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Misplaced Lens Cap
we're not kids anymore.
Monterey Bay Aquarium
PUT YOUR BEARD IN MY MOUTH

titsay
i don't do bad sauce passes

@theartofmadeline

shark vs the universe
Alisa U Zemlji Chuda
hello vonnie
Cosmic Funnies
wallacepolsom
let's talk about Bridgerton tea, my ask is open
Keni
noise dept.

JBB: An Artblog!

trying on a metaphor

Kaledo Art
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@letgraceflow
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Bridging the gap between me and my ideal self, one day at a time
Van-Goghâs âWheat Field with Cypressesâ as a living painting at the National-GalleryÂ
Trafalgar Square
Magical

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I am no mans dream girl. No man could ever imagine and create a woman as complex and beautiful as me.
Melissa Launay (1979 - ) Marmalade on toast and an orange, 2012. gouache
bring back Georgian-era sentence structure. fuck this single clause Hemingway bullshit; I want to string the reader along for pages, to link, however disparate, an endless array of actions using every form of punctuation I can imagine - even those I rarely use - and generally be as incoherent as possible (though it is to be said that this is for internet and casual use, and not for increasing the impenetrability of research papers, a far less noble goal than the one I proposed).
being alive is like there's something i don't want to do but then i do it and it's okay. there's something i don't want to do but then i do it and it's okay. there's something i don't want to do but then i do it and it's okay. there's s

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really rude that i cant go back in time and save my younger selfÂ
âI have a hard time accepting diversity as a synonym for justice. Diversity is a corporate strategy. Itâs a strategy designed to ensure that the institution functions in the same way that it functioned before, except now you have some black faces and brown faces. Itâs a difference that doesnât make a difference.
Diversity without structural transformation simply brings those who were previously excluded into a system as racist, as misogynistic, as it was before.â
âAngela Davis
Photo Album: Zalipie, Poland
â Â Zalipie is a small ancient village in South-Eastern Poland. It is definitely one of the countryâs top tourist attractions. Not because it has five-stars hotels or massive glass buildings, but on the contrary, due to its small wooden cottages, which are painted in the most vibrant colors.
âStatues are not the mechanism by which we understand history. We learn history through museums, through books, through television programmes. Statues are about adoration. They are about saying that this man was a great man and he did great things. That is not true. He was a slave trader and a murderer.â
- historian David Olusoga on BBC News, regarding the statue of Edward Colston being pulled down by BLM protestors in Bristol, and the âerasing historyâ argument used to criticise the act.
Miles Van Rensselaer (American, b. 1973, Lopatcong, NJ, USA) - Jari Jari Gelas Totem, 2016, Sculptures: Bronze and Glass

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The perfect spot