The Scrap Bag

-you need to wear sunscreen if youre going out in the sun. No ifs, ands, or buts about it. You don't need the expensive designer stuff but please just wear sun protection.

-you still need sunscreen if you are black or dark-skinned. Not only can you still sunburn, but direct UV light exposure also increases your risk of skin cancer, no matter how much melanin you have. There's tons of brands out there that are made for darker skin tones that don't leave that ashy finish behind, you just need to know the terms to look for. Look for the words "tinted, matte, mattifying," and shea butter-based sunscreens. There's also lots of brands that are formulated with your skin tone in mind. I don't have any to recommend unfortunately because I don't have experience needing that, but I know they are out there.

-if youre very hairy and cream sunscreens get caught in your body hair and glob up, get a spray sunscreen instead. It'll get in all the nooks and crannies instead of getting caught in your hair. Spray sunscreens are also good for those who have troubles with the effort and time it takes to put on sunscreen. Just make sure you spray it in a well ventilated area or, better yet, under cover outside, like on a porch or balcony.

-dont believe the fearmongering about chemical sunscreens. They're much more reliably protective than mineral sunscreens are. Thats because theyre chemically formulated in lab settings to be consistently protective and keep on shelves for long periods of time, while mineral sunscreens have a bad habit of ingredient separation and uneven formula mixes. Really, unless youre swimming directly in the great barrier reef or you have a specific skin condition or allergy to the ingredients in chemical sunscreens (the only customer i actually recommended our mineral sunscreen to over our chemical one was a regular who had skin cancer), you don't need a mineral sunscreen. Your wallet will also suffer less.

-you might have to double cleanse in the shower to get all sunscreen residue off your skin. Thats a good thing actually, it means your sunscreen is really good at barrier protection, but its also annoying. The way to do this without drying out your skin too much is by doing one quick cleanse of your skin with about half the soap you's typically use just to loosen up that residue and dirt, and then another deep, proper clean like you usually would that will get it all off. While leftover residue isn't really a health risk at all, it can clog your pores over time and cause uncomfortable acne breakouts, as well as trap dust and dirt under all the gunk. It can also get on your bedsheets.

-if you double cleanse, I recommend moisturizing after because it does dry you out a bit. You don't need a big fancy designer moisturizer either, just go to the drug store and get their basic pump bottle of body lotion, and separate facial moisturizer (the separation matters, the skin on your face is a lot more thin and delicate than the skin on your body). The main thing you want to look for with any product is that you arent allergic or sensitive to the active ingredients and avoid anything that uses alcohol as a binding ingredient.

-hats, hats, hats!! They keep the sun out of your eyes and your face!! You cant put sunscreen on your eyeballs!! Wear hats!!

neither did my mother but she still had to have most of her upper lip reconstructed after skin cancer removal surgery last year

Saying he was confused about the full extent of its purpose as well as its overall benefit, local man Jacob Ferris, 25, nonetheless surmised today that the oblong rock located in girlfriend Sarah Milstein’s shower caddy must somehow factor into her bathing routine, sources confirmed.

“I guess at some point while she’s showering, she rubs a rock on her body,” said Ferris, expressing what he claimed was “the only possible conclusion” about the light-gray rock in his girlfriend’s bathroom. “I mean, it looks sort of nice, so she could just have it there for decoration or something. But it’s usually right near all the other soaps and her loofah, so I think it’s probably something she actually uses while under the water.”

meanwhile rocky and 8 other eridians (heavy enough to sink instantly to the bottom of any large body of water) are standing on the shore, incredibly distressed, needing to be constantly reassured that this is normal for humans and he won't sink and drown

"are you sure you don't need an air tank and a suit???" "i am so sure. you can literally see me floating right now. i know for a fact sound travels great through water"

Adrian, from behind the camera: 👎

Grace: okay!! give me a push!

Rocky: *starts pushing*

Scientist, politicians, and thousands of reporters gather to witness the aliens disembark the ship. A group of boulder-like creatures, clicking and whistling to the humans around them.

One of them raises something large and metallic towards the crowd.

There's an immediate recoil of fear (is it a weapon?!) before the audience realises it's human technology. A laptop, old and beaten and looks like it was put back together by a drunk.

The alien presses a button.

"A planned community in Arizona has used time-honored Mediterranean strategies to keep temperatures down and attitudes high.

Western civilization has grown remarkably climate conscious over the last 20 years, but not when it comes to building, civic planning, and especially zoning. Perhaps the interiors of buildings are becoming more climate adapted, and in some cases the facades as well, but in a way that’s a little like inventing a freezer designed to keep ice cream frozen while sitting next to a fire.

Wooden or concrete boxes arranged side-by-side across leveled ground with sprawling, largely treeless gardens and concrete sidewalks alongside wide, blacktop roads is simply a culture of construction that has to be abandoned if living in a world of 2°C or higher annual temperatures [or, hopefully, less than that, but nonetheless likely over 1.5°C] is to be tolerable.

Fortunately for Arizonans, change may have finally arrived in the form of a carless, planned community that looks and feels like a Greek island village.

In the Phoenix suburb of Tempe, Culdesac has arisen as a 17-acre mixed-use neighborhood from the ground up to stay cool and local, taking the concept of the 15-minute city, where anything a resident might need is only 15 minutes away, and putting a Mediterranean spin on it.

Buildings are tall, thick, and totally white. The residential areas look like they were built atop of the ashes of the Phoenix zoning code burnt in effigy. Crammed together, they create narrow streets and alleys that are almost constantly shaded, through which wind is channeled and accelerated in passing.

Windows open towards each other, allowing wind that enters one building to exit into another, while the total lack of asphalt means that the ground temperatures are a staggering 50-60°F lower than pavements beyond the limits of Culdesac.

No privately-owned cars are allowed to enter the neighborhood, in which electric bikes, robotic mini taxis, and light rail shuttle people around town, to downtown Phoenix, or out to the airport.

The street life is lively—there are no cars to bisect movement between the 21 different businesses and eateries, among which is a James Beard Award-winning Mexican restaurant, DIY ceramic business, and some stores run out of apartments—a big no-no under Phoenix zoning laws.

“Once you pull the cars out,” Architect Daniel Parolek who designed Culdesac, told BBC, “there’s so much more opportunity to make a vibrant, thriving community.”

His inspiration was sun-soaked locales like Italy, Greece, and Croatia, where town centers were designed before the automobile and before air conditioning.

Technically speaking, the entire Culdesac neighborhood is one apartment complex, but the paseos, or little alleyways, open up into plazas of open space exactly liked one would expect in a little village in the Cyclades.

Because no one has to jump in a car to get from place to place, people run into each other, sparking conversations, relations, and breaking through the counterintuitive phenomenon of big city loneliness, which in Phoenix hits particularly hard.

“Culdesac Tempe has shown that people do want to live car-free in the US, even in a metro area like Phoenix that’s often seen as the poster child for car dependency,” says Erin Boyd, Culdesac’s government relations and external affairs lead. “This success has shifted the conversation around what’s possible in American development.”

Lost my mind a little and added (if my math is correct) 5,615 beads to Nim Teasdale's Odenwald pattern. Anything worth doing is worth overdoing!

The goal was “soothingly weighted but not uncomfortable to wear, even as someone with chronic pain.” It could have been a little heavier, so maybe I’ll make a shawl with larger beads another time, but I’m very pleased with this one. I used size 6/0 seed beads, applied as I go with a .6mm crochet hook.

Yarn-wise, used 2 cakes of YarnArt Flowers. I knitted the fully purple sections from both, then knitted all the way through the yellow-oranges with a single ball. When I hit the beginning of red-oranges, I used yarn from both cakes, alternating between them. (Not the entirety of both, I played it by ear to make sure I made it through the full rainbow.)

I do have edited charts with bead placements. I will only share them with Nim's permission.

the "milkman" is a common figure in stories depicting a woman's infidelity and adulterous affair.

this implies that the ability to provide milk would both decrease the likelihood of a man abandoning his wife and children, as it would eliminate the need for leaving to get milk AND would secure that man's marriage, as his wife would have no need to seek milk from an extraneous source.

therefore, all men should produce milk, through various means such as:

- being a cow

- being an almond

- being a woman

- being a coconut

- being in the omegaverse

- being an oat

(list is exemplary and not finite)