La maison du docteur Edwardes (Spellbound), Rhonda Fleming dans le film de Alfred Hitchcock, 1945. (décors de Salvador Dali)

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La maison du docteur Edwardes (Spellbound), Rhonda Fleming dans le film de Alfred Hitchcock, 1945. (décors de Salvador Dali)

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a local from skopje, macedonia
'Irma Vep' (dir. by Olivier Assayas) [1996]
Dora Maar (French,1907-1997)
Portrait of Père Ubu as a baby armadillo, 1936
“I’ve been talking so much about Yugoslavia that I’m starting to believe it still exists.” Bojana Piškur of Moderna Galerija, Ljubljana @mgplusmsum #same (at MoMA The Museum of Modern Art)

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Cemetery gate, Portugal. Here I wait you, is written above the gate.
Here I wait you
Alexander Archipenko, Pierrot Carrousel, 1913
Unknown, Bauhaus Theater Costumes. From "Triadic Ballet" (Triadisches Ballett), an avant-garde performance piece by Oskar Schlemmer.
Imogen Cunningham - Ruth Asawa. Sculptor. 1952.
The Witches’ Sabbath (Eugène Delacroix, 1831-33)

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Charioteer of Delphi
I adore this statue because of the introverted expression suggesting profound inner life of the person.
Василиса Прекрасна/Vasilisa the Beautiful
Vasilisa the Beautiful / Alexander Afanasyev / Ivan Bilibin 1899
Sonic Youth, Goo, 1990
Anonymous Constantinople (?) master - Patriarchal sakkos. Mid-14th century
Abandoned Spanish-Gothic interior of the United Artists Theater, Detroit, Michigan.
Only lovers left alive

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Roman mosaic from the House of the wounded Bear (VII 2, 45) in Pompeii.
It is located at the entrance of the house. “H A V E” does not mean “Hello” or “Welcome” in Latin, as many believe; its right meaning is “May you be well” .
It is curious that this is written next to the image of a powerful and feared animal wounded by a spear and bloodied.
I doubt that this is the boast of a bear hunter, and there is no mythological or religious relationship between bears and ancient Rome or Greece.
I think the owner sarcastically and with class, meant by this: "You better not mess with the owner of this house.“
By the way, this picture is the best that exists to see this mosaic; its definition, size, quality, are simply extraordinary.
By Wolfgang Rieger ( CC0)
Blaže Koneski, from Vij; Reading the Ashes: An Anthology of the Poetry of Modern Macedonia (ed. by Milne Holton & Graham W. Reid)