But if we do get to summon up the big daddy with the horns and the tail, he gets to bring his own liquor, his own bird and his own pot.
Dracula A.D. 1972 (1972) dir. Alan Gibson
Not today Justin
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❣ Chile in a Photography ❣

if i look back, i am lost
One Nice Bug Per Day

oozey mess
d e v o n
trying on a metaphor
Aqua Utopia|海の底で記憶を紡ぐ


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PUT YOUR BEARD IN MY MOUTH
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2025 on Tumblr: Trends That Defined the Year
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@klllbill
But if we do get to summon up the big daddy with the horns and the tail, he gets to bring his own liquor, his own bird and his own pot.
Dracula A.D. 1972 (1972) dir. Alan Gibson

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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me whenever the stars are visible
gay friend groups be like
david cronenberg and william s. burroughs for naked lunch (1991)
I have got to stop wandering in the woods
god forbid a woman do anything

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Nigerian artist and actor Bolaji Badejo, who played the titular Alien in Ridley Scott’s 1979 classic
HIDALGO (2004) Dir. Joe Johnston
requested by @thesparksbro
drew starkey and daniel craig in queer (2024) dir. luca guadagnino
do you have any gender related tips
get a big pair of boots

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HIGH ART (1998) dir. Lisa Cholodenko
Tampopo (1985) dir. Juzo Itami
how do you become so well read?
by reading
Ladies and gentleman, the F word.
THE BOAT THAT ROCKED (2009) dir. Richard Curtis
If you like socialism so much, move to Lazytown and see how much you actually like it. Fucking idiot.

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Academy Award Winners for Best Cinematography: 1992 — Robert Richardson, ASC JFK (1991) Directed by Oliver Stone Aspect Ratio: 2.39 : 1
Written as a “jigsaw” and “a fragmentation of reality,” Stone wanted the visuals to be equally fractured — “anything that would dent the narrative,” he says. Black-and-white 16mm and 35mm re-create events on Dealey Plaza and in government back rooms; shots on 8mm color echo the Zapruder film; video, archival footage, and news photographs come into play, plus different styles of shooting. “Bob [Richardson] had a documentary background, which we used a lot in Salvador, but we’d refined it by the time we got to JFK,” says Stone. “The suggestions for all the visual stocks and things to make it more fragmented, a lot of that came from Bob and from the editors. It was a hectic shoot, very hectic.” — The American Society of Cinematographers, February 2019
I don't want a cast of healthy characters I want them all to be varying degrees of suicidal