Al Pacino in Serpico (1973)
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Al Pacino in Serpico (1973)

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al pacino, 1970.
obsessed
βYes, I would say I am more concerned with the plays Iβm going to do than the movies. Iβm more comfortable in a play. In film, thereβs always a certain sense of control, of holding back. The stage is different ; thereβs more to act. There are more demands put on you, more experiences to go through. It is a different craft when it is on stage. The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires. When youβre acting for a camera, it keeps taking and never giving back. When you perform with a live audience, the audience comes back to you, so that you and the audience are giving to each other, in a sense. Itβs an extraordinary thing. Itβs wild turf up there. The time I was doing Pavlo Hummel in Boston, I made connection with a pair of eyes in the audience and I thought, This is incredible, these eyes are penetrating me. I went through the whole performance just relating to those eyes, giving the whole thing to those eyes. I couldnβt wait at curtain to see who it was. When curtain call finally came, I looked in the direction of those eyes and it was a seeing eye dog. (Laughs) Belonged to a blind girl. I couldnβt get over itβthe compassion and intensity and the understanding in those eyesβ¦and it was a dog. What a profession!β
Happy 81st birthday Alfredo James Pacino! (April 25, 1940)

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hello gorgeous
AL PACINO Frankie and Johnny (1991) | dir. Garry Marshall
Al Pacino behind the scenes of The Godfather Part II.

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Al Pacino in Serpico (1973)
the king
Al Pacino on the set of Scarecrow (1973)
I am amazed by what technology can do
Enjoy!! πΈ
al pacino. 70βs baby boy.

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Great..