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ID: 1a. Wide shot of Nadja and Dolly wearing matching pinkish-red gowns with dark blue sleeves sitting side by side in armchairs in the foyer, stairs twisting up behind them, as they do a talking head. Nadja tosses her hands up and scowls, rolling her eyes, and says 'Guillermo? What was that, 80 years ago? How should I remember?' Dolly has an open pack of crayons tucked into the chair next to her and has a stack of paper as big as her torso in her hands. She scribbles on it with a red crayon and clicks her tongue dismissively, replying, 'I remember everything. Let me show you.' 1b. Tight shot of Dolly's eyes in extreme closeup in the foreground, Nadja waist-up in the background. Nadja turns toward Dolly with a frown, one hand held palm up beside her head, and points out gently, 'But you weren't even there, my sweet little piglet.' Dolly responds, eyes focused on her paper, 'Then tell me if I get anything wrong.' 1c. Medium shot from the front, focused on Dolly as she smiles and turns her paper around to show the camera a clumsy crayon drawing of the vampire mansion. Nadja leans on one arm of her chair and ducks her head to get a closer look. Dolly begins, her speech bubbles turning into gilded scrollwork, 'Once upon a time...' 1d. The panels are now parchment paper with crayon drawings. This one depicts Guillermo, his body made of a single circle with a head on top and stick arms and legs with little circles for hands and feet. There is a big frown on his face, and behind him is a house shape in green with double doors and a P on the front followed by ellipses. Dolly's voiceover continues: '...there was a sad, round little human man with broken eyes who had a job at... uh... P...Pan...' Nadja's speech bubble appears, now in curly pink script: 'I believe it was Panda Bread, agapoula mou.' Dolly: 'Ah, yes! He had the job making breads from the panda milk, one of the most lowly forms of human labor.' 1e. Repeat of the previous drawing, now with a few additions from Nadja with a pink crayon: the building is titled Panda Bread, Guillermo is holding a load of bread and has a tear in his eye, and arrows are pointing toward him reading 'sad' and 'virgin'. 1f. Drawing of Nandor, whose body is made in the same style but shaped like a triangle, kneeling on the ground and weeping loudly. Pink additions: smell lines, a long dick and balls between his legs, and text that reads 'Oh I am so lonely and I smell bad because my last familiar fell off the roof or some shit'. Dolly: 'Meanwhile on the Staten Island, there was also a pathetic, empty-headed buffoon of a vampire who spent every night crying about how lonely and smelly he was.' Nadja: 'That sounds right.' 1g. Dolly: 'And his beautiful housemate, Nadja-' Nadja: 'That sounds very right!' Dolly: '-kicked him in his ass and said 'Get out of here and don't come dragging your balls over this doorstep without a familiar to take care of you!' The page shows a slightly more detailed drawing of Nadja with full lips and long eyelashes and waves of glorious hair in a big fancy dress, arms and legs held straight out. Nandor, still crying, is crouched over in the foreground as one of her heeled feet kicks him in the butt and sends him flying. Pink additions: dick and balls on Nandor and text that reads 'owie my penis', larger boobs, earrings, rings, and fishnet stockings on Nadja and sparkles surrounding her entrance.

ID: 1. From left to right, full body of Nandor, Guillermo, Nadja, Laszlo, Colin, and the Guide sleeping on a plush red velvet bed together, snuggling in a line. Nandor is in a patterned tunic and trousers, feet bare, and is spooned up behind Guillermo with his right arm around his waist, hand reaching across him to Nadja's hip. His left arm is stretched out above their heads and his right foot is bent up to wedge itself between Guillermo's legs. He smiles dreamily as he drools into Guillermo's hair. Guillermo is wearing a black tee shirt, grey sweatpants, and white socks. He is laying on his side, back snug against Nandor with his right arm thrown around Nadja and his left arm trapped against his chest. His right leg is hiked up over her thigh. Nadja is wearing a loose dark purple chemise with long sleeves, fishnet stockings held up by suspenders, and no shoes. She is laying on her back, mouth slack in sleep, with her right arm wrapped around Guillermo's shoulders and her left arm thrown up above her, fingers tangling with Nandor's. Her legs are splayed akimbo, right knee fighting for space with Nandor's foot between Guillermo's legs and left leg tossed over Laszlo to tangle their ankles together. Laszlo is wearing a cream nightshirt and socks with garters and is tucked up against Nadja's opposite side, face wedged up in the crook of her neck. His left arm is tucked around her waist, wedging under Guillermo's arm to touch his fingers to Nandor's. Both of his legs are tucked up beneath Nadja's left hip, left leg lifted slightly to hook their ankles together. Colin Robinson, fully dressed in an argyle sweater, cords, and dress shoes in various shades of beige, is spooning Laszlo with his legs tucked right up against his. His left arm is threaded under Laszlo's to reach Nadja, where he idly palms her breast. His right arm is braced against the bed for his head to lean upon. Colin appears to be the only one awake, and looks up at the viewer with a knowing smile. The Guide, also fully dressed in black boots, skirt, jacket, and gloves, is spooning Colin, almost as if she snuck into the cuddle pile after everyone else was already in bed. She smiles contentedly with her cheek pressed against his shoulder, hands gripping his shoulders and knees tucked behind his.

ID: 1a. Close up on a side table in Nandor's crypt, laden with a glazed patterned vase, a wooden jewelry box, a line of books, and a single candle on an intricate vintage holder, lit and casting a warm orange glow on its surroundings. From offscreen, Guillermo says, "I've done a lot of thinking, and I've figured it out. I do want to be a vampire...but not for the same reasons I used to." 1b. Wide shot, knees up of Nandor and Guillermo standing facing each other next to Nandor's coffin, lit from the far side by candles. Nandor, wearing a typical tunic under a fur lined cape, stares quietly at Guillermo and idly knocks the knuckles of his left hand against the coffin lid. Guillermo, wearing a violet shirt and tie with red trousers and waistcoat, has his left hand in his pocket and his right placed palm-down on the coffin lid, a few inches from Nandor's. He looks at his right hand as he speaks: "The powers, the sexiness, the cool capes - I mean that's all great but I... I realize I could have all that as a human, too. And I have." 1c. Close up of their hands on the coffin lid as Guillermo's hand slides closer to Nandor's. He continues: "But what I want...what I really want...is to be a vampire..." 1d. Chest up of Guillermo as he looks up at Nandor with a confident smile, back straight, lit warmly by candles. He declares, "So I can stay here with you, forever. As part of this family."

2a. Reaction shot of Nandor, eyes shining as he raises his brows and fights down the happy, wobbly smile that threatens to take over his face. He echoes breathlessly, "With...me?" 2b. Wide shot, waist up of them both. Guillermo looks away with a flustered grin and clarifies, "Uh! Well, you know. With everybody. Nadja, and..." Nandor turns his head away as well, flustered and frowning, and mutters "Right, yes, of course." Guillermo continues, trailing off: "Laszlo..." Nandor grunts "Uh-huh." Their hands are still an inch apart on the coffin lid. Guillermo ventures, "But also..." 2c. Close up of their hands as Guillermo's slides closer again, the tips of his fingers bumping against Nandor's knuckles. Guillermo continues, "Specifically..." 2d. Close up on Guillermo from a slightly higher angle as he looks up at Nandor through his lashes with a shy smile and shining eyes, finally saying, "You." 2e. Reverse shot of Nandor from a slightly lower angle, looking down at Guillermo with open wonder.

3a. Waist up of them both in profile. Guillermo starts to say, "And I know that y-" but is interrupted when Nandor launches forward with his hands on Guillermo's cheeks and pulls him into a kiss. Guillermo's eyes fly wide, perhaps less surprised than he should be, and Nandor's close in something like relief. 3b. Repeat. Nandor's right hand remains on Guillermo's cheek as his left arm snakes around his upper back to hold him close. Guillermo presses into the kiss, opening his mouth to let in Nandor's tongue as his hands creep beneath Nandor's cape. 3c. Repeat. They continue to kiss, heads shifting to the side to allow Guillermo to slip his own tongue into Nandor's mouth. Guillermo has unfastened Nandor's cape and is letting it drop to the floor. Nandor's right hand has plucked off Guillermo's glasses and is holding them aloft as his left tugs at the knot of Guillermo's tie. 3d. Repeat. Nandor shifts his head to deepen the kiss further, right hand tossing Guillermo's glasses carelessly behind him and left curling around the back of Guillermo's neck. Guillermo, tie now loose and top shirt buttons unfastened, presses his left hand to Nandor's chest where his brooch has been removed to allow access to his undershirt. His right hand hovers behind Nandor's head. 3e. Repeat. The kiss finally breaks, but they do not go far, Nandor's left hand still hooked around the back of Guillermo's neck as he turns his head to kiss down his cheek. His right hand pushes Guillermo's vest off his shoulder. Guillermo turns his head into Nandor's, eyes still closed, and gasps out "Mm, you'll...ah..." His right hand is tangled in Nandor's hair and his left deftly snaps open Nandor's belt.