Kimberley Laura Walker

Work towards travel campaign mock up 1

However, these dynamic illustrations are something I definitely want to take forwards, it helps me realise that just because I work two dimensionally,  my work does not necessarily always have to be flat. I think it is good to find a a balance as too much of one thing can be a complete overload.

- less of a wiggle for the baby

Notes from meeting last night

rough scene of parcel drop. this I will have to change massively, as the director has requested I change the characters, the windows, and the man dropping the parcel to him simply holding it and waving

New imagining of the view into the room, far more dynamic composition, intially having more of a foreground etc. The protagonist of this scene has also been redesigned to suit the profile better

Initial man in room - notes on age, we want the character to look more dishevelled, a middle aged man, suffering from marital problems. roughs for a redesign of character will be submitted to Joe shortly

amendments to colour, depth, detail, as instructed by director

https://docs.google.com/document/d/1F4tPakrCUl_iEOMaK-qX230LipxCDBYwiIOWVZyLgAk/edit?usp=sharing

Amendments to face, using frame by fram can make my work more expression are. I like to normally do this by the gestures of the characters, but this animation calls for more subtleties.

‘Through one sits a woman 90 or so’

Through on sits a woman 90 or so

Shot list notes from phone call 11th April. Will be contacting a compositor in the morning to see if this can be pushed further, but whether or not they decide to be unloved, we are excited to see where our skills take us, and what we can achieve even within limitations.

Street Track for Camera to move around, colour palette negotiated with commissioner. Cold, muted colour, areas of interest can be brought to life with colours considerate to the actions/ emotions. RETROSPECTIVE NOTES - colours are good, but neighbour hood should look more friendly while maitnaining visually exciting. Wait to see if we are getting a compositor on board, before editing, so as to ensure files are correct.

Soup smile, frame by frame. Visual metaphor for poem animation. Playing with a mixture of key framing and stop motion should allow for a more diverse, emotive animation