Pseudo Aesthetics

Roman sculpture of Isis made with black and white marble, 2nd century A.D., Wien Museum [1384×2962]

https://www.wikiart.org/en/giovanni-boldini/wild-game-in-black

https://www.wikiart.org/en/zinaida-serebriakova/tata-with-vegetables-1923

Sternschnuppen, Franz von Stuck, 1912.

via: Phillips

Wreath from Ur (gold, lapis lazuli and carnelian), 2500 BCE.[1600x1616]

via: Phillips

(credit to the makers)

via: Phillips

Reliquary arm of Saint Saint John Chrysostom, Archbishop of Constantinople, 1500s, Museu de São Roque, Portugal [574 x 1200]

Happy Saturnalia! Celebrate wisely 

via: Phillips

Title: Initial S: A Griffin and Rider Artist: Unknown Origin: German, Germany Date: about 1240 - 1250 Medium: Tempera colors and gold and silver leaf on parchment Description: “Playfully inventive, the artist transformed the opening letter S of Psalm 68 into a pink griffin. This dragonlike creature captures in its fearsome jaw a winged beast, which in turn bites the top of the griffin’s snout. The young man struggling on the griffin’s back twists as much as the letter itself, his actions emphasized by his billowing drapery. Within the tendrils of the vine scrolls that encircle the S, various objects–small animals, a small griffin, a doglike creature, and two heads attached to vines rather than to bodies–contribute to the sense of conflict. This struggle of intertwining forms introduces the cry for help in the psalm’s opening line at the bottom of the page: Salv[u]m me fac Deus q[uonia]m intraverunt aqu[a]e usq[ue] ad animam meam (Save me, oh God, for the waters come in unto my soul). In Christian liturgical practice, the psalms are repeated on a weekly basis according to a set program, the liturgy of the Divine Office. Illuminated psalters facilitated this recitation by signaling each of the eight major textual divisions with large initials. The large initial S marks one of those eight textual divisions in this psalter. ” Source: The Getty

July 2016

via: Phillips

David Plunkert - illustration