LAShTAL9393/93

+⸸⛧☆+₆⁶₆+☆⛧⸸⛧.•°+₆⁶₆+°•.⛧⸸⛧☆+₆⁶₆+☆⛧⸸+ @shecait85_23 @divynation #satanlovesme +⸸⛧☆+₆⁶₆+☆⛧⸸⛧.•°+₆⁶₆+°•.⛧⸸⛧☆+₆⁶₆+☆⛧⸸+ #satan #pinksatans #satanic #baphomet #satanicart #artoftheday #artwork #art #avesatanas #satan666 #cwc #candywitchcoven #loonatic #hell #hellyessss #sixsixsix #devil #devilinside #satansprincess #satanist #hailsatan666 #fuckyeahbaphomet #gatesofhell #lucifermorningstar #lordofdarkness #hailsatan #satanofhell #devilgirl #satanicwitch +⸸⛧☆+₆⁶₆+☆⛧⸸⛧.•°+₆⁶₆+°•.⛧⸸⛧☆+₆⁶₆+☆⛧⸸+ (hier: Hell!!!!…) https://www.instagram.com/p/CcCFKm2KpGO/?utm_medium=tumblr

The pure essence of Magick is a function of ultimate atomic consciousness, and its operations must be refined from all confusion and contamination. The truly magical operations of Love are therefore the Trances, more especially those of Understanding; as will readily have been appreciated by those who have made a careful Qabalistic study of the nature of Binah. For she is omniform as Love and as Death, the Great Sea whence all Life springs, and whose black womb reabsorbs all. She thus resumes in herself the duplex process of the Formula of Love under Will; for is not Pan the All-Begetter in the heart of the Groves at high noon, and is not Her “hair the trees of Eternity” the filaments of All-Devouring Godhead “under the Night of Pan?” (Little Esssays Towards Truth, “Love”) Shabbathai (Babalon) by Talon Abraxas

The Dance c.1918. Francis Campbell Boileau Cadell (Scottish 1883-1937).

Ubaldo Gandolfi (1728-1781), Mercury About to Behead Argus, c. 1770-75. The Gandolfi family—Ubaldo, his brother Gaetano, and his nephew Mauro—were the last great painters of the Bolognese school, which rose to international prominence at the end of the sixteenth century. The confident understanding of human anatomy demonstrated in these paintings reveals Ubaldo’s debt to the Bolognese tradition, which was firmly based on drawing from live models.

The Inferno, Canto 31. (19th cent.). Gustave Dore (1832-1888), French. Etching.

Salvatore Albano (1841-1893), Italian sculptor. The Rebel Angels, 1883-93, detail. Marble. Brooklyn Museum.

-Rabindranath Tagore

Plasmatics

The Plasmatics - Wendy O Williams

Wendy O. Williams and the Plasmatics visit Gil Fisher, The Fishin’ Musician (John Candy) on SCTV, circa 1981.

Photo by Ray Palmer for Kerrang magazine. 💛

Gone, but not forgotten!