i talk a lot about anime, usually whatever's airing, as well as whatevermy latest interest is [the hundred line/monogatari series]. i do writing stuff occassionally as well. she/her
My 'The Hundred Line: Last Defense Academy' Masterpost
Under the cut is a hyperlink list of THL routes and the order I completed them in leading to my first impressions of those routes. I don't censor route names so beware of that because some of them contain minor spoilers (but honestly it doesn't matter because if you watch the second credits roll the names are there as well and its fun trying to figure out where you are sometimes).
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Full context and also an uncensored version if anyone wants it π (I didn't put it first so ppl don't get jumpscare by girlaragi getting her tiddies sucked)
monogatari has been a lot of fun (both type 1 and 2), i like stories that make it easy to project onto the characters, yet also make it easy to draw a line between myself and those characters. like i see the way in which hanekawa is a 'hanekawa' as the same as the way asuka and rei are a 'tsundere' and a 'kuudere'. because you can talk about them as their flanderised selves that contained exaggerated flaws you can see yourself in, but to do so exclusively is to reject the text almost wholesale as it's through their specificity that they become their most interesting. in that way i think these novels then become very important for understanding the kinds of LN stories that came out through the 2010s. and those (speaking broadly) fall into two camps: those who get it (OreGairu, Sagrada Reset) and those who don't (Chitose in the Ramune Bottle, Haibara's Teenage New Game Plus) (to speak exclusively about LNs with anime adaptations anyway, special s/o to KamiNomi the GOAT). which isn't to say you need the male protagonist to hate himself or be burying himself in regret-filled pathos, only that you need to understand that while people can (and in genre fiction necessarily must) be a type of character, they must also have a consistent internal world at the same time.
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hitagi end is probably the funniest monogatari story, both because kaiki is far funnier as a pov character than anyone else and also because it has such a heavy layer of schandenfreud settled over it. the moment senjougahara says she doesnt know what set nadeko on her rampage it feels like everything is over and all we can do is laugh. the moment kaiki says tricking nadeko will be as easy as breathing you can't help but shudder at the stupidity of them all. everybody is in on the joke except for the main characters and everyone can see the sword of damocles hanging over kaiki's head.
obviously it all comes back to nadeko's dehumanisation, to how nadeko medusa ended with koyomi resigning to kill nadeko, to how kaiki refuses to see her as anything but a stupid child right to the end, to how hitagi vehemently refuses to even engage with her. nadeko taken from being an object of abstract cuteness, to a victim to be pitied, to a thing to be maligned. never once allowed to be human, never once given the space to have desires of her own. forced to play cat's cradle while drinking her worries away, all the while the only person who actually understands her broken heart is running around chasing a ghost. god it's so funny. it wracks the body and fills the eyes with tears, that's how funny it is.
i love how koyomi asks what kaiki did to nadeko, as thoughcnadeko can still only be a victim. ive agreed and disagreed with meme's thesis over the series, but i do understand why he does it like he does. you can lead a horse to water and so on. why put in the effort if the horse isn't thirsty, and why do it if the horse will just get lost the moment you leave. meme can see through most people, so he has the luxury of knowing that there are no victims. the fact that koyomi was left to deal with nadeko without him caused all this, meme took a shortcut and decided that there was a clear victim and a clear cause and so koyomi could handle it as trial run before he took off. but lying underneath that clairty was kaiki's scheme and a second snake and nadeko's nature. all of those things working in tandem to obfuscate the truth of why nadeko and why a snake.
in that way even meme ended up using nadeko as a convenient excuse, not looking deeper because it suited his needs. and i think that's why you have to save yourself, because only you know, only you are able to know your own worst impulses and the trauma you hold. and maybe sometimes you need help to sort through all that, to find the thing that's attacking you right now before you do the real work of accepting that you're in pain. and sometimes finding that thing only makes things worse. and sometimes maybe you need someone by your side to help you weather the storm, and sometimes that person can only make things worse. the only thing all of that means is that in the end you'll have to save yourself, because there's no guarantee other people aren't going to be really bad at it (think meme in neko black).
well that's me on hitagi end anyway. nadeko isn't quite done, she still has to admit to her selfish nature and then forgive herself for it, but we're getting there. yotsugi doll should be fun, can't wait to see if we're finally going to get ougi's deal, whether she's an imbalancer or whatever as i suspect, or she's just having a lark.
obsidian is one a hell of an enchantment, and crash site is one hell of an encounter. bit of a 1%er here especially when the crossbow got the drone tag to get this going on day 6 when i got it (i was holding onto tanker since i had crash site ticket), but the thrusters would've done the same thing. of course, the cooldown reduction from thrusters and the instant haste are the main thing to be thinking about, but the vehicle tag would've usually brought it together.
early game was steam washer balloon engine, but day six always feels like it's straining even when it's gold. without hot wheels there's just not a lot of mobility to those items. i think i found and sold a hang-glider or something and that's the obvious transition, but you can't always find it.
a lot of the time i feel pulled in too many different directions by the multitude of items. i remember slay the spire content guy jorbs talking a lot about how high winrates in that game are eked out not by outlier runs like these, but by the steady accumulation of the skills and knowledge necessary to turn a 49% into a 51%, or in this case taking a regular run and finding the strongest option to turn 49% into 99%. and i'm slowly getting there i think.
Wait, I thought Haruki was a Senjougahara. Girl who lost her emotions because it was too painful to keep them, but then this boy randomly appears years later to help her get them back and she grows a will to validate his good nature.
in broad strokes i think that's true, but the reason i put that comment on this chapter specifically was because it paints middle-school haruki as coping in the exact same way hanekawa does until she meets the tiger.
"You looked like a saint."
Souma's joyful pace matched Haruki's. Like an accompaniment instrument singing along to Haruki's footsteps with a fluid rhythm.
"Helping a crying girl, not pulling away when she grabbed your skirt, supporting her sleeping body. You looked like a kind-hearted saint when in reality, you don't care at all what happens to the girl, do you?"
Haruki nodded, without ever looking at Souma.
"Correct."
and in the end what 'saved' haruki and hanekawa both was the reclamation of the feelings that existed within them all along that they refused to acknowledge due to the pain it caused them. take the scene where haruki tells kei that what she felt when they kissed two years ago was actually love. that and hanekawa's confession at the end of neko white are essentially the same scene in that they are a firm acknowledgement of their own wants and desires. it's just that haruki got the guy and hanekawa didn't.
i think what makes haruki more like senjougahara is actually her capacity for self-reflection which is something that hanekawa necessarily needed to discard in order for her coping mechanism of forgetting to function properly. senjougahara saves herself in the most direct way we see in the series (as of otori anyway). she bows directly to the weight crab and admits to the thing she knows is wrong with the situation, and the crab leaves. it takes all of neko white with tsukihi and gaen and shinobu leading her the whole way for hanekawa to finally understand what's wrong and how to fix it. and she still can't beat her demons alone.
they both saved themselves, but getting hanekawa there was an uphill battle whereas senjougahara was able to admit to her trauma with little fanfare. of course that's a function of intensity and time, hanekawa suffered more and for longer and it does result in her trauma being larger, more nuanced, and compounding on itself as you'd expect. two years isn't a short amount of time to suffer like that, but 16 years is just. a really long time.
honestly i'd say there's a slight inaccuracy with your description of the parallels, senjougahara didn't really lose all her emotions, just the ones relating to her mother and the attempted rape. that informs her 'acid tongue' and the walls she builds around her and the result of all that is her losing her ability to connect with others, but it's different than hanekawa's full exorcism of her undesirable emotions because she feels the absence so fully.
haruki's rules and hanekawa's unwavering commitment to being a person who does the right thing are both frameworks for continuing to live outside of yourself despite the pain. they place the burden of action on the nebulous idea of correctness. and since their rules are built on societal ideals they become people who are only able to be correct. but in the end they're both 'Virtue'. and their love interests are both 'Hypocrisy'. and it's the interaction of both those kinds of living that make the other side reflect on why their way of living is wrong.
also *puts on my reductive glasses* (they make me reductive) haruki isn't a tsundere.
Memory in Children: Mechanical Choices (Sagrada Reset 3) - Chapter 1: The beginning of a summer (Haruki Misora, post-Reset)
[INDEX]
Haruki Misora had an ability named Reset.
The ability to simulate a worldwide time rewindβmore precisely, to restore the state of the world to a specified moment in the past.
However, Reset had many restrictions. For starters, she can only return to a point she intentionally "Saved" at. Upon Saving again, she can't return to the previous Save point. The effect of a Save wears off in 3 days. Among other limitations. Haruki herself is not too conscious of these effects but the Bureau is quite confident in their speculation that that's how it works. The Bureau is the public office that regulates the abilities in Sakurada. Their stated purpose is to eliminate ability-related troubles.
There's a reason why Haruki is unconscious of her own ability. The biggest problem with Reset. It's an extremely powerful ability that affects everything in the world unless resisted by another ability, including Resetting the user's time. Which means Haruki doesn't remember that she Reset. Haruki herself doesn't know what happened in the time she wiped out.
Her current Reset eliminated time from April 27th, 4:30PM to the 28th, 4:05PM. Practically 24 hours. The world turned to the 28th before, and then she recreated the 27th.
On April 27th, at 4:30PM, Haruki was in front of a small park next to Nanasaka Middle School. She was on her way home but stopped her walk. That was because she heard someone cry.
She looked and saw a girl crying alone in the park. An unknown girl, probably in the early years of elementary school.
Haruki was bad at understanding other people's feelings. She can't distinguish a smiling from a crying face just by looking. It's only upon seeing the tears roll out of her eyes that she can figure out that the person is crying.
The girl in front of the park's swings was undoubtedly crying. Tears spilled out of her eyes, drenching her cheeks.
Haruki uses Reset when she sees a person crying. There's no reason why she does it. Maybe there was one long ago, but she completely forgot it. It was decided and that was it. Haruki took tears as a reason to use her ability.
So at that moment, she whispered "Reset".
But that was when she remembered. She had no memory of Saving recently. A Save only lasts for 3 days. She can't Reset if she hadn't Saved in the past 3 days.
Her chance was missed.
Haruki whispered, "Save". Now she was set to Reset successfully the next time she saw someone cry.
γΌThis was the moment her Reset recreated.
She was about to continue her way to leave the park, but she heard a voice before she could take the first step. A high-pitched and cracked voice, sounding almost like static noise.
"Hello."
The crying girl said that. Haruki looked at her again.
She didn't understand well what emotion was sadness. She couldn't remember herself ever crying. But somehow, she knew that tears were warm. And she could imagine what tears felt like rolling down one's cheeks.
Or maybe she just forgot what it's like to feel sad and cry. Either way, the 14-year-old Haruki didn't fully understand the act of crying.
The little girl looked into Haruki's eyes with her eyes sparkling from the light refracted by the tears.
"Do you know where my mom is?"
Her voice was shaking. Crying makes one's voice unstable, it seemed.
"I don't."
(I don't even know who your mother is.)
The girl maintained eye contact. She had more to ask. Haruki stood in place a while longer for that reason but the next question never came. All she did was cry.
Haruki suspected that the girl was searching for her mother. She got lost.
(I don't know the proper procedure to deal with lost children. Should I take her to the police? But I heard people being searched for are better off not moving too far from their starting point.)
Haruki searched for the most efficient solution.
Her idea was to leave the girl in the park and go alone to the police. That way, the mother wouldn't miss out on finding her daughter, and if she did, the police would safeguard the child.
She would presumably need to describe the girl in detail to the policeman. Knowing that, Haruki observed the girl for the first time. White polo shirt, checkered skirt. Deep-green pouch hanging from the shoulder. Cheek-length hair with a pin on her bangs.
"Where did you get separated from your mother?", Haruki asked.
The girl didn't answer. She only looked straight into Haruki's eyes.
(Maybe she doesn't know what "separated" means. I need to rephrase the question.)
"Tell me what you were doing before now."
"I went, to the hospital, for an exam.", the girl answered, sobbing. Her words were hard to distinguish.
(Did they get separated in this hospital? There is a large hospital behind this park. Perhaps I should contact there first.)
"Tell me your name."
(This will be the last question. Knowing her name and appearance should suffice.)
With a shaky voice, the girl answered Kurakawa Mari. Haruki didn't need to ask how to write it.
"I am going to tell people in the hospital and the police station about you. They will look for your mother. I believe you should stay as close as you can help to where you are now."
The girl didn't react. But Haruki believed she heard it. And she didn't use any difficult words. Haruki turned around to leave.
But she couldn't take the first step. Because the girlβMari grabbed the hem of her uniform skirt.
"Please let go of me.", said Haruki. But Mari didn't react. All she did was cry.
(Should I force her hand off of my uniform? Her grip is very weak. One swift pull will solve the problem.)
But for some reason, she didn't find the will to do it. Mari's grip vaguely reminded Haruki of something. She tried to remember whatever trivial moment she was thinking about, but couldn't.
Still with her hem held, Haruki opened negotiations. If Mari didn't want to be alone, they had the option to leave a written message about it in the park, then wait in the hospital. The two of them waiting in the park wasn't efficient. There was a high likelihood that in the hospital they could at least learn her mother's phone number.
Haruki attempted to convince Mari of this, but all she did was continue to cry. Haruki was out of ideas.
It was the end of spring in the park. The cherry petals had all already hit the ground and the trees were developing fresh green leaves. That year's spring was on the colder side. The sunlight was warm but the wind was frigid.
Haruki stood still, waiting for the girl grabbing the hem of her skirt to say something.
Mari's cry could no longer be heard. She had leaned on Haruki's body and fell asleep, still grabbing her hem.
One of Haruki's classmates stood behind Mari's mother. The classmate's name was Souma Sumire. Haruki didn't understand why Souma was with Mari's mother but didn't care. Regardless of the details, if the mother found Mari, the problem was solved.
Haruki handed Mari to the grateful mother and left the park. Souma Sumire ran next to her as if walking side by side was the most natural thing to do. Haruki didn't change her pace nor turned to look at Souma.
"I need to apologize to you.", said Souma. "I was at the entrance of the park when you found that girl. I was going to talk to you but gave up. Do you know why?"
(How was I supposed to know?) "No", answered Haruki.
Souma giggled.
"I got interested in watching what you'd do. Sorry. I went searching for the girl's mother alone without telling you anything."
Haruki didn't understand why that was deserving of an apology. But she didn't feel any need to get the answer. Haruki walked to her house at a fixed pace.
"You looked like a saint."
Souma's joyful pace matched Haruki's. Like an accompaniment instrument singing along to Haruki's footsteps with a fluid rhythm.
"Helping a crying girl, not pulling away when she grabbed your skirt, supporting her sleeping body. You looked like a kind-hearted saint when in reality, you don't care at all what happens to the girl, do you?"
Haruki nodded, without ever looking at Souma.
"Correct."
(Tomorrow, I won't remember what she was wearing or what her crying face looked like. Next month, I won't remember anything that happened today.)
Not even the fact the mother was found left Haruki particularly emotive. That was something normally worthy of celebration. Haruki knew that but still couldn't bring herself to feel joy. She believed herself to be apathetic to all things without exception.
"I've always been interested in you. You lack a virtuous mind. But you also couldn't be further from a hypocrite believing in their fake virtue, I think. Yet, looking at your behaviors out of context, you look like a saint. I'm very curious to know how do you build a personality like this.", Souma continued.
Haruki didn't have a shred of interest in this topic either.
April 28th, 5 PM. It was still too early for sunset, but the sun had already lowered a lot. Long shadows extended from Haruki's and Souma's feet. Perfectly parallel shadows, never intersecting.
"Seeing you always reminds me of the Two White Boxes.", Souma told with a calm voice. "Every day, you're in a white room, faced with a pair of perfectly identical white boxes. You can only open one, but you don't know which is the right box."
"I don't understand what are you trying to get at.", admitted Haruki.
"I'm pointing out how even the world is to you. If the two boxes had different colors, you could pick the color you liked best. If the boxes had different shapes, you could use that to justify your choice. But in your eyes, everything seems to have the same color and shape.", Souma answered with a smile.
(I still don't understand.)
It was only after all this that Haruki remembered. Souma Sumire was her classmate last year too. And that year she would always suddenly appear and speak bizarre metaphors. Like now.
"Hey, Haruki. Suppose I asked you a favor."
Haruki Misora kept walking, looking only forward.
Souma Sumire continued, looking at Haruki's profile.
"The two white boxes are doing the favor or refusing it. You don't care if I like you or hate you, right? And you're not capable of feeling curious or lazy, right? There's no factor that distinguishes your options, but you'll still open one of the boxes."
Haruki was listening to Souma's voice but making no active effort to understand the subject. To put it bluntly, she felt no need to understand.
"Let's put that to the test. I'll ask you a real favor: come to the rooftop of the southern school building tomorrow after class."
Haruki nodded without hesitation.
"Understood."
Souma laughed again.
"Why are you doing this favor for me?"
"I'm following the rules."
"What rules?"
"I have a set of rules."
Rules that weren't imposed by anyone. A code Haruki herself set to pass her days smoothly.
For example, whenever she sees someone crying, she will Reset. For example, she will never refuse anyone asking a favor unless that infringes another rule.
Haruki Misora lived obeying her own rules. She thought of herself as a computer running on a program. Every decision, no matter how minor, required a previously established rule.
"Rules, huh? Ok, you do you."
Souma produced something out of her bag. The something beingβa small, blue envelope.
"I'll give you this as thanks for accepting the favor."
Haruki accepted what was offered to her.
The blue envelope was carefully glued. What was inside it could only be taken out if she cut or ripped it.
"Think of it as a good luck charm. Open only when you really need it. Then you have to say your wish out loud. That's what will get it granted."
She didn't believe this story. But also felt no need to refute it.
With a quick nod, Haruki put the envelope in her bag.
At the corner of the street, Souma finally stopped.
Haruki turned the corner and kept going, unbothered by that.
After class, Haruki was in the southern school building rooftop, as instructed by Souma. Before leaving the classroom, Souma told her she'd be late due to some class representative task.
Haruki stood in front of the fence and stared at the entrance. Waiting wasn't agonizing. She had nothing else to do. There wasn't much difference between sitting at her home desk or waiting for a classmate on the rooftop.
She heard a crowd behind her back. Multiple sports teams were practicing in the schoolyard. Around them, many more students talked loudly as they walked home.
The clear blue sky had few clouds. But its serene color left no impression on Haruki. She never thought the sky was beautiful. Nor flowers. Nor the wind. Nor the rehearsal of the wind orchestra she could hear from the school building next door. All of those things being removed from the world would have no effect on Haruki's thoughts. She was confident they wouldn't.
(But would that be sad?), Haruki thought. Haruki herself didn't know why she was questioning that.
Much like waiting for a classmate, not knowing wasn't agonizing. Every question will be resolved with enough time. Either by the answer appearing or by her forgetting the question. Both outcomes were solutions.
Five minutes passed, ten minutes passed, and no one appeared on the rooftop.
A slight breeze began to blow. This insignificant reason was all it took for Haruki to shift her gaze. She looked at the main street in front of the school grounds.
A familiar girl was there.
Alone on the rooftop, Haruki found her.
(Kurakawa Mari.)
She was a little surprised at herself with how effortlessly she managed to remember that. But she couldn't think of any reason why that was. Mari was crying again. Exactly like she was yesterday. Spilling tears without a hint of hesitation.
Due to the distance, Haruki couldn't hear her cry.
Mari staggered across the walk with a twisted face and spilling tears.
She remembered that she Saved yesterday when she first found Mari. She would be safely able to Reset that day.
Haruki let out a whisper like a sigh.
"Reset."
However, her view remained unaltered. She could still hear the crowd on the school ground and the Concert Band Club in the next building. And Mari still staggered across the walk, crying.
24 hours after the fact, Haruki finally learned that she had Reset.
That was the default reason why her ability wouldn't activate. Considering the rules of her ability as explained by the Bureau, there was no other answer.
(I probably repeated my actions after Resetting.)
She had already experienced this time around 24 hours ago. Saw Kurakawa Mari crying from this rooftop and used her Reset. A Save loses its effect after one Reset is spent on it. She needed to make a new Save.
She had experienced this situation many times before. She had no memory of ever trying to Reset and actually succeeding. Whenever Haruki activated Reset, its effect took away her memories. Then she repeated her actions and the second Reset failed. All Haruki Misora accumulated was a series of memories of her trying to Reset and not being able to.
Sometimes a question crossed her mind.
(Do I truly have the ability named Reset?)
She assumed she did because she couldn't think of any reason why the Bureau would lie to her. However, the Bureau evaluated her ability as entirely pointless in isolation. She agreed. Simply saying the word "Reset" can't change the world. It doesn't erase a girl's tears.
Mari was still crying.
(Should I go to her? No rule stipulates that.)
Eventually, Mari's mother appeared on the other side of the street. They were about to be reunited. And when they did, Mari's tears would stop.
No need for a Reset or for the hem of her skirt. Her sadness gets resolved without Haruki's intervention.
Nothing mattered.
She heard the door open behind her back. When Haruki turned back, she saw Souma Sumire and a male student she didn't know.
Guys im thinking about it againβ¦.about hanekawa and nadeko and theyre narrative parallelsβ¦.more especifically im thinking about how theyre masks are opposite to one anotherβ¦while hanekawas whole deal is that she wants to be as perfect as a protagonist of a super hero novel and hates herself because of her inability to fullfill this role perfectly nadekos whole deal is that she wants to be invisible, she thinks of herself as a caracter with no story and hates the lack of agency in her life but its this mentality of being a background caracter in her own story that makes her unable to change her lifestyleβ¦she doesnt have agency and that fact prohibits her of creating that agency. So while i still think theyre very similar the roles they want to play are opposite and so is the motive of then playing then. Nadeko resents other people and dont want to be a part of theyre story so she just erase herself while hanekawa searchs for love from other thinking that is only natural that people love a good protagonist!i also love how theyre showing how both the protagonist and the background caracter ways of living are wrong because in the end youre not a caracter!!!you are youre own person and thinking you should fit a role in a story takes away nuance im youre life!!you should more then anything be yourself and change not because of another narrative or because you need to fit a role but because you want to change!!you should prioritize the real you and not a role you feel you have to play!!
Anyways theyre amazing caracter im very normal about(im not, thats a lie)
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there's a certain irony to me wanting to make both tsubasa tiger and nadeko medusa all about me but honestly i can't help it. i think in the same way hanekawa is the kind of person i am now, nadeko is the kind of person i used to be.
forcing those around me to give up because of my unyielding silence was just how i dealt with things. because at a certain point all adults will run out of time to deal with a child. the most effective part is that it works against adults even if they know what you're doing. though in the end the person it hurts the most is yourself. in part because it keeps you a child and in part because it becomes the reflexive answer to every problem and makes you unable to regulate your interactions.
words fail you when you need them the most, you're unable to tell if you're a genius or an idiot, and either way you end up alone. you're unable to be someone who isn't alone. in my case i managed to move the needle on that when i moved schools, creating frameworks for interacting with others to enable me to be normal. i became a person who is sociable enough to have many friends, sociable enough to go out with those friends, but still unable to connect with them.
sure i'd share secrets about crushes and whatnot since that was the done thing, but i can't help reflecting back on those moments and seeing someone who is completely devoid of feeling. well devoid of everything but anger. i never let it show, obviously. i wouldn't have wanted to become an 'angry girl', a kind of 'pitiful girl'. not that the word girl even applies i guess.
i enjoyed getting righteously indignant at my girl friends when they called me cute. since my masculinity deemed it necessary i pushed back against that word, because it couldn't fit me. and yet i wanted it to so badly that those girls just knew. my reasoning is so far removed from nadeko's and yet we arrived at the same conclusion. there's something wrong with wanting to be cute. with wanting to hide away. with wanting to yell and scream and curse at the world for the crime of it existing.
i think every teenager thinks the world is unfair, and i think every teenager is right. i can't help but read nadeko's pained excuses and twisted logic and just. understand it. because she's not pitiful or wicked. she's not good or evil. she's not a victim or a perpetrator. she's all of those things because all of us are all those things. we hurt people by existing, we help people by existing. if anything is pitiful about nadeko, it's not that she can only think of herself as a victim in a selfish and self-serving way, it's that one day she'll have to give all that up and accept that she's also human. and in so doing she'll have to acknowledge that she was selfish, that she was cruel, that she only ever thought of her own comfort. and worst of all, she'll have to forgive herself for all that.
*cutely self-charges my runabout killing you instantly*
this is 1%er in the sense that replicating it would take an insane amount of luck, from the obby runabout rerolled from the crash site, to hitting specifically relic on the runabout from the crash site tag crystal, to getting ethergy conduit from qomatz. firestarter is actually doing a lot of heavy lifting as well giving runabout that extra juice to get rolling. build is really hurting for a good way to get flying though, ornithopter, pinwheel, and flare gun are fine, but if the were to go later then it really needs something like start-up sequence + lightning butterfly. unfortunately you can't run launch tower on this board so the options are somewhat limited, that's what makes it fun though.
early game was ball blaster + cutlass for some ungodly reason, getting the day five crash site ticket was honestly a godsend and gave me good options for getting out of that cursed hole i'd dug for myself. really fun stuff.
'young ladies don't play fighting games' was pretty nice, i never ended up reading the manga but it seems to be as good as i'd heard. i have decently high expectations for the sets as well since its using real gameplay and the gameplay made sense even before it was explained. great palette cleanser on this auspicious day.
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i don't really know how to come to terms with how much i disliked the dr. stone finale. i don't necessarily think the hard turn to actual sci-fi with the 'medusa' devices was a bad decision or anything, but the show already operates under extremely strained credulity as it is. cashing in the last of that credulity to have the 'medusa' devices actually be a 'parasitic machine organism' that stoned humanity because higher beings can shrug that off and the devices provide eternal life is. well it's something.
unfortunately it just skirts around the issue i've been wondering if the show would ever tackle in the apolitical nature of the science presented. the ending for ryuusui being that as a capitalist he re-institutes capitalism and also creates a monopoly for himself really does shave the problem with returning to the status quo down to a fine point. and the problems with the starry eyed idealism come back as the show ends on senku trying to invent time travel explicitly to make sure as few people in the past die as possible.
the parasites make the point that petrification is eternal life and can't conceive of a society that doesn't center living forever as the pinnacle to be reached for. even if that living forever is being stuck in stasis. senku doesn't really push back on that, he simply says that humanity is illogical and that they chase their passions rather than the optimal path.
i don't like that he said that. throughout the series senku has been confronted with the worst aspects of scientific progress: with guns and spears and missiles. and as it shouldn't, it doesn't deter him from pushing forward, because even if the things 'science' produces can be used for ill, they can also be used for good. that's why we have to contrive a way for a missile to be useful.
but a 'science' that lives apart from humanity's worst impulses doesn't exist, because if science can be used for good, it can be used for ill. simple saying that senku is a good scientist that will guide science forward the right way is just. bad. senku is a scientist that believes wholeheartedly that everyone should live forever and that no-one should die and in the real world he would be rightly called a hack for ignoring the reality of the situation.
because even if it was possible to eradicate death, in a world that values capitalism and thinks monopolies are a good and right thing, what does eternal life actually give you? if, as tsukasa's ending posits, there are haves and have-nots in this brave new world, why are we focusing on time-travel instead of creating a better today?
for me the answer is that inagaki-sensei believes science is inherently apolitical and innovation must be pursued at all cost. but what science ultimately is in a world where scientists need money to do research, is a political tool that serves interests. because science as it exists under capitalism cannot exist separated from any kind of material interest, whether those be personal ones or those asked for by the state or by corporations.
as angela collier points out in this video, a functioning government funds scientific research without expectation of a return (in essence because those returns will happen anyway, because innovation drives profit and nice bonus is that things get better for people), and that's where i think this idea originate from, but as is evident from the kinds of research being done in the modern day, these pursuits are dictated by the interests of the elite more than they are the interests of the scientists themselves.
and dr. stone doesn't want to engage with such a thorny issue so all it can do is say that returning to the status quo is what senku, as the avatar of science, should want and that these forces that exist will always exist and it's actually fine that they do exist. it's just saddening. to imagine a world where we rebuild society from the ground up and not have that society care for those at the bottom is just. gross. it spits in the face of the idealism it supposedly champions. it sucks. dr. stone sucks. but you knew that the moment it introduced ryuusui.
actually the best criticism of dr. stone i can muster is just this one question:
why do these slums exist? like on a real fundamental level, why do they explicitly exist in this world at this point in time? are the reconstruction efforts not working out? why are there destitute people in a world where we're starting from zero? what the actual fuck is wrong with you if you think this should exist in the default state of a prosperous world?