laura hartrich

My last living grandparent passed away in early 2016. My dad's mom lived to be 90, and lived independently very nearly until the end. She was wonderful in many ways. She was sweet and funny, crafty and thrifty, made THE BEST scrambled eggs, popcorn, and lasagna, and had the greatest stories about her life as a young woman.

When I was a little girl (around 6 years old, I think), I spent 3 weeks at her house during the summer. It was much too long for a kid that age, and I was a homesick wreck by the end. Still, I have a lot of great memories from that trip. We took walks, put coins on the train tracks, picked Queen Anne's lace which we then put in a cup of food colored water. We made seed bead bracelets and I repeatedly spilled the bowl of beads we were working from. We would patiently pick them up together. Once I spilled an entire bottle of Calamine lotion on her carpet. Again she surprised me with her calm reaction. Coming back from one of our walks one evening, I ran ahead and locked the back door and the front door and then ran out again. I had locked us out of the house. I think I thought it would be funny, but I was soon in tears realizing it was not actually a good joke at all. Grandma took it all in stride, again, and calmly found a neighbor to help us pick one of the locks and get back into the house. 

I think because of the good experience of staying with her that summer, I always felt close to her. When I graduated high school, instead of staying home and enrolling in community college, I decided to move in with her and attend one near her. I was a terrible roommate, self centered and inconsiderate. I know she must have been irritated with me much of the time but once again I felt so close to her because of the time we spent together. We watched the first season of The Bachelor together and had to hide our eyes and giggle when things got too sexy in the last few episodes (same thing when we watched Coming Home with Jane Fonda). I was vegetarian at the time and she went out of her way to cook things completely foreign to her so that I could eat. We spent countless hours chatting in the kitchen as she washed dishes and I dried. She beat me at Scrabble many times. She was still playing with and beating my parents until a few weeks before she died. I wish I had recorded some of her stories somehow, and I wish I hadn't waited so long to make her a quilt. She only got to use the one I made her for a few weeks. 

My parents and sister did most of the work of cleaning out her house after she was gone. I asked them to set aside some things I could use to make a quilt. They delivered a large box full of clothes and bed linens, and also lots of my grandma's own craft projects, like doilies, or table runners she had embroidered. These items sat in my house for over a year before I was ready to cut into them and make this quilt. They carried the smell of my grandma's house so strongly. It was an emotional experience just to open the box. After a couple false starts, I finally got going. 

I decided to make these oval shapes to represent the pennies we used to smoosh on the train tracks behind Grandma's house. I used the six-minute circle method to piece them, and was happy to discover the technique also works for shapes that aren't perfect circles. Once the ovals were made I cut some into halves and some into quarters and mixed them all up. I felt inspired to include another design element... I had always been fascinated by notebooks full of Gregg shorthand that my Grandma used for practice during her time in secretarial school. The secret-codedness of it all was intriguing to me and I thought the lines were beautiful. I decided to applique shorthand symbols over the top of the flattened penny shapes, and I chose words that describe the attributes I most admired in my Grandma. Patience, generosity, love, curiosity, humor, service, fortitude, and neatness.

This quilt was emotionally challenging at first. Then it developed into a technical challenge. I've never worked with so many different types of fabrics before. There are silks and polyesters in here, along with cottons of all different weights. There are thick fuzzy blankets, and nubby hobnail bedspreads. I put interfacing behind the stretchy fabrics and forged ahead. It's extremely thick in some spots but my Juki handled all the different fabrics beautifully. I quilted this one myself. I was proud to have it hang in the juried show at QuiltCon 2018. Thanks to Mitch Hopper for taking final photos for me, the last four images here are by him.

Naive Melody by the Talking Heads has been a favorite song for years. I wanted to make another quilt using the Drunkard's Path alphabet I designed, and this lyric, "Never for money / always for love,"  emerged as a phrase I love enough to put on a quilt. I think of it as an unofficial, cheeky motto for my quilt-making. When you're a quilter, people are constantly asking you if you sell your quilts. And, well, here is my answer. 

I never expected to turn into a cat lady. Growing up my family had cats but they lived harsh, short lives in the out-of-doors. I learned not to get too attached. 

When my kids got bigger one of them wanted a snake. I wasn't into it. My husband convinced me we should talk the kid into a cat instead. And so we did. And then I fell in love. Hard.`I was so charmed by the way our cats (yes, plural, as we soon got a second) moved and played, so delighted by the way my kids connected with them. I posted cute cat videos on my social media. I started noticing all the very cute cat-themed items available for purchase in this world. I bought a cat shirt and cat pins. Probably some other stuff I can't remember. People started giving me gifts with a cat motif which was rough because I'm extremely picky about my cat motifs. I felt like this was all becoming too much. I felt like a too much of a nerdy cat lady, basically. So I came up with the perfect way to cool it with the random cat purchases but still fully indulge my cat obsession. FABRIC DUH. I started buying up all the cute cat-themed novelty fabric I could find. I wondered if I could possibly make an all cat fabric quilt that didn't look completely tacky and garish. The most modern-aesthetic cat-quilt ever made. That was my goal. 

I had long admired the Color Wheel quilt in  Joelle Hoverson's Last Minute Patchwork & Quilted Gifts. I decided this would be my first all-cat-fabric endeavor. I cut wedges out of all my cat fabrics, and ended up with enough for two and a half color wheels. 

The first full color wheel I made used all of my favorite prints, all of the best colors. I had trouble finding orange cat-fabrics that weren't Halloween themed. I ended up dyeing a couple fabrics with white backgrounds in order to fill out the orange quadrant. I used my absolute favorite neutral kitty print as a background. I had to search and scrounge for it, since it was an older and popular Lizzy House print. I had *just* enough of it to finish the top. This quilt was given to my daughter and hangs above her bed. She loves it and it totally makes the room. 

The back of this quilt has all the wedges I cut from the neutral prints. They didn't fit into the rainbow color wheel but made their own striking version against the blue background prints I chose.

  I made a second kitty color wheel, a more scrappy version, with a varying background and second-tier colors and prints. This was a gift for kids I babysat for three years, a parting gift as our time together came to an end. Their color wheel wasn't as strong as the first version I made, but it still made for a cute gift. I used more cat prints to piece the back of their quilt too.

In the summer of 2016 I was lucky enough to attend a workshop taught by Latifah Saafir, hosted by my guild, Chicago Modern Quilt Guild. I love all of Latifah's work, and her glam clam pattern is brilliant.

I had fun picking out colors for this quilt. I wanted lots of candy colors, some pops of neon,denim, and some text prints. In picking my fabrics I studied one of Latifah's quilts, Neon and Neutral, that I have long admired. Her quilt inspired me to include the pops of neon and the text fabrics. Also, Kona pronounced Highlight their color of the year in 2016. I was seeing it everywhere and I wanted to try my hand at using it.

It was amazing to use a die-cutter to cut all the clamshell pieces. It was my first time using one. I was able to borrow a guild-mate's cutter at a sew-in. Cutting these shells was so quick and easy! 

I tried to make the layout pretty random, but with little clusters of color throughout the quilt. I'm so pleased without how this quilt looks. Clamshell quilts are so classic but I feel like the colors and prints here are really fun and fresh. This quilt just makes me happy. That's why I named it Happy as Larry. It's sort of a play on "happy as a clam." That seemed too on the nose, so I opted for another phrase that means the same thing. I first heard the phrase "happy as Larry" in the movie Strictly Ballroom, a mega-favorite from my youth. 

Piecing the clamshells, row after row, can become a little tedious, especially as the quilt grows. By the last few rows I felt like I was really wrestling a beast under the needle. I felt so triumphant when I finished piecing this top. I had to celebrate. I finished this top at a Chicago Modern Quilt Guild retreat weekend, the perfect place to knock out a project. 

Mitch Hopper took these photos of the final quilt for me. Nikki Maroon quilted it. Simple curves and grids, as per my request. 

This quilt is a document of my list of measureable goals for 2014.

 The wheels started turning for this quilt when my husband Nate asked me one day, "Has anyone ever used quilts as data visualization tools? Like infographic quilts?" I said I didn't know, but it sounded like an interesting idea. I thought about what data I'd like to document in a quilt, and settled on something very personal, my New Year's goals. I have always been a person who makes New Year's Resolutions, despite repeatedly reading that they don't work, no one every keeps them, etc. I didn't care, I made them anyway, always hopeful for the self improvement they might bring.

A few years ago I noticed an Instagram friend talking about her measurable goals for the year. More specific than the hazy concept of New Year's Resolutions, measurable goals have a number attached to them. For 2014, I had 14 measurable goals. I assigned a traditional quilt block to each goal. (I picked 14 different blocks that were made from half-square triangles, just blocks that I visually liked). The idea was to make a block for each of the times I was supposed to do each task. So if my goal was to host friends for dinner 4 times in the course of the year, I'd make 4 blocks. If I met my goal, those 4 blocks would go on the front of the quilt. For goals that I didn't meet, I'd break it down into a ratio. For instance, I only listened to 6 audiobooks, when my goal was 20 (too much tv). So 6 of those blocks went on the front of the quilt. The remaining 14 blocks were pieced into the back of the quilt. And if I exceeded my goal, I made the extra blocks in a different colorway (red/orange/yellow). There is a key on the label of the quilt, so viewers can understand it, and also so I can remember everything. 

  This quilt has a lot of tiny piecing and a lot of piecing in general. While I started it in 2014 when I was actively trying to accomplish all these measurable goals, it took until 2017 to finally finish it. Nikki Maroon quilted it for me, and Mitch Hopper helped me design the label, which I then printed on Spoonflower. Mitch Hopper also helped me take pictures of the final product. This quilt measures 53"x78". I was happy to have it accepted into the juried show at QuiltCon 2018.