The streets are crackedÂ
And thereâs glass everywhereÂ
And a baby stares outÂ
With motherless eyesÂ
Under long gone beautyÂ
On fields of warÂ
Trapped in lamentÂ
To the poetâs coreÂ

titsay

ellievsbear
Sade Olutola
wallacepolsom
Sweet Seals For You, Always
RMH
Alisa U Zemlji Chuda
Misplaced Lens Cap
sheepfilms
dirt enthusiast
trying on a metaphor

tannertan36
Show & Tell

Andulka
he wasn't even looking at me and he found me

Product Placement
almost home
NASA
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@le-toit
The streets are crackedÂ
And thereâs glass everywhereÂ
And a baby stares outÂ
With motherless eyesÂ
Under long gone beautyÂ
On fields of warÂ
Trapped in lamentÂ
To the poetâs coreÂ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Detail of a dog from a portrait of Sophia Dorothea of Hanover, Queen in Prussia.
Source
Khanjar Dagger
Dated: late 18th century
Culture: Indopersian
Measurements: overall length 40.5cm
The dagger has a curved, double-edged damask blade ribbed at the centre. The brass grip is entirely decorated with enamelled floral motifs on green ground. On the pommel lies a cabochon rosette featuring remains of stones. The scabbard is decorated en suite and it has a small suspension loop with a signature in Arabic.
Source: Copyright Š 2015 Czernyâs International Auction House S.R.L.
Ohara Koson (1877-1945)   ĺ°ĺĺ¤é¨
Water Lily, 1920â˛s

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Kirsten Owen by Oberto Gili for Vogue Paris 1990
uchako
can we talk?

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Finally, she said: âIâm lonelyâ â itâs weird but you tell the wolves things, sometimes. You canât help it, all these old wounds come open and suddenly youâre confessing to a wolf who never says anything back. She said: âIâm lonely,â and they ate her in the street.
Catherynne M. Valente, from âThe Wolves of Brooklyn,â The Bread We Eat in Dreams (via weltenwellen)
Savioz Fabrizzi - Town Hall, Saxon 2012. Photos Š Thomas Jantscher.
INCREDIBLE DRESSES IN ART (55/â) Countess Carolina Maraini Sommaruga by Vittorio Matteo Corcos
The Diamond Trellis Egg - August HolmstroĚm for FabergeĚ, 1892.
The Eggâs base (three silver putti - chubby male children - set on a jadeite base) and its contents (an ivory elephant automaton studded with precious stones) have been lost.
Hurvin Anderson, Phosphorescent, 2013. Acrylic and oil on canvas, 70 x 50 cmÂ

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