Friendship breakups hurt the most
I’m shedding a tear for what we were and for what we had
One Nice Bug Per Day

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@killyohji
Friendship breakups hurt the most
I’m shedding a tear for what we were and for what we had

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“No Means No”, 1995 Yoshitomo Nara
SWITCH: COMME des GARCON 50th Anniversary Issue
the slit you made by sang woo kim, 2024, oil on canvas, unknown dimensions
Laurie Mallet House. Private home in Greenwich Village - 1985. by SITE.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“One day the sadness will end.
But I don’t think today’s the day.”
David Lynch
Faye Wong wears Yohji Yamamoto’s ‘Harlequin Opera Coat’ from the Fall 1997 collection on the cover of her self titled album (1997) model: Shalom Harlow
Yohji Yamamoto catalogue 84/85 by Max Vadukul
Yohji Yamamoto FW04

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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comme des garçons 1985 by paolo roversi
Undercover: "T" Headpieces Spring/Summer 2006 Designed By: Katsuya Kamo.
Comme des Garçons Championship Ring (2020) Designed by: Rei Kawakubo
Yohji Yamamoto Pour Homme spring/summer 2023
Comme des Garçons 'Abstract Excellence' SS 2004 Designed By: Rei Kawakubo

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Comme des Garçons, 1982.
Ph. Peter Lindbergh
“At least myself, should not make people’s eyes disturbed by using horrible color, so I stayed in monotone, I started wearing black or navy blue, to not disturb people. This was very starting. And then, when I started making clothes, I didn’t use most sentimental colors, I didn’t need colors’ sentiment, I just wanted to show people cut or wash or broken, to find clothing’s charm for me, not for the ordinary costumer.”