viktor balaguer

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viktor balaguer

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every day is all there is

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Ludvík Vacátko (Czech, 1873-1956). "Swimming with Horses", c.1900. oil on panel
embarrassment is the cost of entry.
if you aren't willing to look like a foolish beginner, you'll never become a graceful master.

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About 2 days ago, I was dosed with 25mg of psilocybin as part of a research study at our university. I had never taken a psychedelic in my life. I signed up on a lark, figuring that it'd be a fun experience if nothing else. What I did not expect is that it'd be the most profound experience of my life.
The researchers told me that I took to it like a duck to water. Of the 40 odd people they'd dosed in the study before me, none had allowed it to move so uninhibited through their psyche. And none had narrated the whole experience as I had. They called my trip a "goldmine of data" and told me I would help so many people because of it.
I don't really remember having narrated anything though. Sure, I remember talking to myself, but what could I have said that anyone else would understand? I can't imagine how I would have even been capable of describing the experience. How do you tell someone that you've passed beyond space and time? How do you describe hearing the music that created the universe? How do you describe merging with that music and becoming more than yourself? How do you tell them that everything that is you dissolved completely?
And how do you describe coming back to yourself slowly like grains of sand being buffeted by sound waves; the waves pushing them together and forming you again? And you're you, but not the same you that you were before.
They had me fill out pages of questionnaires and put me in an MRI machine to look for new synapses in my brain. They made sure I was "okay" and sent me home. And I tried and tried to tell people about it, but the more I described it, the less transcendent it became. The more I tried to share the experience, the more the most profound experience of my life was diminished. They didn't prepare me for that part. Going from feeling connected to everything that ever was or ever will be to being you again, isolated, and unable to share the experience with anyone.
What I love about House of the Dragon (the show) and why I think it’s infinitely better than Fire and Blood (the book) is that the show is much more interested in unintended consequences. Almost every event in the books is the consequence of a character making a conscious choice to do something and it working exactly as they intended. This makes the characters less interesting to me. I'm not interested in characters who have complete control over their actions. But I also understand that's kind of what George was going for when he wrote a history. History books narrativize events and so you need to characterize the players as having agency and more control than is realistic.
What I think makes this adaptation so successful is that it's telling a more nuanced story. It uses Fire and Blood as just a blueprint of the major events but the characters living through those events are much more human. And almost every major tragedy in the show is not the consequence of an evil person making an evil choice but of characters trying to control forces much larger than them. It's about hubris and the illusion that you can control the world around you. The dragons are the perfect example of this. The Targaryens don't actually have complete control over their dragons. By attempting to use the dragons to influence events around them they end up causing much of the suffering in the show. Aemond didn't want to kill Lucerys but he couldn't stop Vhagar. Rhaena wanted to help in the battle of the gullet but couldn't control Sheepstealer and ended up causing Jace's death.
But even characters who don't ride dragons end up causing suffering by trying to control those around them. Otto expected a pliable puppet king he could rule through but he couldn't control Aemon. The greens thinking they can control the Triarchy and use them as a weapon against their enemies only for them to go rogue in the battle.
George may not agree but i think this is exactly what an adaptation should do. The books are there if you want the "historical" account. But the show is saying okay these events happened but what if the people who participated in them didn't actually have the agency we thought they did? What if the entire Dance of the Dragons is the result of people desperately trying and failing to bend the world to their will and unintentionally causing not only their own suffering but the suffering of countless others in the process? I think that's pretty damn interesting.
There are ten trillion pictures of flowering trees to the point where they sometimes seem trite and overdone. But then you see a tree in full flower and go holy shit this rules and I've gotta show this to everyone so they can experience the same magic and wonder and there are ten trillion and one pictures of flowering trees
Claude Monet by Thomas Bossard

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Yiannis Tsarouchis (Greek, 1910-1989) Study for "The Grand Plage", 1962