Al Pacino in Serpico (1973)
he wasn't even looking at me and he found me

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@justiceforal
Al Pacino in Serpico (1973)

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al pacino, 1970.
obsessed
âYes, I would say I am more concerned with the plays Iâm going to do than the movies. Iâm more comfortable in a play. In film, thereâs always a certain sense of control, of holding back. The stage is different ; thereâs more to act. There are more demands put on you, more experiences to go through. It is a different craft when it is on stage. The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires. When youâre acting for a camera, it keeps taking and never giving back. When you perform with a live audience, the audience comes back to you, so that you and the audience are giving to each other, in a sense. Itâs an extraordinary thing. Itâs wild turf up there. The time I was doing Pavlo Hummel in Boston, I made connection with a pair of eyes in the audience and I thought, This is incredible, these eyes are penetrating me. I went through the whole performance just relating to those eyes, giving the whole thing to those eyes. I couldnât wait at curtain to see who it was. When curtain call finally came, I looked in the direction of those eyes and it was a seeing eye dog. (Laughs) Belonged to a blind girl. I couldnât get over itâthe compassion and intensity and the understanding in those eyesâĻand it was a dog. What a profession!â
Happy 81st birthday Alfredo James Pacino! (April 25, 1940)

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hello gorgeous
AL PACINO Frankie and Johnny (1991) | dir. Garry Marshall
Al Pacino behind the scenes of The Godfather Part II.

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Al Pacino in Serpico (1973)
the king
Al Pacino on the set of Scarecrow (1973)
I am amazed by what technology can do
Enjoy!! đ¸
al pacino. 70âs baby boy.

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Great..