The Brood, British lobby (front of the house) card. British theatrical release 1980
DEAR READER
occasionally subtle
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Lint Roller? I Barely Know Her
Mike Driver
wallacepolsom

Xuebing Du
$LAYYYTER

cherry valley forever

JBB: An Artblog!

titsay
Show & Tell
Peter Solarz
I'd rather be in outer space 🛸
todays bird

Janaina Medeiros
seen from United States
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seen from Croatia
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seen from United States
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@kilda-prk
The Brood, British lobby (front of the house) card. British theatrical release 1980

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J. M. W. Turner -Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis
“Envelope” (2014) ⊞ Caetano de Almeida · hand-drawn intersecting line grid on paper
Caribbean Vernacular Architecture, fretwork rooted in local or African history and symbolism.
See "Creole and vernacular architecture: embryonic syncretism in Caribbean cultural landscape", Patricia Elaine Green

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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band of lace made from human hair, likely worn as a bracelet, 17th century, from V&A
In this short life / that merely lasts an hour / how much — how / little — is / within our / power
Art by Kozo Izawa
Leif Engström (Swedish, 1992) - På Omvägar (By Detours) (2024)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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vintage willy guhl tulip planters
Kishin Shinoyama - Evergreen Review (March 1969)
Coptic Christians in Taree are delighted to have their own local church, previously travelling to Sydney congregations.(ABC News: Emma Siossian)
Ritual in Transfigured Time (Maya Deren, 1946)
Nobuyoshi Araki

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Crested Pigeon (Ocyphaps lophotes)
© Samuel Burckhardt
Goya, "Look how solemn they are!" (¡Miren que grabes!), Plate 63 of "Los Caprichos" (1799).