Map of NY harbor by Bertholdi reproduced in "The Most Iconic American Artwork is the Hardest to See"
https://www.nytimes.com/interactive/2026/07/02/arts/design/statue-of-liberty-history-france-us.html?smid=nytcore-android-share
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Map of NY harbor by Bertholdi reproduced in "The Most Iconic American Artwork is the Hardest to See"
https://www.nytimes.com/interactive/2026/07/02/arts/design/statue-of-liberty-history-france-us.html?smid=nytcore-android-share

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The Trump Administration Has Changed Almost Every Aspect of Food Stamps
This expose on how the Trump administration has reshaped the SNAP program reveals biopolitics at work. The question of "who lives, who dies" unfolding slowly through "who eats." It is a brutal read.
It was sad to read how the program is now creating obstacles for single-mother families; though I couldn't help but think that the program helped to create, and does not just reflect, the American malaise of single-person households, how difficult it was to apply if you lived in a collective house, especially if that was extended family, but also if that was chosen family or an affinity group.
"Human services" also appears emblematic of all computer-mediated labor post-2020 when one interviewee comments:
“On the one hand, we are facing a doubling, in some cases, of the workload, and on the other hand, fewer resources to actually fund that workload."
I feel like this is what everyone with a job feels like the past year, double the work, and no help for it. New digital recordkeeping requirements that take time, but no time allotted, new wordy generative AI texts that must be read and decoded, loose ends, dead ends, an expectation to "whip up a graphic", all these aspects of starting over through the day. Still everyone with a job is happy to have their job. Because as this article makes clear, it is tough out there.
That fear is also biopolitics at work.
Link below is "unlocked" but Tumblr doesnt display previews for Unlocked articles... copy and paste.
https://www.nytimes.com/2026/04/26/us/trump-administration-food-stamps.html?unlocked_article_code=1.d1A.KZSF.EfoDJw2Q0GDd&smid=nytcore-android-share
There has always been predictive text!!!
From Lisa Gitelman - Scripts, Grooves, Writing Machines
Yanis Varoufakis On Technofeudalism And How To Overthrow Big Tech
Today’s tech barons treat their users however they like and believe there is little we can do to stop them. A cloud rebellion could change t
Excerpt:
At last, Stelarc, the artist, emerged. Once inside the exoskeleton, Stelarc would continue to be free to move his legs as he wished, but his arms would be controlled remotely by an anonymous crowd watching and participating via the internet. Stelarc climbed into the machine, which he had named Movatar, and the system began to boot up. Soon enough, it connected to the internet where invisible strangers awaited.
Unlike a dancer who captivates you with the effortlessness of their movement, Movatar was compelling for its awkwardness. Its upper body moved jerkily, as if in opposition to the legs beneath. Its clumsy movements were strangely moving, brimming with significance — but signifying what exactly? I sensed a window opening onto the relationship between humans and their technologies and the same contradictions that had inspired Hesiod.
Stelarc’s Movatar prophesied what was to happen to us when traditional capital evolved into cloud capital, from a “produced means of production” into a produced means of behavior modification. Stelarc was merely experimenting with the idea of the post-human, but his Movatar captured the essence of humanity’s future reality. As I see it now, Movatar was a creature at the mercy of hyper-connected, algorithmically driven, cloud-based capital. Another name for it would be Homo technofeudalis.
Right now:
It is May. I am gardening. Listening to Yanis Varoufakis book "Techno Feudalism", which is polemical in the best way. He has a point. He makes an argument. There is much to disagree with and much that is insightful. He is recontextualizing the global affordability crisis in a way that makes so much sense. His book is written as a letter to his father, which is a familiar feeling and voice to anyone who had a leftist father born in the 20th century and remembers writing them letters that reflected on the progress of ones life and the march of technology alternatively. I am shocked and delighted when Varoufakis brings up Stelarc!!! I remember writing a letter to my own father, imprisoned somewhere in upstate New York, after I saw Stelarc give an in-progress version of the Movator at The Egg in Albany NY! It was so simulatenously nauseating and fascinating. I hadn't learned the word "Post Human" yet, which I would later encode Stelarc work within... but Varoufakis calls it something else, something both forward and back.
Reading about Bukowitz and Williams Knowledge Management cycle makes me think that there is a place for information professionals who subscribe to BWKM in DOGE.

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What ownership did Cage & co. get rid of?
From Lucy Leppard's contribution to Information catalog. MoMA 1970
" Everything is such a f****** mess and I purport to bring order? I will learn to keep order and try not to get too distracted by social media which has sucked all the wind from all of my thoughts for years. A conflagration of opinions fed by questions and likes. Amanda asked in a Tumblr comment if poor debtors would be used as compost for Mars and I tried to find the book I read this past year, which discussed settlers in Virginia as composed. I wish I had written the name of that book over here."
Thars a journal entry from my "Reading Journal" - September 2, 2021
I use this notebook for weeks and then lose it, so I have had it for four years. I found it today to enter notes for The Eye Of the Master by Pasquinelli. Do you keep a reading journal? How do you keep track of what you have read if you want to recall it later?
Oh and please comment or message me if you know the name of the book with settlers in Virginia as compost!
This metaphor of “alignment” is the primary way these philosophies compare values–so much so that talk of alignment has migrated, like Agile, from tech-specific jargon to general corporate-speak. For example, OpenAI named its project to “steer and control AI” “superalignment.” In this context, for AI to be “aligned” means it “follow[s] human intent.” Grouping the vast plurality of humans’ intentions into a single and coherent concept of “human intent,” this definition of alignment would never pass scrutiny in an introduction to philosophy class; it makes the classic ideal theory move of misrepresenting the interests of privileged elites as the interests of people in general. Nevertheless, they do clarify that “alignment” means something more or less like a phenomenological orientation: to be “aligned” with something means to exhibit an analogous direction or teleology. With this focus on “alignment,” tech industry AI ethics is both a kind of corporate phenomenology and a reworking of the way the math fueling LLMs and the like compare clusters of data into qualitative ethical terms. - Robin James
Interaction?
I miss Tumblr. How about you? I know I am here now, but it's too rare. I choose to log-in, usually on my computer. And I look at my notifications... always empty. The "dopamine-addict" in me forgets about Tumblr for weeks and goes back to the garbage of the Zuckaverse.
Here are some of the reasons I love Tumblr:
No one aims for a perfectly curated feed. Well, maybe some of the illustrators do.. but no one feigns a perfectly curated life. So it forms a more authentic record.
Tumblr fosters supportive communities... or used to.. I know it still is for some of my illustrator friends. (Im a little jealous.) For me, it still offers a social media where I can express myself without judgment -- without Instagram's pressure to pretend or the Twitter mobs that can beat you down and leave you staying home from work or hiding at an out of town relative's house with their threats and intimidation. Without judgment... and often now without response. Every post is a message in a bottle, a letter to posterity
Tumblr's Ask feature encourages direct interaction and creates opportunities for meaningful dialogue.... but I don't see many people using it these days (do you?) I will meet poets who are on here and ask them questions, get an answer 3-4 months later says "oh I didn't even know this was here? Hi!"
Anyway, I've quit Twitter, I'm tired of Instagram, and my Facebook is for engaging with local friends and community. I'm going back to Tumblr... How about you?
I want to stay here but I miss the interaction! What do you think about interaction on Tumblr these days? Is it fulfilling?
So many good notes in this library book that I must return. One to keep: Film as a Record. I must reference this if I ever write my essay about EMPAC videos as something between records and publications.
Also why didnt Essay Film make it into LCGGT?

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So many good notes in this library book that I must return. One to keep: Film as a Record. I must reference this if I ever write my essay about EMPAC videos as something between records and publications.
Also why didnt Essay Film make it into LCGGT?
Re: Board Games
In Mohawk Maker Quarterly
A little story about "Save the Whales" and Animal Town Game Co.
A periodical / review / editorial advertisement published by Mohawk Paper of Cohoes, NY from 2013 to 2018.
What Will You Make Today? What began in 2013 as a celebration of makers, creativity and the culture of craft, The Mohawk Maker Quarterly has
We invite your collaboration
2024 is a moment of transformation for St. Rocco's and we invite your input and participation in the future of our organization. If you would like to get involved, or just want to share your thoughts about our future directions, please fill in this form, or send us a message here.
We welcome new members or occasional collaborators who would like to
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Lawrence Livermore National Laboratory world’s heaviest door
Verge article on "screenless" "AI pin" is full of all the reasons why we don't experience the web aurally.
Screens are bad until you don’t have one.
"Screens are great when you want to consume a lot of information at a glance or just check the 10-day weather forecast without waiting for a voice assistant to spit it all out."

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Save the date - November 30 - for our "Generative Texts" salon. From the depths of your computer to the apex of Giza Plateau. At Kiddie Pool on Grand Street in Albany.
With Kite, Brian McCorkle, Alexis Bhagat and more. Chatbots and Python outputs, and also cut-ups and surrealist games. We are presenting a variety of approaches to generative texts, grounding the current hype for AI/LLM/chatbots in deeper literary histories. The critique of AI has a long tradition; conversely, literary experiments with more than human writing have long traditions, too.
We are finalizing a few reader invitiations and will post the official announcement on Saturday. DM us here on on Instagram if you would be interested in reading or in sharing a text based game (paper, tabletop, or online) in the game room.
Music event by St Rocco's Readings for the Dispossessed on Thursday, November 30 2023
Justin Torres new novel is full of erasures.
Before the release of Blackouts , Justin Torres’s second novel in ten years, the author speaks with his friend Brontez Purnell about zines,
"So the book is reacting to this medical study called Sex Variants: A Study of Homosexual Patterns from the 1930s. It was this early sexology study, and it was very pathologizing. They took all these queer people and studied them. They measured them. They measured their genitals. They asked them everything about their sexual histories, and they recorded it, took it all down, and then talked about them in dehumanizing ways, as if homosexuality is a disease, et cetera, et cetera, et cetera. But the study was started by this woman, Jan Gay, who was herself a lesbian and a lesbian activist. She was a fascinating figure. Her hopes for the study were totally the opposite of what it turned out to be, and she was devastated. Some of the photographs are from the study itself—hand drawn images of vulvas, naked men and women with their faces blurred—but I wanted to include other historical photographs in Blackouts as well, both to mirror this sexology study, and to provide a visual counternarrative. And I wanted to be doing something different, which is why there’s all these blackout poems. These erasures. I took the original text of this study that was very pathological, and I tried to get it to say and do something else. So, that’s part of it."