Yang Yongliang’s layering of digital photography with traditional painting techniques shines a light on rampant development.
http://artradarjournal.com/2018/11/28/phantom-city-chinese-artist-yang-yongliang-at-utah-museum-of-fine-arts/
KIROKAZE
Peter Solarz
"I'm Dorothy Gale from Kansas"

❣ Chile in a Photography ❣

pixel skylines

oozey mess

if i look back, i am lost
Cosmic Funnies
NASA
Keni
Misplaced Lens Cap

Love Begins
One Nice Bug Per Day
styofa doing anything
AnasAbdin
$LAYYYTER
Aqua Utopia|海の底で記憶を紡ぐ
Three Goblin Art

PR's Tumblrdome
RMH

seen from United States
seen from Russia

seen from Malaysia
seen from Malaysia

seen from Türkiye

seen from Malaysia
seen from Ecuador

seen from United States

seen from Australia

seen from Nepal

seen from South Africa
seen from Uruguay

seen from South Africa
seen from Jordan
seen from Morocco
seen from Brazil
seen from United States

seen from United States

seen from Iraq

seen from United States
@lisapollman
Yang Yongliang’s layering of digital photography with traditional painting techniques shines a light on rampant development.
http://artradarjournal.com/2018/11/28/phantom-city-chinese-artist-yang-yongliang-at-utah-museum-of-fine-arts/

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Ivan Lam, ‘Hymen’ (detail), 2018, plastic green netting and synthetic polymer paint, 52 x 52 cm. Image courtesy the artist and Wei-Ling Gallery.
Male artist explores journey to womanhood through taboo subject of female bleeding in Malaysia.
http://artradarjournal.com/2018/04/27/hymen-malaysian-artist-ivan-lam-and-the-politics-of-tension-and-taboo-in-conversation/
Shahida Ahmed, ‘Thrown Kufic Pot’, 2015, 20 x 50 x 20 cm. Image courtesy the artist.
http://artradarjournal.com/2017/09/30/inspired-by-simplicity-british-artist-shahida-ahmed-in-conversation/
Jason Noushin, ‘Batman’, 2017, oil, shellac, ink, pencil, turmeric and comic book leaves on linen, 48 x 48 in. Image courtesy the artist.
http://artradarjournal.com/2017/08/05/comics-and-calligraphy-british-iranian-artist-jason-noushin-in-conversation/
Bouke de Vries, ‘Homeland South Korea’, 2015, MDF and celadon fragments by Lee Eun Bum. Image courtesy the artist.
http://artradarjournal.com/2017/07/04/splendid-imperfection-dutch-artist-bouke-de-vries-and-chinese-porcelain-in-conversation/

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Jeanno Gaussi, “Imaginary Friends”, 2017, Galerie koal / Berlin. Image courtesy the artist and Galerie koal / Berlin.
http://artradarjournal.com/2017/06/09/knot-alone-jeanno-gaussi-artist-profile/
Maitha Demithan, ‘Mother’, 2017, scanography, 100 x 80 cm. Image courtesy the artist. http://artradarjournal.com/2017/05/28/women-photographers-i-am-jordan-national-gallery-of-fine-arts/
Fouad Elkoury, ‘L’Oiseau’, 1990, ink-jet print on Baryta paper, 12.4 x 18.5 cm. Image courtesy the artist and The Third Line.
http://artradarjournal.com/2017/04/24/lebanese-artist-fouad-elkourys-suite-egyptienne-at-dubais-the-third-line/
Maureen Drdak, ‘Burning World 3’, 2015, copper repoussé elements, mineral particles and threads, platinum and acrylic on archival wood panel, 16 x .75 in. Image courtesy the artist.
http://artradarjournal.com/2017/04/08/heavy-metal-repousse-synthesis-innovator-maureen-drdak-in-conversation/
Sophia Al Maria, ‘Attack’ (“Everything Must Go” series), 2017, digital print, 24 x 42 cm. Image courtesy the artist and The Third Line, Dubai.
http://artradarjournal.com/2017/03/07/military-complex-sophia-al-maria-in-conversation/

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Elizabeth Wirija, ‘About Sensitivity’, inspired by a poem by Hafsa bint al Hajj Arrakuniyya, 2017, C-Type matte print, 12.7 x 9.3 in. Image courtesy the artist and Radical Love: Female Lust.
http://artradarjournal.com/2017/02/20/radical-love-female-lust-at-the-crypt-gallery/
Yasmine K. Kasem, ‘Self Portrait of Two Ancestral Histories’, 2014, aluminum. Image courtesy the artist.
http://artradarjournal.com/2017/02/07/egyptian-american-artist-yasmine-k-kasem-in-conversation/
Cristina Rodrigues, “Enlightenment II” from the “Women From My Country” installation at Manchester Cathedral, England, 2014, iron, stainless steel, ceramic angels and crystal beads, 2.10m (height) x 1.80m (diameter). Photo: RezaKio. Image courtesy the artist.
http://artradarjournal.com/2017/02/04/stitch-in-time-portuguese-diaspora-artist-cristina-rodrigues-in-conversation/
Iranian diaspora artist Farzad Kohan’s newest series takes a poignant look at lives spent in exile.
http://artradarjournal.com/2017/01/08/homeward-bound-farzad-kohans-migration-stories-at-ayyam-gallery-dubai-difc/
Asma Ghanem, ‘Homeland Is …’, 2016. Notational score for sound performance. Image courtesy the artist.
http://artradarjournal.com/2016/10/18/palestines-young-artist-of-the-year-award-2016-pattern-recognition/

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Artist lays bare social maladies, beliefs and challenges to the human condition in contemporary China.
http://artradarjournal.com/2016/10/11/chinas-mao-tongqiang-artist-profile/
Pouran Jinchi, ‘Hanged, 18 strands’ (detail), 2015, copper, paint and safety pins, approximately 7 x 18 in each. Photo: Brian Buckley. Image courtesy the artist and Leila Heller Gallery.
http://artradarjournal.com/2016/09/05/scripts-and-sensibility-iranian-american-pouran-jinchi-interview/