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To transform Dolores into Lolita, to seal this sad adolescent within his musky self, Humbert must deny her her humanity. [...] To name is to claim, as the rhyme reveals and God confirms. - Eric Lemay
ON "AMADEO" & NAMES
Lolita, Vladimir Nabokov // Interview With the Vampire, 2.04 // Lolita, Vladimir Nabokov // Interview With the Vampire, 2.04 // Dinosaur, Richard Siken // Spirited Away, Hayao Miyazaki // Interview With the Vampire, 2.04
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Thinking about how Homelander is actually so fucking tragic.
Raised to be the symbol of patriotism. Won the superpower lottery. Durable enough that a nuclear bomb wouldn't kill him, fast enough that nothing can outpace him, full freedom from gravity because of flight, laser vision that he can control the strength of to such a fine degree that he could cook popcorn or cauterize your brain in half and it's not even hard for him to do.
All of this, together, make him a god among men.
And it's so.
Fucking.
Boring.
And it's tragic, too.
It is.
I know, I know, "he's a fascist!!!" I get it, and you're right.
But look at what he's been through.
He was raised in a lab. No parents besides the scientists that studied him to figure out what he could and couldn't survive, what would and wouldn't hurt him, what he was capable of and how he could be useful.
At every turn, he was denied human connection in any meaningful way. His father was never in the picture, his mother was dead, he existed solely as a test subject, and as soon as he was old enough to be on TV, they wheeled him out like a shiny new toy and said "Look! It's the embodiment of America! The peak of human evolution!"
He has never, EVER known anything except two concepts: Fear and Blind Adoration.
The people who love him don't love HIM, they love the idea he represents. The people who know him fear him with all they have.
Spoilers for The Boys below
He finally meets someone who doesn't fear him, and claims to love him, and it's Stillwell. She doesn't fear him. But he doesn't realize the reason she doesn't fear him is because she thinks she has him under control. A little mommy-play here, a little milk there, and he's docile. She thinks she has him in her pocket.
But then she slips up. And out comes the truth. She's never loved him. Ever. She has always, always hated him, always been afraid of him. And suddenly all those happy memories of the only mother-figure he's ever known are tainted, ruined by the idea that she would have rather had him be dead than ever touch her, but she did what she felt she had to do so he would be a good boy.
And he doesn't understand. He was a good boy, wasn't he? His heart was in the right place, wasn't it? He only did what he thought would make her happy, and he tried to be have his best when she asked, didn't he? So why did she hate him so much? Why was she so afraid of him?
And it tears him up inside. It destroys him. He feels hurt, and angry, and scared, and it burns him up until that heat has nowhere to go but out.
And he kills her. And it kills him.
It's with Stillwell's death we see him truly change. He stops being the boy scout, in his own eyes. He just killed someone who meant everything to him. He killed someone he thought genuinely cared about him, saw him as good, and loved.
We watch him die right alongside her, and in that moment he performs one last act of kindness as he loses the final shred of hope in his heart: he saves Billy Butcher and makes sure that Stillwell's baby survives as well.
We see another kick in the head when he visits his "creator", the man in charge of the Homelander experiment that gave birth to him. And this man says he is nothing but a failure. A living embodiment of all that man did wrong, and all that man failed to achieve. He says that Homelander is nothing but one big failed experiment, and is his greatest regret in life.
Flash ahead. He's unchained, mostly. Edgar is still in control of him, but Edgar doesn't care enough to tug the leash. He expects Homelander to tie his own chain, and if he doesn't, then Edgar will yank it and choke the bastard for all he's worth until he sits, heels, like a good little attack dog.
And for the most part this works. Homelander stays under Edgar's radar, his descent hardly noticed, because he doesn't do anything that Vaught can track that he wouldn't have done before Stillwell's death.
All the while, mourning the loss of the only person to ever even pretend to care about him.
And then we meet Ryan, and realize who he is.
And when Homelander learns he has a son, we see something special, something that, until now, didn't seem possible.
We see the light come back into his eyes.
We see him start to hope again.
A son. The perfect opportunity to do better, to prove he is, in fact, a good man. If he can just do right by Ryan, if he can raise him right, be a good dad to him, show him the love, and compassion, and care that he never knew, then Ryan could grow up happy. Well-adjusted. We see that Homelander fully recognizes how broken and mangled a man he is.
Homelander wants Ryan to turn out better than him. He wants Ryan to turn out happier than him.
And we watch Stormfront ruin that pure, beautiful desire.
Stormfront corrupts him. He's vulnerable, he's weak-minded, after Stillwell. He knows what he wants, but he doesn't know how to do it or why, he knows what he desires, but he can't have it. And then Stormfront gives it to him. A supe who can not only take what he can dish out, but give it back just as well. A supe who sees him as good. A supe who seems to love him, truly.
She doesn't.
She, like all of his fans, loves WHAT he is, loves the IDEA of him, not Homelander himself.
He's blond, blue-eyed, white, and an omnipotent powerhouse.
And Stormfront is a nazi. How could she not love what he is and what he represents?
She manipulates him, turns him against his own idea of wanting to be good and convinces him that this brattiness, this pettiness, this immature need to be better than everyone is not a flaw, it's his birthright.
And Ryan is the product of that birthright. Ryan does not need to be better than Homelander, Ryan needs to learn from Homelander, learn to rule, to subjugate, because Homelander is a God, one who should rule the Earth, and Ryan is his Prince, destined to take over one day.
All of this is instilled into Homelander through Stormfront's manipulations. And on the one day every year that he's allowed to be treated like a person, the one day every year he gets a taste of humanity...
She does the one thing that would guarantee her lies stick like glue.
She dies.
She rips away the last person he ever thought he would have to live without, on the one day he never expected to be hurt on.
And we see that light, the one Ryan reignited, flicker.
He gets angry. He gets bitter. He realizes that, aside from Ryan, he is entirely peerless. Alone.
And Ryan must be nurtured, yes? Guided, right? Stormfront wanted the world for Ryan, and Homelander wants the best for his son, and so the world is exactly what Ryan will get. Homelander no longer cares about himself. He doesn't.
Homelander cannot be selfish past this point; he could drop dead then and there and as long as Ryan has the world in his palm, Homelander would die happy.
But he can't die. He won't die. Ryan needs him. Ryan deserves a father. Ryan deserves Homelander's life, his attention, his dedication.
And we see spots of vanity, yes. The preening, the pruning of grey hairs, the bitterness over his noticeable aging.
But these are not the same as selfishness. These are things integral to Homelander. He's supposed to be a God. God's don't age, why is he aging? It's so disgustingly human. That's what he thinks.
But it gives him a sense of urgency. He doesn't know how long he has. A year? Ten? Twenty? A hundred? Two hundred? More? Nobody knows, with supes. Some don't age at all, others age too fast, others age slowly, and Homelander is already a one-in-a-million fluke. Who's to say he won't suddenly age fifty years in the span of the next ten? Who's to say he'll ever age beyond what he is now?
He doesn't know. And he can't control it. He can't fight it. He can't change it. He has to prepare for the possibility he hates most.
He has to prepare for his death.
But then he learns who his father is. He learns that his father is alive, even. Soldier Boy, the idea that inspired Homelander. And he has to meet the man, has to introduce Ryan to his grandfather. We see that light in his eyes grow, because now he doesn't just have a son, he has a father.
The father he needed.
And when he finally meets him, finally gets face-to-face with the man who could so easily give him everything he ever wanted, the man who could fix him, show him what it means to be a parent...
He's rejected.
Soldier Boy tells him that he's pathetic, that he's nothing, that he's hardly even a man. Even the suit Homelander is so proud of isn't free from insult, with Soldier Boy saying "Look at you...You're wearing a goddamn cape..."
He has nothing but disappointment for what Homelander is, and resentment for the way Homelander was raised, but sees him as too far gone, too broken, too weak to fix. The only cure is death.
And once again, we see that light flicker.
He needs to be better than this man, DO better than this man.
And that means securing Ryan's place atop the world. This is why he calls in Sister Sage. Sister Sage is so incredibly intelligent, so beautifully smart, she can guarantee things he would never even figure out are possible. And, begrudgingly, he accepts her help.
But her help isn't giving him what he really wants most, because while putting Ryan atop the pyramid is his end goal, he wants Ryan's love just as badly. He wants to see the fruits of his efforts, to know that what he's doing is good and right, that it's best for Ryan.
And Ryan is showing him, at every turn, that it's not right.
Homelander kills for Ryan, and Ryan doesn't like it.
Homelander makes Ryan the object of public adoration, and Ryan doesn't like it.
Homelander is glad Billy's dying, and Ryan doesn't like it.
Everything Homelander does for Ryan, every effort he makes, is torn apart by the fact that Ryan doesn't want any of it. He wants a dad, not a coach, he wants a parent, not an instructor.
He wants a life, not godhood.
And Homelander has been so corrupted, so broken, so destroyed by every single person in his life that he cannot understand that.
To him, godhood and life are one and the same. Being alive is not a right, in his eyes, it is something that is deserved, earned, a reward, and he is the man to impress, he is the man to earn it from, and one day that man will be Ryan, and why can't Ryan see any of that?
None of this is in defense of Homelander. But I can't see one side of anything without seeing every other side of it.
And in Homelander's mind, he has done everything he can to be loved, to be appreciated, to be known and cared about...
And every single time, his power has caused people to hate him, to fear him. The only love he's ever known is that of the public and that of his son, and with every outburst, every conflict of interests, he is slowly losing that more and more.
And every time Ryan runs away from him, every time Ryan cries because of him, every time Ryan frowns over something Homelander has done, every human Ryan mourns, is a slap in the face. Water on the fire.
And we see that light drain from his eyes a little more each time.
I don't believe anything Homelander has done is justified.
But I do believe that, in his shoes, with his life, under all of the same circumstances...
I believe most of us would be no different than he is.
Broken.
Betrayed.
Abused.
Lashing out at every reminder of the pains of our existence.
A scared, angry child, with the power of a god, who was never shown that a better way does exist.
A wounded animal conditioned from birth to hate humans for what they did to it.
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
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