo: Adi BulboacÄ for Cultura la dubÄ
Honestly, I was a bit scared to be with them on set, I had to find my Romanian again, I still have the accent I have, I wanted to speak as well as possible, to be as authentic as someone who left Romania after much less time than I left.
Well, they are 100% Romanian actors, with deep roots in the culture and the subtleties of expression, which, yes, intimidated me a bit at first. But precisely these differences created a special chemistry both on set and between us. It was and remains a tremendous experience for me!
Sebastian Stan in BucureČti, finding out he received an Oscar nomination during rehearsals for Fjord/ photo: Alexandra TĂŽnjalÄ
But do you think that, beyond professional collaboration, our tendency to reconnect with our roots as we get older, to rediscover the stories lived by our grandparents, is actually about a personal need to truly know our identity? Itâs like we see these things differently close to 40. How is it for you?
Itâs exactly as you said. When you reach 42 (laughs), as I am, you think very differently. Especially when you lose people in your life.
When my father died, in 2021, a lot changed for me. Such an event completely changes how you see life, where you come from, what happened, what the history is, what the roots are, what made you, how it made you, etc.
And I go back again to what we discussed earlier: itâs not just about getting close to the roots or knowing them, but also understanding them and the compassion you must show so you donât alienate yourself from them, no matter how shaky they may seem at times.
My father died, unfortunately, in a hospital in Romania.
Those days when he struggled for life, in his native country, in a place he had left long ago and only returned to visit, are still very hard for me to describe.
The states I went through then, the anger I felt toward this system that seemed torn from old stories about Romania, the helplessness in front of illness, but especially in front of the way this system works, the lack of transparency, communication barriers and the lack of empathy of the doctors for the patients or their relatives, I admit, all of that marked me.
I kept trying to understand how you cope with such a mechanism, especially since weâre talking about the medical system.
And when I read this script, I felt this parallel: losing my father in the twists of Romanian medical bureaucracy, the helplessness probably shared by many Romanians who lose their parents like this, resembles strikingly the tensions in Mungiuâs Fjord â the family broken by distance, the cultural values in conflict, and the mute fight to keep what remains of humanity in front of a cold, impersonal mechanism.
America had a big influence on me, because I grew up there. I feel very lucky that I had the opportunity to leave when I could, that I had my mom, who fought very hard so we could leave after the Revolution, to have other chances.
Sebastian Stan as a child/ photo: personal archive, through the courtesy of the actor
But I also feel this leaving as a kind of guilt. You sit and think that not many had these opportunities.
And you keep thinking what it would have been like if we hadnât left, if we had stayed there. Or if we left and never returned, if I had lost Romanian completely. At this age you think about all that, you canât help it.
In the end, you have to accept. This was your road. The only way. But you have to acknowledge all of it: the luck and the guilt and where you headed, but also where you came from.
Sebastian Stan at Zurich Film Festival/ photo: Fabienne Wild for ZFF
And the work.
Yes! And the work. I tried to do something with this opportunity and sometimes I canât even believe we are here and talking about this now.
Still, when you lose a parent, when you think about children, about how fast this life passes, you look beyond yourself. You sit and ask: what can you still say and do? What do you do with this platform you built, that you have?
This is my journey. Through the films I make and the profession I chose I want to contribute in a way that is beyond me, that surpasses personal ego.
Thatâs why I got involved in Alexandraâs volunteer project, Our Big Day Out, and in Andreea BorČunâs film (n.r. âMalul VânÄt / A Riverâs Gaze), because there are many women directors in Romania who have something to say.
Sebastian Stan, volunteering for Our Big Day Out/ photo: Our Big Day Out
And she had a story somewhat similar to my story with my mother, there are some small parallels there. And not only that drew me to this project, but also the way it was made: the preparation meant six years of research in rural areas, the filming stretched across four seasons, something quite rare for a fiction feature.
Over 60% of the cast are non-professionals from the regions where filming took place, ordinary people who were given a real chance to play what they live day by day and not just anyhow, but in a feature film. Including one of the main actors, the boy, which I think was a brave bet for a debut director, not many take that on.
So yes, I try to find more ways to contribute, but at the same time remain who I am, not pretend anything other than what I am.
Sebastian Stan, Andreea BorČul and Alexandra TĂŽnjalÄ/ photo: personal archive
Iâll end with something I should have started with: congratulations on the Golden Globe and on the Oscar nomination! I donât know if you realized it, but the moment of your speech caused strong emotions in Romania. Maybe some said: why do we claim him, Romania has no merit. But the truth is that for Romanians the success of a Romanian athlete or artist abroad brings a kind of joy they canât get from anything else.
Thank you so much! I said on stage exactly what I felt. And regarding Romania, what I can say now is that in those years when I left, there was a lot of chaos for me.
When youâre a child, you keep trying to find your home. You live here, then you go there, then to another country. As I said, when youâre a child, you want to be like everyone else. But, in the end, those years made me. Without all that chaos, childhood in Romania, leaving for Austria, then America, all that built me and otherwise I wouldnât be here.
Iâm convinced that if I had been born in America and lived there all my life, I wouldnât have ended up in the situation Iâm in today.â Sebastian Stan
Maybe there are people who have an ok life, they have a whole family, nothing bad happened to them and they become geniuses, I donât know, itâs possible. But every director I attached myself to, every writer, screenwriter, absolutely all have family stories, a childhood, situations that made them ask who they are, to discover what they are capable of.
Some traumasâŚ
Exactly. Traumas either destroy you, or they give birth to you, or rebirth you.
And thatâs your responsibility, to look at all parts of you, even the ones you donât like, at the questions youâre afraid of, to see who you are, how you were made and then to ask: ok, now what do you want to do with that?
I understand maybe some look and say âhe left, what the hell does he still have to say?â. But still, if I hadnât had that moment there (n.r. at winning the Golden Globe), if I hadnât said what I saidâŚ
Sebastian Stanâs speech at the Golden Globes, 2025
I could have been on stage for an hour and still I wouldnât have finished thanking everyone. You always dream of these moments, you think: if I get there, what will I say? In the end, that moment has to be âthank you!â. You donât get there alone. You get there because hundreds of situations happened, for the people you met along the way and because you worked very hard.
That moment when you said, at the end, Romania, I love you, was it spontaneous or did you have it prepared? And why did you want to make that declaration toward Romania?
It was and it wasnât spontaneous. It was first of all a message for my mother, or rather, from my mother, who always repeated to me: âYou have to remember where you came from.â On the one hand, it represented her strength to leave with me, alone, our shared journey.
Sebastian Stan and his mother, Georgeta Orlovschi/ photo: personal archive, through the courtesy of the actor
On the other hand, about the support of my stepfather, which was unconditional, and, equally, about my father and the relationship I had with him, about the moments spent together, where he brought to life dozens of stories from and about Romania, about Romanian music we listened to together, about the fact that I spoke with him only in Romanian â which created a very special intimacy between us, like an invisible thread only ours â and up to his own road, which wasnât easy at all, but also about the stories about him discovered later from his friends, after I lost him.
From my point of view, it would have been inauthentic and unjustified not to say what I said.
I had to speak about our road, and our road â mine, my motherâs, my fatherâs â began there, in Romania.â Sebastian Stan
Of course throughout my career I thought about this moment, to be on stage and reflect on my path, on my origin, to thank everyone who contributed to this life. So, in a way, it wasnât spontaneous â in reality, I wouldnât have been there if I hadnât had this road and this past, which begins and will always begin with Romania.
Sebastian Stan, on Christmas in Romania/ photo: personal archive, through the courtesy of the actor
It was my way of recognizing where I come from, of showing my pride in my past, of fully accepting it, for my identity and for all the people who were with me and shaped me, from there, from the country where I was born.
It's been way too long since I last posted, I know, but life has been kicking my ass lately.
I'm hoping I'll get back to writing soon as I have some time off coming up, but we'll see how inspiration hits.
Anyway, just came on to say that
I'm almost at 1200 followers and honestly it blows my mind with how little I've been posting the last two years or so
Not sure if anyone has noticed but most (if not all, I'm currently changing that) the titles of my one-shot fics are inspired by songs!
I've been thinking about adding the title inspiring song to the fics if anyone is interested in learning about new music as much as I am, but if no one's interested I won't bother.
Let me know what you think!
Also, my DM's are always open for requests (I'm ridiculous, yes) or just to chat.
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Okay so I feel like in Doomsday, when the avengers meet the fantastic four, one of them, most likely a thunderbolt like Yelena, Ava, or John (IM SORRY CYPHER BUT YOU KNOW ITS TRUE-) are gonna make a comment about Ben, and heâs gonna be like, he understands that theyâre shocked, it would be weird not to be, but Reed Sue and Johnny are READY TO THROW HANDS, hereâs kinda the scenario
John; okay are we not gonna like⌠realize the fact one of them is a roc-
They are! I'm still working on a LOT of fics, series AND other requests, but I'm always open to adding more because sometimes new ideas help me get the ball rolling and inspire me to write again. I could definitely used a push right now, so feel free to make requests. It doesn't matter if it's Bucky x Reader or other pairings, I'm open to all. Happy holidays!đЎ
Summary: When Christmas doesn't feel like Christmas at all, Bucky takes it upon himself to fix that for you.
Pairing: Bucky Barnes x Reader, Platonic!Thunderbolts x Reader
Warnings: Some sadness, just a little. My poor attempts at being funny. Bucky being a sweetheart. The Thunderbolts being a reluctant family. A whole lotta fluff.
Word Count: 1.3K
A/N: Merry Christmas Eve! Here's just a little Bucky and Thunderbolts fluff for y'all and I hope your holidays are going better than mine. Kisses to all of youâ¤ď¸âđŠš
You thought Christmas at the Watchtower would be close to magical, that at least Valentina would want to put up a buttload of decorations. And she kind of did.Â
She had lights put outside of the Tower, but inside there were barely any lights or decorations, just a wreath here and there, there wasnât even a Christmas tree. She just put up the necessary to keep up a festive front for the public.
Itâs all really sad and it just doesnât feel like Christmas at all.
You used to love Christmas when you were a kid, your whole family would gather in your grandmaâs small house and you would eat and laugh and just be together. Presents werenât even important, mostly because most years there were few if any, but the company made up for it.
But this year is the first time you have no family around. Not just because you joined the Thunderbolts, but because theyâre all gone. For one reason or the other, you lost your entire family one by one, the last one being your mother just before joining the team a few months ago. Youâre completely alone.
At least thatâs how you feel, even as you interact with the team daily. But they can all see it, your usually bubbly personality now quieter, fewer words and even less smiles. Bucky notices more than everybody, of course he does. He notices everything about you, the girl that lights up his entire life even when John is rage-baiting him and Alexei is being obnoxiously loud about some stupid thing and Ava and Yelena are trying to convince him to let them braid his hair like they did Bobâs.Â
With everyone driving him crazy, your smile alone is his saving grace, even if heâd never admit it to anyone.
But now itâs like your light is dimming and he doesnât like it. So he decides to take matters into his own hands and make sure you shine brightly again.
Just what you needed on top of an already crappy holiday, Valentina gave you the last mission before she allowed the team a break, meaning no more missions unless there were any emergencies.
Unluckily for you, your last mission was five full days of boring intel gathering, alone in a dingy hotel room while absolutely nothing happened with your target. Turns out he was just a real lonely guy with no reason to leave his house, not a terrorist hiding away in his rat hole.
By the time you make it back to the Watchtower itâs just after midnight of the 24th, officially Christmas Eve, but you feel anything but merry.
The common room lights are all off as you drop your gear near the couch, which is really unusual since theyâre always on, or at least dimmed during the night, but never off completely.
You shrug it off, your exhausted mind completely focused on getting something to eat and then crash out in your room, maybe even for a couple of days and sleep right through Christmas.
When the lights in the kitchen donât work either, though, you frown and start to wonder if somethingâs wrong with the tower.
You walk back into the common room and, as soon as you stand in the middle of the room, the TV comes alive by itself, a feed of a crackling fire playing.
âWhat theââ You start when suddenly Christmas lights hang over the TV light up and spell âMerry Christmasâ in colorful letters.
Youâre startled and confused, but barely have time to process when other lights start turning on all around you until the living room is full of them, so many different coloured lights and a tree so big and colorful that it would put Rockefeller Center to shame.
You almost canât believe what youâre seeing as you turn around in your place, looking in awe at all the lights, and after you did a full 280 two or three times, you freeze when youâre facing the TV again.
You thought the team would all be asleep by now, but here they all are, standing in front of the Christmas socks with all your names hung under the TV.
Your mouth falls open a little when you notice them all wearing matching ugly Christmas sweaters, some begrudgingly, and Christmas pajama pants, Santa hats or other ridiculous Christmas headwear.
Bucky is standing front and center with a wide smile and Reindeer antlers with bells and bows that make you giggle through the tears welling up in your eyes.
âWhatâŚ?â Thatâs all you can get out as you take in the scene in front of you, but no other words come out because your brain is having trouble processing.Â
âYou canât be the only one not matching, doll.â Bucky says simply as he walks up to you with a sweater and pajama pants to match the teamâs like thatâs the only thing that matters right now.
You look down at the clothes in his hands then at him and back, shaking your head in disbelief, or maybe to clear your mind enough to talk.
âWhatâs going on?â You finally manage to get out as you look back at him, your eyes wide and still confused.
Bucky doesnât answer for a second, committing to memory the image of you right now, still dishevelled from your mission and clearly tired from the trip back, but your eyes are filling with tears that reflect all the colorful lights around you and the look in your face is nothing short of one of wonder an actual kid would have on Christmas.
âItâs Christmas Eve.â Bucky says softly and gestures back to the team, some like Yelena and Avalook not so happy to be doing this, mostly because of the ridiculous clothes and accessories, but theyâre all still there doing this for you. âWeâre a family⌠Weâre your family.â
âIâŚâ You have no idea what to say, barely having time to react before she ushers you towards the bathroom.
You change in a daze and when you come out the team is mostly in the kitchen prepping what look like Christmas cookies, except for Bucky whoâs waiting for you right outside the bathroom with something behind his back.
âThere we goâŚâ He grins after he reaches up and puts a headband with a Santa hat with bells in your hair. âPerfect.â
You just look up at him for a moment before your brain finally starts working again and words come out.
âI didnât think the team cared about Christmas.â You say quietly.
âWe mostly donâtâŚâ He concedes and gently rubs your arms. âBut I care about you.â
âYou did all of this?â You ask almost in awe.
âIâd do anything for you.â He says softly now, his hands come up to your shoulders.
âNowâŚâ He gently turns you and steers you into the kitchen as you giggle. âLetâs have some family time.â
The entire team spends the whole night up, making cookies and mostly disasters but laughing like idiots at the mess you make with a background of Christmas classics.
On Christmas day, you take shifts cooking and then have dinner all together, like a real family, then sit around the living room with hot cocoa and the cookies you made while watching Christmas movies, each of you getting to choose one.
You fall asleep on the couch, your head on Buckyâs shoulder with his arm around you and a blanket covering you both.
He looks down at you with a soft smile, taking in the finally serene expression on your face after all the laughter in the last two days alone.
Yes, he doesnât care much about Christmas, but seeing how happy having one with the team makes you⌠Heâs definitely going to start.
Summary: When Tony finally makes it back home, the team attempts to make a plan... But Tony isn't having any of it.
Pairing: Platonic!Avengers x F!Reader, Platonic!Thor x F!Reader
Warnings: Angst again, duh. Some fluff if you squint. My poor attempts at being funny. My man Tony is falling apart. Thor and Reader on their way to being besties. And as always a good dose of spoilers if you still haven't seen Endgame (Like how?).
Word Count: 3.1K
A/N: You have no idea how hard I'm trying to keep this one chapter a week thing... I want to finish at least the Infinity Saga before the end of the year, so there might be even more chapters at a time. Hope you enjoy this in the meantime!
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Steve runs to the ship where Nebula is helping Tony walk down the ramp, everyone else close behind the Captain as he grabs Tony and holds him up.
âCouldnât stop him.â Tony says shakily.
âNeither could I.â Steve says back.
âHang onâŚâ Tony stops walking and looks up at Steve, panting a little. âI lost the kid.â
Steve falters for a moment and looks back at him before answering, âTony, we lost.â
Tony hesitates before asking, âIs, uhâŚ?â But before he can finish, Pepper walks up to the two and Tony seems to be able to breathe again. âOh, goodâŚâ
âOh my god!â Pepper hugs Tony while sobbing, Tonyâs eyes closed but heâs visibly relieved. He kisses her cheek and mumbles, âItâs okay.âÂ
As they walk away with Steve, you see Rocket and Nebula behind them sit on the steps of the ship for a moment before silently holding hands, so you and the others decide to give them some privacy and go back inside too.
Youâre in the conference room with the others, although youâre behind the glass sitting with Thor where you can hear everything going on but when he sat there, you decided to sit with him.
In the last three weeks you got closer with the God of Thunder as you both spent a lot of time on the roof of the Compound, silently sitting beside each other as he mourned his brother while you mourned Bucky.
You have a hand on his shoulder, silently supporting him but looking at the holotable, your eyes on Buckyâs picture from 2016, JAMES BARNES written under it as all the people that snapped go through the hologram.
âItâs been 23 days since Thanos came to Earth.â Rhodey says and you purse your lips when you see Samâs picture too, having to look away now.
âWorld governments are in pieces.â Natasha says next. âThe parts that are still working are trying to take a census and it looks like he did⌠He did exactly what he said he was gonna do. Thanos wiped out⌠50% of all living creatures.â
Everyone looks devastated. Hopeless, even. You all lost a lot.
âWhere is he now?â Tony suddenly asks. âWhere?â
âWe donât know.â Steve answers while looking down at his feet. âHe just⌠Opened a portal and walked through.â
Tony sighs and points through the glass at Thor sitting leaning with his elbows on his knees, fiddling with his hands and glancing at you as you squeeze his shoulder. âWhatâs wrong with him?â
âOh, heâs pissed. He thinks he failed.â Rocket answers from his spot in front of the glass near you and Tonyâs eyes snap to him as he adds, âWhich, of course, he did, but thereâs a lot of that going around, ainât there?â
Tony looks at him for a moment before just answering with, âHonestly, until this exact second, I thought you were a Build-A-Bear.â
âMaybe I am.â Rocket takes it in stride, even if youâre sure he has no idea what a Build-A-Bear even is.
Before you can make a comment about it though, Steve goes back to business.
âWeâve been hunting Thanos for three weeks now. Deep space scans⌠Satellites, and we got nothing.â He pauses. âTony. You fought himââ
âWho told you that?â Tony interrupts him and everyoneâs attention turns to the malnourished scientist. âI didnât fight him. No, he wiped my face with a planet while the Bleecker Street magician gave away the stone. Thatâs what happened. There was no fight, âcause heâs not beatable.â
âDid he give you any clues?â Steve tries again. âAny coordinates, anything?â
âUhâŚâ Tony sputters and salutes mockingly. âI saw this coming a few years back.â
Tony starts and you just know youâre headed for another meltdown like with Charlie during the Accords discussion. You share a look with Natasha through the glass but nobody interrupts. âI had a vision. I didnât want to believe it. Thought I was dreaming.â
Steve, as always, doesnât give up and tries to make Tony reason. âTony, Iâm gonna need you to focus.â
âAnd I NEEDED you.â Tony says sharply now. âAs in, past tense. That trumps what you need. Itâs too late, buddy. Sorry.â He adds sarcastically.
âYou know what I need?â Tony knocks over the bowl in front of him. âI need a shave.â He stands up. âAnd I believe I remember telling all youseâŚâ He slurs as he rips off his IV.
âTony, Tony!â Rhodey tries to stop him but the millionaire keeps going. âAlive and otherwise, that what we needed was a suit of armor around the world, remember that? Whether it impacted your precious freedoms or not. Thatâs what we needed.â
âWell, that didnât work out, did it?â Steve reminds him but Tony isnât deterred.
âI said weâd lose.â He keeps going. âYou said, âWeâll do that together, too.â Well, guess what, Cap? We lost. And you werenât there.â
Steve sighs softly but Tony isnât finished. âBut thatâs what we do, right? Our best work after the fact?â He starts losing his balance and Rhodey keeps him up. âWeâre the Avengers? Weâre the âAvengersâ, not the Prevengers?â
âOkay.â Rhodey says as Tony keeps asking rhetorical questions. âYou made your point, just sit down, okay?â
âOkay, no no, hereâs my point. You know what? Sheâs great, by the way.â Tony points at Carol while Rhodey tries to get him to sit down but Tony just keeps rambling. âWe need you. Youâre new blood. Bunch of tired old mulesââ
He manages to get away from Rhodey and steps up to Steve, getting up in his face. âI got nothing for you, Cap. I got no coordinates, no clues, no strategies, no options. Zero, zip, nada, no trust⌠Liar.â
Tony tears the arc reactor off his chest and shoves it in Steveâs hand while breathing heavily. âHere, take this. You find him, you put that on⌠You hide.â
Heâs clearly trying to be intense, maybe even intimidating, but his voice is shaking with exertion and his legs give in after a second.
âTony!â Steve, and everyone else, tries to step in to help him as you yourself stand up too.
âIâm fineâŚâ Tony tries to wave you all off right before he drops to the floor entirely, now passed out.
As Pepper sits on the side of Tonyâs bed, Rhodey takes off his glasses and sets them aside on the bedside table before he goes out to the sitting area where you, Steve, Natasha and Carol are.
âBruce gave him a sedative.â He informs you all. âHeâs gonna probably be out for the rest of the day.â
âYou guys take care of him.â Carol says. âAnd Iâll bring him a Xorridian Elixir when I come back.â
With that, she turns around and starts walking away. Before you can ask what the hell is a Xorridian Elixir, Steve speaks up first.
âWhere are you going?â He asks.
âTo kill Thanos.â She says simply without stopping. You, Natasha and Steve share looks before you all follow Carol.
âHey.â Natasha says and Carol turns around. âYou know, we usually work as a team here and, between you and I, moraleâs a little fragile.â
âWe realize up there is more your territory, but this is our fight too.â Steve adds.
âYou even know where he is?â Rhodey asks from where he leans against the doorway.
âI know people who might.â Carol answers.
âDonât bother.â Everyone turns to Nebula as she speaks up for the first time. âI can tell you where Thanos is.â
âThanos spent a long time trying to perfect me. And when he worked, he talked about his Great Plan.â Nebula starts once you all gather in the conference room again.Â
âEven disassembled, I wanted to please him⌠Iâd ask⌠Where would we go once his plan was complete? And his answer was always the sameâŚâ She walks up to the Holotable. âTo the garden.â
âThatâs cute.â Rhodey says sarcastically. âThanos has a retirement plan.â
You roll your eyes but Steve ignores him and asks Nebula, âSo, where is he?â
Rocket turns on the Holotable. âWhen Thanos snapped his fingers, Earth became ground zero for a power surge of ridiculously cosmic proportions.â He explains as the Holotable demonstrates.
âNo oneâs ever seen anything like it. Until two days ago.â The hologram changes to a different planet. âOn this planet.â
âThanos is there.â Steve states the obvious, as usual.
Natasha leans in closer to the hologram. âHe used the stones again.â
âHey, hey, hey.â Bruce chuckles nervously, interrupting the flow with some valid concerns. âWeâd be going in shorthanded, you know?â
âLook, heâs still got the stones, soââ Rhodey supports Bruce but Carol interrupts him.
âSo letâs get them.â She says like itâs the most obvious thing in the world. âUse them to bring everyone back.â
âJust like that?â You ask in disbelief, sharing Bruceâs concerns.
âYeah.â Steve answers now. âJust like that.â
âEven if thereâs a small chance that we can undo thisâŚâ Natasha speaks up. âI mean, we owe it to everyone whoâs not in this room to try.â
âItâs not as simple as that, Tasha.â You scoff. âWe kicked all of our asses. Multiple times. And that was when there were twice as many of us than there are now.â
âLook, sheâs right. If we do this,â Bruce tries to reason too. âHow do we know itâs gonna end any differently than it did before?â
âBecause before you didnât have me.â Everyone turns to Carol.
âHey, new girl? Everyone in this room is about that superhero life.â Rhodey starts and you roll your eyes while Carol sighs but lets him continue. âAnd if you donât mind my asking, where the hell have you been all this time?â
âThere are a lot of other planets in the universe.â Carol answers calmly. âAnd, unfortunately, they didnât have you guys.â
That shuts Rhodey up real quick while Steve nods in agreement.
Thatâs when Thor decides to stand and walk up to Carol, who turns to face him unbothered. He holds up his hand and summons Stormbreaker, which flies by, inches from Carolâs face, but she doesnât even flinch.
Thor looks at her for a moment with an intense gaze that she holds, her eyes narrowing slightly in a way that makes her seem almost amused.
Thor just nods and looks around at the rest of you. âI like her.â Carol almost smirks but doesnât say anything.
Behind them, Steve stares at the hologram of the planet Thanos is probably in with an intense look. âLetâs go get this son of a bitch.â
[Tuuun tun tun tu-tuun⌠Okay, Iâll stop.]
You almost snort at Steve cursing and are tempted to make a joke about it, but even you realize itâs not the right time. So you limit yourself to squeezing Steveâs shoulder when you pass him on your way to get ready for the mission.
After you put on your fight suit, youâre securing your weapons to your utility belt when you see a few of Buckyâs knives mixed in with your gear. You hesitate a moment before you pick up his favorite, his âluckyâ one, and turn it in your hands.
He considered it lucky because you gave it to him. Or, more accurately, you dropped it while fighting him all the way back in 2014 and he just picked it up and kept it. It reminded Bucky of how far heâs come since then, and it reminded him of you.
You twirl it in your hand a few times, tossing it and catching it and doing a few tricks he taught you before you pocket it, keeping it on your person as a reminder.
A reminder of what youâre fighting for, what youâll lose all over again if you donât get the stones back.
Thereâs a knock on your door and you call out, âItâs open.â without turning around.
âYou ready?â Thor comes in and walks up to you in front of the counter.
âAlmost. Look, I need you to do me a favor.â You say while you keep securing your gear.
âA favor?â Thor raises an eyebrow.
âIf, for some miracle, we actually manage to get a jump on Thanos⌠Iâm gonna need you to keep me away from him.â You donât even look at him as you say the words, but Thor can see how tense your body is.
He stops you with a gentle hand on your shoulder and simply asks, âWhy?â
You turn to look at him now, steady but tense with something that can only be described as fury. âBecause if I get my hands on him, I am going to kill him. Stones or no stones.â
Thor doesnât flinch, doesnât try to reason, doesnât try to talk you out of it. He just looks at you and nods, understanding just how much this whole thing has affected you because heâs lost just as much.
No other words are exchanged, you both leave your suite in silence and reunite the others in the hangar where Rocket fixed up the Benetar already.
âOkay.â Rocket starts when once youâre in the ship, everyone secured in as Steve checked twice that nobody would âfloat awayâ, the Benetar now outside the Earthâs atmosphere. âWho here hasnât been to space?â
You sigh but youâve learned to just go along with Rocket so you raise your hand along with Steve, Natasha and Rhodey. Carol chuckles and Thor glances at you amused but you just roll your eyes.
âYou better not throw up on my ship.â Rocket adds and youâre pretty sure youâre all questioning your life choices right now.
âApproaching jump in threeâŚâ Nebula starts counting down and you brace yourself. âTwo, one.â
You almost hold your breath, your nails digging into the arms of the seat as the ship passes the jump point. Colors flash before your eyes so fast itâs like youâre being thrown up by a rainbow and you want to close your eyes but you canât, the lights too beautiful not to look at.
The ship stops abruptly after the jump point and you groan. âOh, I hated that so muchâŚâ You mumble to Thor who just looks at you in amusement.
Carol gets out of the ship and flies in front of it, saying through her comms, âIâll head down for recon.â before flying towards the planet.
You all unbuckle and stand up as you wait, readying for Carolâs signal.
âThis is a nice ship.â You comment to Rocket as you look around. âI mean⌠Not that I have a lot of references for alien spaceships.â
âCalm down. To me, youâre the alien.â Rocket says snarkily.
âYouâre the talking animal that eats trash though.â You say flatly. âSo I think I still win.â
Before he can answer, you turn around when you hear Natasha say to Steve, âThis is gonna work, Steve.â
âI know it will.â He answers back with more certainty that you know he probably feels and looks back at her. ââCause I donât know what Iâm gonna do if it doesnât.â
They both turn to you watching them and you just nod in silent agreement and they nod back.
Carol comes back towards the ship and speaks through the comms again. âNo satellites. No ships. No armies. No ground defenses of any kind.â She says, which leaves you all confused. âItâs just him.â
âAnd thatâs enough.â Nebula adds, the air tense as youâre all aware of just how powerful Thanos is.
Carol rushes in first, using a photon blast to make a hole on his roof and hit Thanos dead on, then knocks him over and jumps on his back, holding him tightly while pushing his hand with the gauntlet away with her foot.
Then everyone else moves in, Bruce coming from under the house with the Hulkbuster and holding the gauntlet away, then Rhodey flying in and holding his other arm as Thor comes in and cuts his hand with the gauntlet clean off with Stormbreaker.
You walk in then behind Steve and Natasha, standing next to Rocket as he rolls over the gauntlet but your heart drops and youâre all left confused to see no stones on it.
âOh noâŚâ Rocket mumbles and you just look at Thanos, fury back in your eyes as you take a step closer but Thor puts an arm out, but his bodyâs just as tense.
âWhere are they?â Steve asks Thanos and when he hesitates, Carol tightens her grip on his neck and mumbles, âAnswer the question.â
âThe universe required correction.â Thanos says through laboured breaths. âAfter that, the stones served no purpose⌠beyond temptation.â
âYou murdered trillions!â Bruce loses his cool and shoves Thanos back, who falls to the floor but isnât apologetic.
âYou should be grateful.â He insists even as Bruce punches him.
âWhere are the stones?â Natasha asks again, her expression intense like sheâs trying to hold back tears but also hold onto hope.
âGone.â Thanos says more firmly. âReduced to atoms.â
âYou used them two days ago!â Bruce points out as you struggle not to hit Thanos yourself, although Thor seems to be losing that battle with himself.
âI used the stones to destroy the stones.â Thanos explains as everyone looks like they want to murder him where he stands. âIt nearly killed me. But the work is done⌠It always will be. I am⌠Inevitable.â
âWe have to tear this place apart.â Rhodey insists frantically. âH-he has to be lying!â
âMy father is many things.â Nebula says calmly now, her eyes still on Thanos. âA liar is not one of them.â
She walks closer to Thanos and he looks up at her. âAh⌠Thank you, daughter.â He says raspily and she gives a single nod of acknowledgement.Â
âPerhaps I treated you too harshlyâŚâ The words are barely out of his lips before Thor snaps, wielding Strombraker and cutting Thanosâ head off with a grunt.Â
âWhat??â Bruce breathes out as Nebula touches the blood now on her face.
âWhat did you do?â Rocket asks as he staggers back.
âI went for the head.â He says simply, still staring at the dead titan as if to make sure heâs not gonna just stand up again. Then he turns away and starts walking out.
Youâre looking at him with wide eyes as he passes you and mumbles, âI promised not to let you kill him⌠I did not promise I wouldnât do just that.â
Nebula closes her fatherâs eyes, everyone else in various states of shock.
Even after heâs gone out of the hut, you all take a moment to come to terms with the fact that itâs over. Not only is Thanos dead, but the stones are gone and thereâs no way to bring them, or everyone else, back.
Summary: Back at the Compound after leaving Wakanda, it still hasn't fully sunk in what you lost.
Pairing: Platonic!Avengers x F!Reader, Bucky Barnes x F!Reader
Warnings: Angst. So much angst. Some fluff. My poor attempts at being funny. A lot of flashbacks. Talks of Bucky's past trauma.
Word Count: 4.2K
A/N: This chapter isn't entirely necessary for the story and it's like 98% flashbacks to all the other chapters, but I felt like putting all of Bucky and Reader's moments together in a chapter really showed just how much she lost when Bucky snapped. And I also did add one little scene that isn't in the other chapters. Anyway, hope you still enjoy it!
< Previous Chapter | Masterlist | Series Masterlist
The entire Compound seems to shake as youâre laying on your bed, Buckyâs old Winter Soldier mask in your hands while you just stare at it. Itâs been two weeks since the Snap and, with TâChalla and Shuri also gone, you couldnât bear to stay in Wakanda. Especially in Buckyâs hut without him, so you went to the Avengers Compound with the others. And thatâs where you found it.
Two weeks ago
When you landed, you volunteered to put away everyoneâs gear in the weaponsâ room, anything to get a moment alone to breathe really. You just knew Steve was going to start therapying soon.
As you were trying to distract yourself from the past few daysâ events by organizing everything, you knocked over a box and it opened.
You sighed and leaned down to pick it up but, between all the old gear, you spotted the mask that fell out, unexpected like Buckyâs arrival in your life.
Unexpected, like when he fell to ashes right in front of you.
You slowly picked it up, your mind going to the first time you saw him with it on the bridge. As scared as you were in that moment, you canât deny you couldnât help but find him hot even back then.
2014
He gets interrupted by a thud in the roof then a hand breaks through the window on Sitwellâs side and throws him into the next lane where he gets hit by a truck, instantly killing him.Â
You have no time to process anything as the person on the roof starts shooting, narrowly missing you and Natasha as you both move to the front of the car, Nat on Steveâs lap and you on Samâs.Â
Steve pulls the brake handle, and the person gets thrown down onto the street.
âThatâs a cool move.â you say while you see the Winter Soldier slide to a stop with his metal hand and then get up.
âSeriously?â Sam glares at you.
You follow him to his car where he manages to open the trunk and get his wings then he puts them on before turning back to you and putting his hands on your waist. âYou better hold on.â
You barely have time to put your arms around his neck and heâs taking flight âI donât like this!â you yell in his ear and can hear him chuckling.
You get closer to them just in time to see a now maskless Winter Soldier aim his gun at Steve, the idiot frozen for some reason.Â
âLet go!â you tell Sam and he does, basically throw your on the supersoldier assassin. Not the best plan, but you get him away from Steve.Â
When you get up and see the face of the Soldier, your eyes widen in shock as you recognize the soldier from the numerous black and white photos you've seen of the Howling Commandos.
âSergeant Barnes?â you say, but his face has no recognition of the name.Â
He stops for merely a second to glance at Steve behind you before bringing his gun up again, but before he can shoot thereâs a sound behind you. You duck instinctively and then a car near the sergeant blows up.
You look behind you and see Natasha with Barnesâ gun leaning on a car, Steveâs face as shocked as you feel. When you turn back around where the soldier was, heâs already gone.
2016
After a minute you hear Steve say âY/N, heâs coming your way.â and you frown.
âWhat do you mean heâs-â Before you can answer you can see Bucky jumping out a balcony and you let out a quiet âHoly shit.â that makes Steve groan and Sam snicker.
Bucky lands not too far away from you and, before he can get to his backpack, you put yourself in front of him so he canât get to it.
âHello, soldier.â you say in a teasing and vaguely flirting tone, but he simply looks at you for half a second before throwing a punch that you avoid and quickly say âNot a talker. Got it.â Before throwing a punch of your own that he easily stops, holding your arm as he sweeps your legs and in a second youâre on the ground.
She says defensively, then pushes a button that stops the restriction on the audio from Buckyâs cell and allows us to hear it on the little screen in the corner.
âI'm not here to judge you. I just want to ask you a few questions.â you can hear the psychiatrist say. âDo you know where you are, James? I can't help you if you don't talk to me, James.â
âMy name is Bucky.â Bucky says calmly.Â
Itâs the first time you hear him speak clearly and your eyes are glued to the screen. His voice is deep and gruff and you canât help but find it attractive. You take a moment to really look at him and you think to yourself, for a brainwashed psycho assassin thatâs almost 100 years old, heâs really quite handsome, isnât he?
Suddenly there's movement behind you and you quickly turn around just in time to avoid Sam getting thrown into you and he lands against the pod instead.Â
You barely have time to react when you feel a punch in the stomach and stagger backwards against the wall, knocking the air out of you. You slide down on it and take a second to compose yourself as Steve starts fighting Bucky.
You run outside, where you see Sam just standing there in the middle of the running crowd. You go to him and, when he notices you, he shows you a hoodie that you assume to be the psychiatristâs.
âI lost the doctor.â He confirms your theory.
âI lost the soldier.â You tell him and he sighs, as you both look around.
You completely enter the room, standing next to Sam but your eyes donât leave Bucky, rightfully wary of the man.
âDonât worry, heâs back to himself.â Steve says when he notices your careful and calculated moves.
âI am worried. He also tried to kill me as himself.â You say, looking away from Bucky and to the two men next to you.
âI wasnât trying to kill you, I was trying not to get captured by you.â Bucky addresses you directly for the first time ever with an accusatory tone.
âSemantics.â You answer, looking back at him and narrowing your eyes. Your defiant, but admittedly childish, answer seems to surprise Bucky but it gets a chuckle out of Sam and a groan out of Steve.
âJust⌠please.â Steve says to you, almost begging you. âHelp him.â
You roll your eyes and groan, mumbling an annoyed âFine.â while cautiously moving towards Bucky. As you kneel in front of him and open the first aid kit you can hear Steve and Sam talking, but pay them no mind.
âYou know Iâm a supersoldier, right?â Bucky asks you quietly.
âSupersoldiers can bleed too.â you say while looking down and not at him, looking through the stuff in the kit. âThe image of an unconscious and beaten up Steve in a hospital bed comes to mind.â
He knows youâre talking about Steveâs conditions after the whole Project Insight situation in DC, and you can tell he feels bad about it as he instantly looks away from you.
âSorry,â you say with a sigh âThat was mean.â
He seems to perk up a little at your apology and looks back at you.
âItâs okay.â You look up at him. âI kind of deserved it.â
You smile a little at this, and start to take out the stuff youâll need as you say âYou kind of did.â
You go to clean his cut but wince slightly, you almost forgot about your injuries. You take a deep breath and start carefully cleaning his cut and the blood off his forehead.
âDid I hurt you?â He asks you quietly, seemingly concerned that youâre in pain.
âDonât worry.â You tell him just as quietly. âItâs nothing I canât handle, Sergeant.â
âI bet you can, doll.â You almost feel like you imagined the nickname, but youâre positive you saw a grin on his face for half a second.
You can feel his eyes glued to your face as you take care of his cut, silently watching you work. You almost feel like heâs memorizing every detail of your face, like heâs trying to figure out everything about you right in that instance.Â
When youâre done you take a second to look into his eyes, expecting him to look away, but he holds your gaze and you feel your heart skip a beat by the intensity of his stare. After a moment you slowly get up, your eyes still locked on his as you take a step back.Â
Your joy about seeing your gear is a little overshadowed by Buckyâs voice as he talks to Sam.
âCan you move your seat up?â He asks, surprisingly polite.
âNo.â Is all Sam says, being the petty bitch that he is. You roll your eyes at him, you get that the last time a car was involved with Bucky in the mix it didnât go great, but still.
âHere, switch with me.â You tell Bucky and pull him to the middle seat, then climb over him to slide into his seat, being sure to smack Sam in the back of his head as you go and smirking at the loud âOwâ he lets out. You look back at Bucky and see him blushing slightly and you canât help but smile.
Steve gets closer to the van, followed by Sam while you stay behind with Bucky, both of you leaning on the car as you stand on the passengerâs side to be able to see over the car because youâre just that short.Â
You hear a little snicker from Bucky and look at him with your eyes narrowed as he seems amused by the sight but doesnât say anything. Your attention goes back to the van as Clint loudly opens the side door.
You can see Bucky throwing a punch but Spiderman catches his fist easily, shocking all three of us while shouting âYou have a metal arm?! That is awesome, dude!â
Sam goes flying into Spiderman and takes him away, while you approach Bucky.
âDid that sound like a kid to you?â you ask him, still looking after Sam and Spiderman.
âDoesnât matter. Letâs go.â He says starting to go after the other two.
âMatters a littleâŚâ You mumble while following Bucky.
After a beat of silence Bucky says âYou couldnât have done that earlier?â to which Sam answers âI hate you.â and you roll your eyes and say âGod, you two are children.â
You and Clint exchange a look but you get distracted by TâChalla throwing Bucky into a container near you. You get into action right away and just as TâChalla is about to claw at Bucky, you push the supersoldier out of the way and you both go stumbling to the side while Wanda throws TâChalla into a big metal container far away from you.Â
You and Bucky roll a little and, when you stop, you end on top of him. He looks up at you and whispers âThank you.â
âAnytime, Soldier.â You wink at him and get up, helping him up too. Wanda joins you with an amused look on her face.
âI got this. Go.â You tell the two men even though your eyes are fixated on Bucky.Â
âAre you sure?â he asks you with a hint of worry and you grin.
âItâs nothing I canât handle, Sergeant.â Steve smirks and nods, moving towards the jet again, but Bucky hesitates. You know Wanda wonât be able to keep the path clear forever so you try to reassure him.Â
âGo, Iâll be fine. Go!â You yell the last word, which seems to snap him out of it and he turns around with a nod, running at full speed towards the Quinjet.
After the tour Bucky approaches you in the living room and only then you notice heâs missing his metal arm.
âYou flew the jet with only one arm? Thatâs impressiveâŚâ You canât help yourself as you reach to touch his left shoulder, your eyes fixated on it. But stop on your tracks when you feel his right hand carefully cupping your cheek.
Your eyes snap up to his and you can see him thoroughly inspecting the wounds in your face that are still healing a little. He grimaces when he looks down at your bandaged arm and whispers âIâm sorryâŚâ
âItâs nothing I canât handle, Sergeant.â You smile softly at him and put your hand over his still on your cheek, trying to reassure him that youâre fine.
âI bet you can, doll.â He chuckles.
Youâre too busy staring at each other to notice everyoneâs attention is on you until Steve clears his throat with an apologetic look on his face.
âWe need to go, Buck.â He says and you look confusedly between the two men.
âIâm going back into cryo.â Bucky clarifies for you.
âOh.â Is all you can say and your eyes widen for a second before you force yourself to put on a more neutral face.
âItâs okay.â He smiles at you, but you feel like heâs trying to convince himself as much as you. âItâs nothing I canât handle, doll.â
You try your best to smile and not look too bummed out. âI bet you can, Sergeant.â
You hesitate for a moment before surprising him, the others and even yourself by giving him a hug. He hesitates too before delicately hugging you back and, after a moment, you pull away.Â
He smiles at you with a faint blush and you smile back, watching him walk to the door.
2018
âSergeant Barnes.â Shuri says with a smile.
âBucky.â he corrects her and you smile from a distance.
âHow are you feeling today?â she asks him.
âGood. Thank you.â she smiles and motions towards you.
âCome. Much more for you to learn.â she says as she starts walking.
He takes a second to look out at the lake before following Shuri, but as soon as he spots you, he stops.
He stares as youâre giggling with the children that are now circling around you and dancing, and when you look towards Bucky again his eyes are already on you.
You blush a little at his intense gaze but he seems to snap out of it when your eyes meet his and he gets closer until heâs right in front of you.
âSergeant.â you say, smirking.
âDoll.â he says, smirking back.
You smile at each other until Shuri clears her throat and you turn to look at her just to see both her and Ayo with a smirk of their own. You roll your eyes at them, but your smile stays on.
âShall we?â Shuri says and starts walking, Ayo right behind her.
Bucky takes your hand and starts walking after Shuri too, pulling you with him, both of you feeling like nothing could wipe the smiles off your faces.
Three weeks earlier
You wake up in Buckyâs hut around 1am, but heâs not in it. You already know why so you just get up and make your way outside to look for him. You find him at the edge of the water, just staring at the moon reflecting on the surface.
âIâm sorry, doll.â He mumbles before you even sit down next to him. âI didnât mean to wake you. Go back to bed.â
âYou didnât wake me up.â You reassure him while sitting down next to him, your head immediately going on his shoulder. âI just canât sleep without you.â
He can see how sleepy you are and he wraps his good arm around you, kissing your head. âYou should go back to bed, sweetheart.â
âNot without you.â You mumble sleepily but that just makes him smile. He adores how stubborn you are, refusing to leave him alone when you know heâs hurting, no matter how tired you are.
âFine.â He sighs, pretending to be annoyed but not quite hiding his grin. âLetâs go.â
He helps you to your feet and grabs your hand, your fingers intertwining as leads the way back inside the hut.
Once youâre in bed, Bucky wraps his arm around you again while you rest your head on his chest, already half in dreamland.
He just looks at you for the longest time, this woman thatâs seen him at his worst, that stuck by him through his recovery, that never lets him feel alone and loves him despite everything.
Not that youâve said it, neither of you have. Him because he feels he doesnât deserve to love you or be loved by you, you because you donât want to overwhelm him.
But he knows.
He feels it in the way you silently take care of him, silently get him what he needs before he even asks, whether it be a glass of water, a hand with his hair or all the support he doesnât think he deserves but desperately needs, because you know he would never ask even if he knows youâd give him the world if he did ask.Â
He knows your love not because you say it, but because you show it.
And right there and then, in the dark of his hut while he thinks youâre fully asleep and canât hear, he makes a promise to himself, to you, to the stars.
âIâm going to marry you someday.â He mumbles, his lips on your hair, his eyes closing as he attempts to go back to sleep.
And he doesnât catch the way your heart flutters.
Two weeks earlier
You finish suiting up before you approach him, gently stopping his hands from putting grenades in his utility belt and taking his hands in yours, moving your one up the Vibranium just to get the feel of it.
Buckyâs eyes follow your hand, a small frown on his face. âIt feels weirdâŚâ He mumbles.
âWhat do you mean?â You ask quietly.
âIt feelsâŚâ He pauses with that concentrated look on his face that youâve come to learn means heâs trying really hard to process what heâs feeling and find a way to explain them that will make sense. âIt feels. Like⌠I can feel your hand, your fingers moving⌠I can feel you.â
You smile up at him and move both your hands up his arms to wrap yours around his neck. âNow you can feel me more.â You say playfully as he wraps his arms around your waist, managing to get a small smile out of him but itâs short lived.Â
You can see the moment it dawns on him that thereâs another fight, another war coming, and you can hear it without him even needing to say it, the violence is never gonna stop.
âBuckâŚâ You say quietly and cup his face. âItâs one fight⌠This is it, this is⌠This is everything.â You whisper while stroking his cheeks. âThis is for the whole universe⌠After this, weâre done. Youâre done.âÂ
âIâm never gonna be done.â Bucky sighs, resting his forehead against yours.
âYou are. I promise you, I will make sure that you are.â You say firmly, and he can see that you truly believe in your words. Youâre gonna try everything you can to go through with your promise.
He leans in and kisses you, not a âgoodbyeâ kind of kiss, but an âI know how stubborn you can be and I believe youâ kind of kiss. And he really does.
âHow we looking?â Natasha asks, all business.
âYou will have my Kingâs Guard, the Border Tribes, the Dora Milaje andâŚâ He points to the side.
âA semi-stable 100-year-old man and the prettiest assassin to ever exist.â Bucky says as he walks up to them with you at his side and hugs Steve.
âSomeone has quite a high opinion of himself.â You tease him while hugging Natasha.
âI was talking about you, Doll.â Bucky smirks.
âI am not a 100-year-old man, Barnes.â You smirk back.
âIt is like this all the time.â Okoye rolls her eyes and you shoot her a look while Steve chuckles.Â
âHow you guys been?â Steve asks with a smile.
âUh, not badâŚâ Bucky answers while wrapping an arm around your shoulders with an almost proud smile.
â... For the end of the world.â You add with an equal smile as you lean against Bucky.Â
The drop ships crash onto the defense field around Wakanda and explode, at which Bucky says quietly, âGod, I love this place.â
You feel him take your hand and intertwine your fingers together but when you glance at him heâs still looking up so you just squeeze his hand gently, a smile on your face until you spot Sam smirking and you roll your eyes as you both look back up.
âDumbassâŚâ You mumble, which gets Bucky to lightly elbow your side and you glare at him, but he just smirks.
âThen we better keep âem in front of us.â Steve says simply.
âHow do we do that?â Okoye looks at TâChalla too.
âOh, noâŚâ You mumble while tightening the grip on one of your guns as you take Buckyâs hand one last time, already knowing where this is going and not liking it one bit.
Steve readies his shield as TâChalla shouts an order for the soldiers to drop their shields. TâChalla steps forward and you squeeze Buckyâs hand, he squeezes back before you both let go and grip your weapons, getting ready for the inevitable fight about to take place.
âBring. Me. Thanos!â Thor shouts before he charges with Groot and Rocket following.
âThatâs a little dramatic.â You mumble as he leaps above the Outriders while summoning lightning. Bucky nods slightly with a small smirk as you two join the fight again.
âGet down!â He tells you and you do with no hesitation while Bucky picks up Rocket and spins with him, the both of them shooting all around.
âHow much for the gun?â Rocket asks after Bucky sets him down and you raise an eyebrow at the raccoon while trying not to laugh.
âNot for sale.â Bucky deadpans.
âOkay⌠How much for the arm?â Rocket asks and you canât help the little snort that escapes you as Bucky looks at Rocket incredulously before just walking away without answering.
âDid a talking raccoon just ask to buy your arm?â You canât help but tease as you follow Bucky.
âShut upâŚâ He grumbles back and you can hear Rocket snicker and mutter, âOh, Iâll get that armâŚâ, making you snort again as Bucky glares at you.
âIs Steve talking to a tree?â You frown at Bucky as you see them from the distance while shooting aliens. âWhat the hell is happening??â
âHell if I know.â Bucky shakes his head.
You hear Natasha mumble, âWhat the hellâŚâ as you step closer to Bucky unconsciously while gripping your guns tighter out of nerves, as if youâre expecting Thanos to suddenly appear out of thin air.
Just when everyone starts regaining consciousness, the Mind Stone cracks and breaks, sending a wave of energy through the forest and you can vaguely feel Buckyâs arms wrapping around you just before the explosion hits everyone and sweeps you all away.
Steve, finally having managed to get his ground as everyone else slowly stands up, goes up to Thor, panting and clutching his side while you and Bucky follow behind with Bucky helping you up.
âWhereâd he go?â Steve looks around. âThor?â
Thor doesnât answer, just looks up at him and Steve repeats, âWhereâd he go?â
âSteve?â Steveâs eyes snap to Bucky, yours already on him when he suddenly stops holding your weight.Â
Heâs slowly disappearing and barely has time to look at you and start saying, âDoll-â before he falls to his knees.
Or rather, he wouldâve if he hadnât turned to ash completely right before hitting the ground. You, on the other hand, do fall to your knees right in front of where the ashes of your boyfriend are slowly settling. âBuckyâŚâÂ
You barely register Steve kneeling next to you, tears blurring your vision as he touches the ground, almost as if expecting Bucky to suddenly be there again. But heâs not. And all around you, others start turning to ash too.
You can faintly hear Rhodey shouting, nobody quite fully understanding whatâs happening yet, but all you can do is stare at the spot where Buckyâs body would be.
Should be. Heâs goneâŚ
We lost.
All those moments filled your mind like a personal attack on your sanity, his voice ringing so loud it pierced through your very soul.
And then you broke.
You fell to your knees, letting out a scream that brought Steve and Natasha running, their hearts breaking when they saw you breaking down.
Steve wrapped his arms around you and all you could do was let him, your helpless screams and sobs filling the air.
Present
You set down the mask on your night stand and wander into the hallway just in time to see Steve looking just as curious as you as to what is making the walls shake.
A bright light shines through the hallway floor-to-ceiling windows and you see Captain Marvel carrying a spaceship. You share a look with Steve before you both run out to the yard.
Outside the Benatar, the Guardians of the Galaxyâs ship, comes into view from behind the Compound as you, Steve, Natasha, Bruce, Rhodey and Rocket reach Pepper in the middle of the yard, everyone looking up at the sky as Captain Marvel lowers the ship onto the grass.
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