Hey, kid! We gotta go. Harvâs goinâ crazy! Heâs gonna have me fired if I donât get you in the truck right now!
The Bowery Presents
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occasionally subtle
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⣠Chile in a Photography âŁ

tannertan36
Not today Justin
YOU ARE THE REASON

izzy's playlists!
almost home
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@kachowboy
Hey, kid! We gotta go. Harvâs goinâ crazy! Heâs gonna have me fired if I donât get you in the truck right now!

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You guys have the gall to say Pixar plays it too safe when Cars 3 was about a white-coded male lead and a poc-coded female support having a conversation about the way that privilege can impact one's perceived ability to succeed and create this self-fulfilling prophecy of people in minorities not succeeding, followed by the lead realizing that his privilege gives him an opportunity to uplift a talented person from a less privileged situation who may have not gotten the chance otherwise, and ends with a female POC-coded character becoming the new main lead of a multi-billion dollar franchise, and all of this is done completely organically in a way that feels natural to a story about the next generation
and what did you all do???
YOU SLEPT ON IT IS WHAT YOU DID
I am not speed
Ok ok, the Lightning/Francesco phone call scene is still iconic

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Lightning + showing off his new paint jobs to Sally in Cars & Cars 3
Hot take: Tokyo Mater is better than Cars 2 and Fast and Furious: Tokyo Drift put together. LOOK AT ME. IâM M O D I F I E D.
@a113cowgirl
THIS IMAGE IS EVERYTHING I AM
Lightning: Mater, do you even know where Europe is?
Mater: I know itâs a place⌠Iâm pretty sure

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Sally + Calling Lightning âStickersâ
A Bugâs Life (1998) dir. John Lasseter
letâs get into it
another one
Welcome to Radiator Springs

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im sure this has been said before but thE PIT CREW COULD HEAR MCQUEENS MENTAL BREAKDOWN BEFORE THE CRASH. THEY WERE WEARING HEADSETS
very smol indeed