Works by Yoshitomo Nara ⋆。° ★
Noah Kahan

ellievsbear
we're not kids anymore.
Stranger Things
🩵 avery cochrane 🩵
trying on a metaphor

Product Placement
Claire Keane
he wasn't even looking at me and he found me
Cosmic Funnies
Sade Olutola

Janaina Medeiros
Today's Document

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Aqua Utopia|海の底で記憶を紡ぐ

tannertan36
"I'm Dorothy Gale from Kansas"

Kiana Khansmith
sheepfilms
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Works by Yoshitomo Nara ⋆。° ★

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now I’m in LA and it’s paradise, cause I’ve finally found you
JOSHUA All My Love Japanese ver.
depollute me, gentle angel
and i’ll feel the sickness less and less
Juansen Dizon, i am the architect of my own destruction

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By Del LaGrace Volcano, published in Mein lesbisches Auge 03 in 2002
Versace Atelier Fall/Wint 1997
now I want to unalive myself
Paradise Kiss - Ai Yazawa

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I rewatched The View From Halfway Down and the plotline with Secretriat and his poem made me think about something I read once, that all 29 people who survived a suicide attempt off the Golden Gate bridge regrertted it the moment they jumped, and how it was showed through the poem.
When they're having the Worst Thing/Best Thing game, Secretriat says the best thing he did was jump off that bridge because he got to make his own choice and go on his own terms. The poem is divided into three (uneven) parts:
1. Before The Jump
The descriptions in the first three stanzas create a very pastoral, serene scenario. A summer sun, a regal river, soft breeze. It's written in third person, which create a certain distance. This is something that's happening to someone else, not you or me, this is a daydream, something one fantasies about, sees someone else do and want to try it for oneself.
2. The fall
The single stanza written in second person, things become more personal. This is what you wanted, isn't it? To fly. "You see things clear than from the ground" - I adore the multiple meanings here. You literally see things clearer now than when you were on the bridge, the view is closer. Once you land all the ground, you won't see anything angmore. You see now that you don't actually now, but it's too late because you're halfway down.
3. Hitting the ground / regret
Secretriat's panic and regret in first person in the last three stanzas. There is no longer distance, this isn't happening to someone else, this isn't a fantasy, it's real. He'd give everything for his feet to be back on the road above. The howling of the wind abruptly halts when he hits the ground, he wished he could've known that he'd regret his decision halfway through.
This is such a great poem and I think it's interesting how at the beginning of the episode Bojack tells Herb about this reoccurring dream where he was having dinner with all the people who were gone and thought "hey, I should do that!" basically confessing that he kept thinking about the people he lost and contemplated suicide, how Diane recalls the voice message he left her where he said "I'm gonna go back swimming, because no one cares about me anyway" and how during the dream, when he realized he was dying, he immediately regretted it and tried to run away from the door until he called "Diane" and accepted it was too late.
“The weak breeze whispers nothing the water screams sublime. His feet shift, teeter-totter deep breaths, stand back, it’s time. Toes untouch the overpass soon he’s water-bound. Eyes locked shut but peek to see the view from halfway down. A little wind, a summer sun a river rich and regal. A flood of fond endorphins brings a calm that knows no equal. You’re flying now, you see things much more clear than from the ground. It’s all okay, or it would be were you not now halfway down. Thrash to break from gravity what now could slow the drop? All I’d give for toes to touch the safety back at top. But this is it, the deed is done silence drowns the sound. Before I leaped I should’ve seen the view from halfway down. I really should’ve thought about the view from halfway down. I wish I could’ve known about the view from halfway down.”
— Bojack Horseman, S6:E15 - The View From Halfway Down
Safia Elhillo, from "Summer," Girls That Never Die.
Caprisongs is one of the best albums of the past year
— a girl is a haunted house, tathève simonyan
[text ID: I was born from a mother, like you, / Wearing nothing but the pride of innocence, / Wrapped in my blissful indifference, / But I couldn’t scream like you / And I couldn’t cry like you / And I couldn’t smile like you. / I grew up enchained to these walls, like you, / Filled with nothing but a promise of excellence / (What a merciless fraudulence!) / But I couldn’t walk like you / And I couldn’t talk like you / And I couldn’t keep the child in me alive like you. / Your existence in this world seems so effortless, / Yet I struggle to lure each breath in. / And at night, when this itch of my skin / Softly whispers that I’ll never win / Even trying alone seems so meaningless.]

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