J.W. Neuteling, X. de Geyter, F. Roodbeen - A Wall, Competition Entry ‘Habitat y Ciudad’, Quaderns, Barcelona, ES, 1990

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J.W. Neuteling, X. de Geyter, F. Roodbeen - A Wall, Competition Entry ‘Habitat y Ciudad’, Quaderns, Barcelona, ES, 1990

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Informational Affairs is an ever growing index of books collected by Folder Studio. For inquiries...
WAÏF: Where Architecture ïs for children
Builders Of Worlds III
The Model | Palle Nielsen | Stockholm Moderna Museet | 1968
“My final goal is to find the ultimate form in which people can communicate with each other”. Palle Nielsen, 1968
“[…] The reason for making an educational exhibition at the Moderna Museet is the following: the debate about new art has increasingly developed into a debate about environment. The individual work of art is becoming less interesting. It is the context, the social implications that are moving to the foreground. […] A communicating environment that activates people is the logical outcome of this line of work… The idea is to further explore the following hypothesis: children’s patterns of play vary with changes in the physical framework for their play, and there is a positive connection between the degree of variation in the playing unit and the satisfaction of the children’s physical and sensory need. […] The frame itself is conceived as being built of wood, including many spatial formations and bridges. The frame will contain no fixed play functions – only the children’s use of it will determine its function. The frame is also aimed at making the space more unpredictable. […] Clothes for dressing up and paint will become an essential part of the sensory group experiences. In the same way, wood and tools will be provided with which to further process the frame. “
source: 1 / 2
話の特集 1976年8月号
表紙:横尾忠則「友達19田村正和君」
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One of the ideas was the relation to art as a commodity. I thought by doing drawings on the wall, they would be non-transportable—therefore a commitment by the owner would be implied, and they could not be bought or sold easily. I also did a number of works that would be sold for $100 (…). These were maps and postcards with drawings or cutouts, crumpled paper, folded paper, torn paper, and so on. Also since wall drawings were done from instructions, anyone could do one, no matter how badly, just as anyone can have a self-made Flavin very easily.
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young london: permissive paradise, frank habicht
Coming soon… Gratuitous Type Issue 4, with screenprinted acetate cover. Pre-orders available now. Issue ships in October.

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