
blake kathryn

pixel skylines
Jules of Nature
I'd rather be in outer space đž
Mike Driver
untitled
Sade Olutola
Keni
Show & Tell
Cosimo Galluzzi

shark vs the universe
Misplaced Lens Cap

Jar Jar Binks Fan Club
Xuebing Du

PR's Tumblrdome
Claire Keane
cherry valley forever
seen from Honduras
seen from Malaysia

seen from Guyana
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seen from United States
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seen from United States
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seen from Singapore
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seen from Philippines

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@lanocheintemporal

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Wild Strawberries (1957)
Directed by Ingmar Bergman Cinematography by Gunnar Fischer
âWhen you were little you belived in Santa Claus, now you belive in God.â
Annie Atkins creadora de minuciosas antiguedades falsas para Wes Anderson o Spielberg, reĂșne lo mejor de su trabajo en un libro, Fake love letters
A Hidden Life (2019)

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Interplanetary travel.
25 years ago today, Richard Linklaterâs BEFORE SUNRISE premiered at Sundance.
âSi una niña muy pequeña, en vez de jugar con muñecas, se sube a los ĂĄrboles y en este caso el ĂĄrbol de aquella lejana primavera es un cerezo muy alto y encaramada entre las ramas se come las cerezas verdes todavĂa, cabe imaginar que esa niña podĂa presumir con los niños de su edad de tener tambiĂ©n como ellos cicatrices en las rodillas. Puede incluso que al bajar de los ĂĄrboles le esperara una vida muy singularâ.Â
I hear her heart beating, like Morse code.
Un long dimanche de fiançailles (Jean-Pierre Jeunet, 2004).
MMM

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Keep falling...
But just how long?
So long, John.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Mis diez pelĂculas favoritas de los Ășltimos diez años (2010-2019), por año de estreno:
Drive (Nicolas Winding Refn, 2011).
Django desencadenado (Quentin Tarantino, 2012).
La vida de AdĂšle (Abdellatif Kechiche, 2013).
La gran belleza (Paolo Sorrentino, 2013).
A propĂłsito de Llewyn Davis (Joel & Ethan Coen, 2013).
Nebraska (Alexander Payne, 2013).
Paterson (Jim Jarmusch, 2016).
Manchester frente al mar (Kenneth Lonergan, 2016).
El hilo invisible (Paul Thomas Anderson, 2017).
The rider (Chloé Zhao, 2017).
Cinema parallels:
Scent of a woman (Martin Brest, 1992).
The Irishman (Martin Scorsese, 2019).