I’m a bit late in riding na Tenkuu Shinpan train. I managed to catch up tho - read all 212 chapters in 24 hours. I stan Sniper Mask!
dirt enthusiast
noise dept.
YOU ARE THE REASON

Andulka

⁂

PR's Tumblrdome
Lint Roller? I Barely Know Her

if i look back, i am lost
AnasAbdin
TVSTRANGERTHINGS

oozey mess
almost home

★

ellievsbear
Sweet Seals For You, Always
RMH
One Nice Bug Per Day

he wasn't even looking at me and he found me
Monterey Bay Aquarium
seen from Switzerland
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@kermitsdreams
I’m a bit late in riding na Tenkuu Shinpan train. I managed to catch up tho - read all 212 chapters in 24 hours. I stan Sniper Mask!

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Photos from Home: Mocha and Mikko
academia in 2027 be like
CALL FOR SUBMISSIONS: Perspectives on the work of American rock band My Chemical Romance (2001-2013) for a forthcoming special issue of the journal Beyond Emo. We are particularly interested in feminist, queer, postcolonial/Third World and Marxist analyses of MCR’s music, style, music videos, and continued impact on culture. We are not looking for Pitchfork-style deep dives into musical characteristics alone; in other words, no “takes,” please. We are also not interested in fanfiction at this time, although our sister publication, Within Emo, does accept fanfiction submissions on a rolling basis. To submit your work or for more information, please write to [email protected]
PRE-ORDERS for Dead Balagtas Volume 1 open on November at KOMIKON. Publication is set on December. Sabayan ang Sayaw ng Dagat at Lupa sa aming komiks. check out more at facebook.com/deadbalagtas P.S> para to kay Leobel darling haha.
PPS: The colors appear wrong here. IT’s much more RED in the book

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An illusion shared by everyone becomes a reality.
Erich Fromm (via wordsnquotes)
Credit to Drag Race Supercuts
oh my god
everyone needs to see this video at least once in their life
I think my favorite thing about dogs is that they can, in fact, perceive the tone/mood of music, just as they can with human voices.
I think the best part about this is that there was an actual academic study done to find out what music dogs preferred, they set it up by kenneling dogs and figuring out which kind of music caused them to be more relaxed in the situation, and they found out that most dogs prefer soft rock and reggae.
He probably really digs it.
Moulin Rouge! (2001) dir. Baz Luhrmann

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Mohtz on Society6
“When language is internalized, it ceases to be only a means of social communication, and is thereby removed from the family of animal languages. It now becomes an instrument of reflection and exploration, with which the speaker constructs hypothetical messages before they choose one to utter. In time, the sentences that they make for themselves lose the character of messages, and become experimental arrangements of the images of past experience into new and untested projections. We do not repeat old sentences to ourselves, even when we return to old fantasies. We make a new sentence, and one reason why we understand the unexpected sentences that others make is that we recognize our own practice and manner of making them. (So the kind of aphasic who loses their grammar has also lost their inner language [Jakobson 1964].) Even when someone produces a sentence (such as a new scientific or poetic form) which surprises us with a device that we had overlooked, we recognize that the device fits into our practice. Someone who has not thought about science or poetry does not understand d a new sentence in them, although it is made up of terms and words that they know. In this respect, they are like an animal that is bewildered by an unconventional succession of conventional calls: they have not prepared themselves by internalizing the language.
Human beings therefore live with two languages, an inner one and outer one. They constantly experiment with the inner language, and find arrangements which are more effective than those which have become standard in the outer language. In the inner language, these arrangements are information, that is, cognitive assertions; and they are then transferred to the outer language in the form of practical instructions. The inner language of each of us is open, in the sense that its words are not unambiguously defined. The outer language which we all share is closed, but unlike the language of animals, it is only provisionally closed; we are constantly enlarging it bey bringing in new distinctions that have been uncovered in the inner language.
In the nature of things, most of the words in any language stand for concepts, and do not name individuals but classes of objects or properties or actions. They are therefore subject to the ambiguities which blur the outline of almost any general concept. The process of experiment in the inner language amounts to a testing of these ambiguities in practice, and all our cognitive discoveries (for instance, in science) can be regarded as a progressive resolution of ambiguities. We are, as it were, always transferring to the outer language the stricter meanings that we have discovered to be hidden in the inner language. In this way, we are trying to turn the outer language into a formal description of reality in which we can communicate rigorously without ambiguity. If we were to succeed in doing this, the other language would be finally closed, and out inner languages would have nothing to contribute to it except confusion.
We know that this is not an attainable end, even in principle (Bronowski 1966). This is because the inner language includes assertions about language as well as about nature; and this makes it impossible to construct a closed language from it (Tarsi 1944). It is a cardinal feature of human thought that it can refer to itself, and of human language that it contains its own metalanguage. In a sense, this is the essence of internalization: that not only can we choose between different sentences (in the language) but we can give reasons for our choice (in the metalanguage). to us, the conformity of what we say to logical rules is as much a part of knowledge as is the orderly description of the world outside us.”
J. Bronowski, ‘Human and Animal Languages’ from collection of essays contained within ‘A Sense Of The Future’ (1977)
If nothing else, nothing is a crutch, a creation of convenience that allows us to perceive and understand the nature of something, a breathing space that makes the sometimes overwhelming richness of the universe manageable.
K.C. Cole, ‘A Hole In The Universe’ (via sagansense)
The Study Music Project is an online musical experiment, founded by Dennis Kuo, dedicated to compose, create, and produce music solely to enhance the student’s studying experience.
Listening to Dennis Kuo’s Study Music Project has really helped me relax and focus while preparing for tests. I also turn to his playlist when I read for leisure. I’m happy to discover the inspiration and the processes of creation behind the tracks I love. Here’s his website. It also contains links to the YouTube vids of his music.
To reach, not the point where one no longer says I, but the point where it is no longer of any importance whether one says I.
Deleuze and Guattari, A Thousand Plateaus: Capitalism and Schizophrenia (via mothwood)

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There’s no need to fear or hope, but only to look for new weapons.
Gilles Deleuze (via johnbrownsbodyy)
Becoming is an antimemory.
Deleuze and Guattari, A Thousand Plateaus: Capitalism and Schizophrenia (via mothwood)