Putting books on hold at the library has the same thrill of ordering books online, but with the added benefit of not losing any money over titles I might not enjoy.
10/10 would recommend.
Monterey Bay Aquarium

Jimmy Eat World
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❣ Chile in a Photography ❣
2025 on Tumblr: Trends That Defined the Year
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Aqua Utopia|海の底で記憶を紡ぐ
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@lifeinsherds
Putting books on hold at the library has the same thrill of ordering books online, but with the added benefit of not losing any money over titles I might not enjoy.
10/10 would recommend.

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My favorite response to “that’s not a word” is “then why do you know what it means?”
Every time someone within 30 miles of me says “that’s a made up word” I am uncontrollably compelled to respond “ALL WORDS ARE MADE UP!”
In a college language class I took, we talked about the Jabberwocky poem and the professor had us try to explain every word in it. When we got to ‘outgrabe’ she asked why it was past tense and my response was “Cause the present tense is outgribe”. Her response was “That doesn’t answer the question but that brings up a better one. Why do you know that?”
I’m reading this book about the changing arctic and the author stayed with the Nunamiut people of inland alaska for a while and talked to this high school kid who was like “ugh I hate going to school in the spring I wish I was hunting caribou” and I thought that was charming. you often hear about people who are devoted to preserving their traditional culture and knowledge but it’s rare to hear about someone who’s invested in the old ways out of pure teenage selfishness. school is lame and hunting caribou is awesome
"Trans people were invented by doctors in the 1950s"
@thatlittleegyptologist Something about this "hot take" seems sus to me, but I don't know enough to say what
okay, so I'm gonna tread lightly here because, well, this site doesn't take well to discussions of nuance, especially on topics such as this. I'm of the very firm belief that trans people have existed for all of history, but the way we approach things like this has to be considerate of the entire context.
So, the individual we're dealing with here is a Roman period mummy that was CT scanned in 2014 as part of the Ancient Lives and the skeleton was determined to be a male, but was originally brough to the British Museum in a coffin that was named and styled as female. The mummy is accession number EA 6704 and the coffin is EA 6703. (Concurrent accession numbers mean they were brought in together and EA stands for 'Egyptian Antiquities' and please be aware that the link for EA 6704 contains images of the mummy for those of you wish to avoid more images of the deceased)
Now a lot of people, in both the comments, the OP, and the book this is taken from are...assuming a lot of things. First of all the tweet and the book it's taken from (no idea which one) say 1960s, and the tumblr comment says 1950s. If we check the museum catalogue entry in the 'Bibliographic References' section it says 'Dawson and Grey, 1968' and is their survey and research of mummies in the collection. It was then further CT scanned in 2014 which confirmed the 1968 analysis. The skeleton, at least, is male.
So why is the above a hot take, and, unfortunately, deeply incorrect?
This mummy, and the coffin it was in, were bought by Henry Salt in the 1820s from an Egyptian seller, which he later sold to the museum in 1835. Given the nature of its arrival, and the complete lack of x-ray ability or Egyptological knowledge (the field of study really only got going in the 1820s when we deciphered hieroglyphs) it was assumed that the coffin, belonging to a woman named Mutemmenu, and the mummy were the same burial.
That's not accurate.
The coffin, styled female and lists her occupation as 'Chantress of Amun' dates to the New Kingdom (c.1200 BCE) and the mummy found within it dates to the Roman Period (anywhere from 30 BCE to 646 CE). This makes the mummy *at least* 1200 years younger than the coffin they were brought in with and therefore doesn't not belong to the mummy. Occurrences like this are relatively common. This is mostly because when these coffins were excavated antiquities dealers just shoved random mummies into random decent looking coffins so they could be sold as one lot. The other option is for the Romans to have reused (again not uncommon) a coffin from an older period and since Hieroglyphs had fallen out of use...no one could read it to say 'hey that coffin belongs to a woman.'
So that's the coffin issue sorted.
Lets move onto the 'breasts', tattoos, and jewellery. I fully understand why people think they're breasts. They look like them, I won't lie to you. Unfortunately, that's not what they are. The 2014 CT scans showed that this individual had a lot of excess skin that before mummification would have meant that the individual was fat. They also had significant tooth decay on one side of their face. Where do you think the embamlers packed out the mummy with extra padding to make them seem more like they did while they were alive? The face, the stomach, and the chest. They're not 'breasts' they're fat rolls. In Ancient Egypt, being fat was a sign of wealth and good fortune. It meant that you had an abundance of food, so officials would often depict themselves with fat rolls and the men with what look like breasts to indicate to people that they were well off. It does not indicate an individual's gender. As the book says, this practice stems right from the Old Kingdom through to the Roman period. It's more common in the Roman period, but I would also state that this is likely a bias in the record as we have more Roman mummies survive than most other periods. It cannot be taken as absolute fact because we're missing data.
Tattoos and jewellery? Well, those, it appears, were taken by the 1830s museum staff, the 1960s scan, and apparently most people in the notes of this post as being exclusively female. Even the OP of the tweet this is taken from seems to take this as a given. Which is deeply strange, because in what world are you guys expecting gender progressiveness from academics in the 1960s? Seriously. You're not even praticing it yourselves because you've defaulted 'male sexed body with jewellery and flower tattoos cannot be male because those things are for girls.' Can you hear yourselves? You rag on archeologists and museums for 'omg they were roommates' and here you are defaulting to 'jewellery and flowers are for girls.' Please.
The 1830s academics did the same thing. They saw the jewellery, 'breasts', 'tattoos' and female coffin and presumed (not being able to read the coffin which said 'Chantress') that the person inside was a woman, and a dancer. In the 1960s, when they x-rayed the body and determined the skeleton was sexed male, they didn't really update any other information so the 'dancer' part was left in. Truth is, we simply don't know who this person was or their occupation. The strapping has been found on some dancers, but it's not exclusive to dancers since it's found on other mummies too. Dancer has simply been assigned to this person based on that and the 'tattoos'. This individual is also covered in gold leaf, marking them out as a high status individual. Dancers were not high status individuals and were certainly not buried with their skin covered in gold leaf. It is important to understand that while the strapping may appear to match dancers from earlier periods, we're talking about 1200 years between those depictions and this mummy. That's like saying someone today wearing something similar to someone from 825 CE have the same occupation despite the fact that there is a huge amount of cultural and societal change between the two. It's not enough to identify anything other than 'might be the fashion of this period', and certainly not enough to pinpoint someone's gender identity. They may have been a dancer, but we cannot prove this and dancing is not a female only occupation.
Tattoos and jewellery were not a female only items. Men wore jewellery in Ancient Egypt and this practice didn't end with Roman occupation. Tattoos were also for both genders (Egyptian definion of gender not modern) and the lotus flower is a symbol of rebirth, it's not consigned to one gender but an extremely important symbol connected with Egyptian mythology. A lot of early research, I won't lie, was extremely biased. It labelled tattoos as for dancers and sex workers only, which reflected the views of tattoos in wider society. A lot of people even today believe that tattoos mean you should be shunned. Thus it was assumed that only women had tattoos. In fact, I can find a paper from 2003 that boldly claims that no male mummies have tattoos (citing a 1988 paper)...then cites several examples of male mummies having tattoos. That's a level of head/desk someone should have caught, because the paper I link for 'tattoos for both genders' shows them from the Pre-Dynastic period (c.6210 BCE - 3100 BCE) on both genders. We also have very few mummies from the Old Kingdom through to the New Kingdom because mummification was still developing, so we don't exactly have a wide data set to say 'men don't have tattoos' thus, I'd take this claim with an extreme pinch of salt since we have examples. I would also state that the caveat is that most tattoos are found on Nubian dancers in one Meroitic cemetery. Something something, sample size.
Fun thing, after that little segue, the mummy doesn't have tattoos. The 'tattoos' are the painted lotus flowers on the linen above the knees that's covering the mummy. Which, at this point, if they're solely on the mummy coverings (we can't check the physical body without unwrapping and we're not doing that) they're more likely to be rebirth symbols and not literal tattoos. Thus taking us even further away from the 'only dancers have tattoos' assumption. The face is painted on too, including side burns and a beard which are what those dark marks are along the side of the cheeks.
That's a beard. It's not the best beard, but it's a very artistic interpretation of side burns.
Likely immitating something like this, which is backed up by the CT scan showing the mummy has short hair on the head and face. It also shows one of their teeth has fallen out and is resting at the front of their mouth, which is pretty cool.
The final thing I want to address is the 'pink' skirt or kilt that was found on the mummy at the time it was accessioned into the BM catalogue. It's not mentioned above, I know that, but it is mentioned in other articles about this mummy. This hasn't survived, so I can't look at it and say what type of garment it was. I don't even want to take 'pink' as the definite colour as we're talking about a c.2000 year old piece of clothing that absolutely will have faded with that amount of time having passed. I would also discourage 'oh they're wearing pink they must be...' because no we're not doing that c'mon people.
So, in summary: this mummy is likely male. I won't say for definite because, we genuinely can never say for certain how someone's gender was presented and new information could become apparrent in the future that changes this, but as of right now there is nothing to say this person had changed their gender presentation. As far as I'm aware with current research, we have no clear way of identifying individuals who transgressed Egyptian gender roles. Their gender roles are much different to ours, and we simply don't have the language or understanding to find them yet. We will, I'm sure of it, but as of right now we just don't have enough information on what the Egyptians classed as 'going against gender roles' to make these calls. In the case of this individual, they have facial hair painted on the mummy and seemingly still on the face of the mummy itself that is in the style men wore at the time. They have fat rolls that have been formed after death that are culturally like those depicted on high status male individuals, and since the mummy has gold leaf on the skin we know this individual is high status. Jewellery is gender neutral in the ancient world, so I'm absolutely not assigning a female gender just because this person has faux bangles. Tattoos? Well the mummy doesn't have them, they're merely painted on the knees and are a known symbol of rebirth not a female only thing. In all, there is nothing to suggest that this individual wanted to be presented as having a different gender. Assuming so based on your modern understanding of what constitutes markers of gender is damaging, and you could be assigning a lived experience to this person without ever understanding how gender was constructed in the time they lived. Based on my knowledge of Egyptian gender presentation, and the evidence I've presented above, this person didn't do anything out of the ordinary for 'male' presentation, thus the skeleton sex identification does not contradict this.
Couple of quibbles that do not change your analysis otherwise. Too many other bits of evidence, context, and important lessons aren't changed by this, but: Skeletal structure is notoriously inaccurate for sexing human beings. With a well preserved mummy, convention is that it can be up to 90% accurate, yes, but that's still a huge margin of error there. 10% chance of being wrong is a high chance. There is no trait in a skeleton that is exclusively found in "males" or in "females". (Putting those in quotes because, Ew!) Now, if there was enough soft tissue preserved, one would think that the CT scan or X-Ray might pick up the configuration of genitals. And that might be more reliable. It is a mummy, after all. Also, human cis men have breasts. Their mammary glands are latent and undeveloped, but the tissue is there ready to be activated by estrogen. And in fat cis men, that estrogen is often present, and the result is called gynecomastia ("woman-like breasts"). There is absolutely no good reason not to call them breasts. Especially when they are enlarged. "Fat rolls" is a weird and inaccurate term for what they are. People are too precious about this in a way that really just results in misogyny, transmisogyny, and dyadic-centric sexism.
You’re right!
Sexing skeletons is an incredibly tricky business and is liable to change given new techniques or technologies as they become available. The skeleton in this case was identified to belong to a woman when first discovered solely based on the jewellery, skirt (though it could be a kilt), and the fact that the coffin was made for a woman. When the body was reexamined in the 1960s they discovered that the body more than likely belonged to that of a man and was likely in the wrong coffin (something that happens very regularly in Ancient Egypt). Subsequent studies have not changed this, but there is always the possibility that this body does belong to a woman and we’re all wrong. There are no certainties with this sort of thing unless you have a good deal of contextual evidence. But we wouldn’t necessarily be able to tell the “genital configuration” through scanning.
Many things happen during mummification and one of those things is uhh…shrinkage. This makes it nigh on impossible to see on CT scans. Even mummies were sure of the identity on (those of pharaohs) the actual presence of an identifiable phallus is extremely hot and miss. For most of the kings we can’t actually see it at all!
I’m aware cis men can have breasts and I’m very aware of gynecomastia. But when I say “fat rolls” I am talking about a very specific detail that the Egyptians culturally used. I’ll show some images of what I mean:
Both of these images show the “fat rolls” because they’re not just breasts, they breasts with fat rolls underneath. This is what they’re referred to colloquially in my discipline and since I was doing scicomm and can’t verify independently that this is the condition this person has, I chose to use the more appropriate term for dealing with a lay audience. It was nothing to do with being precious, I was simply explaining an Egyptian art convention in simple terms.
Look, if you're having a bad day, here's a 6,000 year old pig-shaped pottery pot.
My day's been fine can I still have the pig pot?
Have a row of them

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reminder to visit museums, even if you feel out of place. you feel out of place because there is an established concept of inaccessibility of "high culture" to the masses, purposefully developed to distinguish between social classes.
take up space, read the plaques, get the audioguides. you are just as entitled and right in being there. visit museums, boycott museums, be expressive about your opinions about museums.
a lot of museums are free, or discounted for youth and students. take advantage of that. check your local art museum. check your local history museum. museums are there for you, they are there to educate the public, not to distinguish between class. it isn't a private collection, it's a public exhibit.
GO TO MUSEUMS!!!!!!!
also see if your local library has museum passes for discounted or free admission!!
so christopher nolan drilled into an active historical site to rig a scene, dumped a bunch of plastic skeletons into the ocean with no plan to fish them out, and ruined an actual Viking ship on loan from sweden and refuses to pay for damages. all for that garbage movie.
Swedish nonprofit alleges cost to repair replica was $6,000 but Universal – which made $264m on film’s opening weekend – has not stumped up
Concerns about prop disposal as filming on new Nolan film comes to a close | www.italianinsider.it
looking for a news outlet to pick up the archeologist drama over this but you can google the practical effects used for the cyclops and find the pictures pretty easily
Despite Morocco’s hopes that its film industry would reap rewards, the blockbuster’s success will be tainted by controversy surrounding film
and it gets even worse
yall. I tracked down the original post from archaeologyart on insta and the full photo is incredible
It is from an 18th century book called, "Oki-no-Kuni Sanbutsu Ezu Chūsho" or "Illustrated Guide to Local Products of the Oki Region"
the duty of the historian is to suck and fuck the historical evidence. always.
lets frolic as paleolithic horses together

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extremely small late period amulet of a genet. if i had to catalog this i think i would burst into tears at the sight of it
Mourning rings (17th-18th centuries)
I feel like pirating media that isn’t sold or offered anywhere legally anymore shouldn’t be called piracy. Girl thats archaeology
This sick bleach shirt I made. Something to showcase my undying love for prehistoric cave art.
Some of the bleach burned thru the shirt bc this was my first time bleaching anything ever, but it kinda adds to it.

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in the Egyptian wing of the museum and my boyfriend is like "what are all the time periods of ancient Egypt" and I'm like predynastic, early dynastic, old kingdom which is when the pyramids were built, first intermediate, middle kingdom, second intermediate, new kingdom which includes amarna period and yugioh, third intermediate, and then all the late period stuff and macedonian and roman eras. and he's like run that by me one more time
Dinosaur cartoon.
Important reminder
This reminds me of the fact that "Ancient Egypt" goes back so many thousands of years, that the most recent "Ancient Egyptians" were already studying (even more) Ancient Egypt.
Not even the most recent ones. It was an Egyptian prince from the 13th century BCE studying and restoring artifacts from the 26th century BCE.
For context, the last Pharaoh, Cleopatra VII, lived in the 1st century BCE. Prince Khaemweset, known as "the first egyptologist", was as ancient to her as the pyramids and tombs he was studying were ancient to him.
I remember having me mind completely blown when I learned that the "New Kingdom" was pre-Bronze Age Collapse.
This has totally be mentioned in another fork of this post, but it reminds me quite a bit of Ennigaldi-Nanna's museum, a museum in Ur, c. 530 BC, which housed mesopotamian artifacts dating back in some cases to the 20th century BC