Liliriri

my recipe for drawing hands!

(small note that this is a shortcut that is more abt style and ease than anatomical accuracy. it helps to take time to really properly study hands, makes it easier to bend the rules a bit like this and have it still look good!!)

Hey there! Long response ahead. You may find it reassuring to know that it took me around half a decade to get good at drawing without reference, and for a good chunk of that time I was drawing daily for 3 or 4 hours per day. It’s not an overnight thing, it’s not even a within-a-year thing; your brain genuinely needs the time to learn to generate images & volumes rather than to solely perceive them.

In branching out to digital, you and I inadvertently added a slight layer of difficulty to this process of learning to draw without reference. It’s more noticeable now than it will be in a few years time, but here’s what I imagine you’re dealing with (as I dealt with when I started digital): any drawing knowledge you gained through drawing traditionally seems like it’s gone, or at least really hard to access. When you try to sketch or paint digitally it might seem like you “forgot” how to address proportions, values, anatomy, volumes, color, etc.—but when you go back to drawing traditionally, it all comes back. That’s just the nature of moving to a radically different medium. 

If you practice consistently for a few more weeks, you’ll notice that things start to come back to you. After a few months to a year, and digital may feel as natural (or more natural) to you than traditional. If you’re exclusively drawing digitally during this time, you’ll likely have trouble learning to draw without a ref, just because your mind is still adjusting to this very big change—but that’s to be expected. Accordingly, I’d recommend that you keep drawing traditionally as you learn digital, and do your non-reference drawings traditionally, for the most part. This way, your brain is only handling one major change at a time (digital vs. imagination). Once digital is like second nature to you, you can do more imagination drawings there.

On drawing from reference: Stepping away from the logistics of brain stuff, you absolutely can improve as an artist if you never go without a ref. I know hundreds of artists who make incredible work that stems from clever use of references. Art made with references is valid; if you don’t know what something looks like, there is literally no shame in finding pictures of it in order to make a good piece. I do it frequently.

There’s also this spectrum of ref use that I’ve picked up on: on one end, there’s art that may nearly be a copy of some picture (e.g., essentially a study with a few details changed); and on the other, there’s art in which the artist takes little samples from many, many photos or other art pieces and incorporates them into one cohesive image. It’s easier to start from the former end and head towards the latter. The convenient part of using small portions of many references is that it’s not difficult to transition to doing drawings from imagination. When you focus on a small visual, it’s easier to remember it than if you were trying to remember one very large and complex set of visuals (e.g., it’s easier to visualize an eye than the entirety of a face).

Described above is a more gradual solution for drawing without a ref—that is, slowly using less and less reference over years of remembering and learning. I also recommend the brute-force approach (I employed the two in tandem): making yourself to draw from imagination, preferably with a direction in mind, and seeing how far you can go before you encounter too many gaps in your knowledge to continue. When you can discern gaps (e.g., not knowing what an arm looks like at a very specific angle), take note of a few that you find important, and study them. You won’t be able to figure out everything quickly, so don’t fret about that. This is very much an active learning approach, and will likely get you results quicker than the method mentioned in the paragraph above. It’s also scarier, as you’ll be humbled pretty quickly by the ocean of knowledge that you are without—I know I was :)

As is proper for an answer addressing drawing from imagination, here’s a study of a photo. I’ve been trying to figure out how to paint in Procreate as of a few days ago, and it’s been quite interesting. I still prefer Photoshop, but the app certainly has its merits.

Hello! I'm opening slots for traditional commissions for summer.

Examples:

Price is 300 USD flat rate no matter motif excluding shipping from sweden. (Usually worldwide shipping will be 11 USD including parcel.) 

Will be working in gouache on approx. 15 x 18 cm (6 x 7/8 inches) heavy paper. Can be requested bigger or in acrylic with price changes.

"Well, tell me about them!"

"Oh! Okay! This one is the inclusion flag- its for everyone, including allies."

"What's this one?"

"That's the bisexual flag: it represents people who are attracted to two or more genders."

"Hmm... what about this one?"

"That's the nonbinary flag: it represents people whose gender isn't strictly 'male or female.'"

"Hmm... what's this purple one?"

"That's the asexual flag: it represents people who may not feel sexual attraction the way that others do."

She put her hand to her chest and got this really curious look on her face. "Tell me more about that!"

"Oh, happy to! So like if you're out with your bestie and someone real fine walks by and she's like 'omg look at him' and you're like 'girl get a grip?' Or like you just don't get what the 'big deal' is about sex or why everyone is so weird about it? But there's also room for like- you don't fall in love with the way someone looks, you're attracted to the person- their sense of humor and their kindness, or there's something about their personality that just makes it click for you? That's asexuality, too!"

And she got real quiet and seemed to think about it for a minute. So I grabbed our little informational sheet about different queer identities and handed her a copy. "If you want to do some research, this is probably a great place to start."

She thanked me and took an ace flag, stuck it in her hair.

Sometimes when you're online all the time, its easy to think that 'everyone knows about (topic), there's no reason to keep talking about it so much.' But while the people on the internet are real people, the internet ISN'T real life. And there are lots of people who do need to know that they do have community!

I Will Not Apologize

Happy Pride, ya'll.

$3 download (includes version where you can color in your own Pride flag. Limited restrictions, mostly don't be a fascist or major company: https://ko-fi.com/s/ac6c284e8c

Prints: https://www.inprnt.com/gallery/mxmorgan/

"love is love" until it lives in separate beds

"love is love" until it is queer platonic

"love is love" until it does not comply with compulsory sexuality and amatonormativity

love IS love, for aspecs, for sex sepulsed folk and for platonic relationships

"love is love" apply to more than same-sex relationships in a world where romantic and sexual relationships are considered more valuable

i wanted another fancy portrait of him for no reason