L'homme banni de sa plaisance...

Frauenkirche, Nürnberg, Germany. (April 2018)

Book of Hours, use of Rome

MASTER OF PETRARCH’S TRIUMPHS, FRANCE, TOURS, C. 1490-1500

Passionflowers taken from ‘Fortsetzung des Allgemeinen teutschen Garten-Magazins’ by Industrie-Comptoir.

Published 1815.

Harvard Botany Libraries.

The Annunciation (c.1508-1519). Juan de Flandes (Hispano-Flemish, active 1496-1519. Oil on panel. NGA.

Coiled Serpent

Date: 15th–early 16th century

Geography: Mexico, Mesoamerica

Culture: Aztec

Serpents held an important place in the belief systems of many peoples in ancient Mexico and they are the most frequently portrayed animals in art. Serpents had multiple connotations and inspired sky and earth imagery alike. Above all, they were fertility symbols, probably suggested by their terrestrial habitat and periodic skin shedding. At the Main Temple in the Aztec imperial capital Tenochtitlan, serpent depictions proliferate: monumental snake heads, probably representing different species—with open fanged mouths and forked tongues—flank braziers and stairways leading to the sanctuaries. The temple itself is said to have been surrounded at the time of the Spanish conquest by a serpent wall, or Coatepantli, formed by hundreds of adjoining sculptures of snakes. In three-dimensional stone sculpture, serpents are most frequently shown coiled or knotted, as in this example. Carved from a porous stone, the body of the reptile is a tightly wound knot; the tail end with two rattles in shallow relief is visible on one side. Its flattened head, emerging from the tangled body at the top, has a pointed, closed mouth, and sunken oval eyes under bulbous supraorbital ridges. The function of this snake sculpture is uncertain.

Whore of Babylon

Beatus of Liébana, Commentaria in Apocalypsin (the ‘Beatus of Saint-Sever’), Saint-Sever before 1072