...

it's the WAY you're saying it

I hope u end up ok

can we also talk about the cinematography and the way the landscape of the show EXPLODED open into a cold and breathtaking nightmare. can we talk about how transporting a corporate thriller to the vast forest felt fresh and exciting and created a type of horror I’ve never seen before—tvs on cliffs powered by nothing, uncanny business twins in the distance, unknown beasts rotting by the river, men grotesquely transformed into nature for experiencing pleasure, Woe, at your cubicle, in the forest. can we talk about the lighting!!! whites and blacks and blues and reds, the contrast of Mark and Helena red in the tent and Irving blue and lonely under the moon. can we talk about how last episode LITERALLY blew the ceiling off the show and now they can do anything, and what they chose to do was go somewhere radically jaw-droppingly different, where innies see the sky for the first time, but can only pay attention to the cold and their hunger, where innies dream for the first time, but their dreams are nightmares, where innies have sex for the first time, but the sex is a double lie, and where innies witness death for the first time… and then the second

The layers in this show through it’s entirety is just incredible

there's something about helena using milchick's first name and irving IMMEDIATELY weaponizing that shit against him. in an environment where personal information is so tightly controlled that innies don't know their own last name, wouldn't knowing your manager's full name feel like having a gun to their head? and irving pulls the trigger the second he knows he has a bullet. i love you gay old man

not only did irvin die for helly r he died doing what she loved doing most (trying to kill her outie)