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This is true of the manga, but I love how the anime accentuates the absolute physical trust the apprentices have with Qifrey. Specifically with Agott, the way she is so ready when Qifrey says “hang on tight, I need my hands free” to cling to him a mile into the sky, and then in the latest episode, how, as soon as she impacts Qifrey while flying to him, she makes no move to save herself, she just curls into him and trusts that he will keep them from falling.
And I think it works as a signal to the audience, to subtly go “hey, I know we don’t trust Qifrey right now, he’s being shady, but we can always trust him to protect the physical wellbeing of his kids. Remember that.” Idk man maybe I’m getting too attached to a teeny detail but aaaaaaghhhh that’s her dad.
#anyways i think it's particularly notable that fiercely independent always-has-something-to-prove Agott is like this with him#and that none of the apprentices really hide how they're feeling around him even when that feeling is negative#Agott and Richeh make it known when they're unhappy with Qifrey#and they (two abused kids) just flat out wouldn't do this if he wasn't a safe person to be unhappy at
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so i've noticed something about orufrey's body language
and i have been going insane about it ever since! kamome shirahama your attention to details will be the death of me /pos
hands are the most expressive non-verbal tool humans have, and since it's also quite literally the tool that gives the witches their magic, watching hands in witch hat atelier is beyond important. implied spoilers up to ch93 under cut! [don't mind the language of half the screenshots, that's beside the point]
qifrey so very often tends to clasp his hands together, rubbing them against each other or simply clinging to his long robes. a gesture so telling of just how uncomfortable due to silverwood he constantly is, always slightly nervous, always tip-toeing around the edge of a cliff.
and he's been doing so since childhood! his emotions are so closed-off when it comes to casual body language, which is both an indicator of his character and the ways in which he deals with his curse. unable to trust even his closest friend, he chooses the only vaguely soothing thing: to curl into himself, to detach, to distance.
meanwhile olruggio, despite his scruffiness, generally comes off as a more open, "simple" man, hands flying all over the place when he's agitated. he expresses his emotions freely, without restrain.
qifrey curls into a ball for comfort, meanwhile olly splays like a star, comfortable in his skin an in qifrey's presence
and what happens when they start to interact?
olly keeps reaching for qifrey, talking some sense into him with his hands, with spontaneous and emotional physical touch.
he does so even upon first meeting
he keeps and keeps reaching out to qifrey, both literally and symbolically.
no matter how hard qifrey tries to run away, to hide deeper into himself, olruggio will always be there to offer him a friendly hand or otherwise
this particular parallel is especially dear to me:
they changed so much,
but they also haven't changed at all
and the culmination of this dynamic in a single image for me is this:
qifrey, gaze averted, hands uncomfortably clasped together, fake smile on his face
and olruggio, calm and confident, leaning into qifrey's personal space with familiar ease, resting an arm on his shoulder in a friendly gesture.
everything that shirahama consistently portrays as the manga goes on and the history unravels, neatly and wordlessly shown in a single static image. the art of showing, but not telling, thus nurturing a deeper understanding of these characters. absolutely brilliant
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