Holey Moley thems some pointy digits

Over the past 7 or so years, we've seen this absolute shift in expectation, migration, and stagnation in the webcomics sphere which applies to style, sustainability, and the platforms grip on readers and creators

I'll be the first one to say that webcomics are not an easy way to make money and a majority of folks who make them rarely see profit. This has always been the case! But when virality, siphoning audiences from all over, and opportunity to 'get printed' presented itself, that expectation shifted.

So let's talk about what those expectations are now: 🔴Demand for Higher quality- less readers will check out beginner looking works or comics that feel too 'faulty' in style meaning less excitement to see webcomics grow over the years. Polish is expected and commented on consistently by readers

There is also an expectation for specific visual and narrative styles. This applies to other social media platforms too- in that works that take less investing in are often promoted and prioritised. That means less risks on narratives, less nuances, and shorter series running.

🔴All on one site/app- That may seem pretty fantastic for getting new readers (and is the absolute main sticking point for so many artists) but when algorithms and specific series are wanted, your works have a harder chance getting to the people they need to. The search function is trash for a reason

I'm not one to toot the competition flute, but there's a level of that at play when the spotlight for that platform is actually pretty small. What you get is a lot of readers checking out the same comics, and not spreading it all out to find yours (their subs have a cap for this reason)

🔴Sustainability (and lack thereof)- The creator of these comics are often burnt out and given little support- all while fighting to see what is allowed on the platform with its excitable censoring. I won't speak for originals (there's many testimonies you can find) but their experiences of burn out are harrowing

With the high production expectation for a person who is rarely given help (often has to hire out of pocket for that) and the readers who want Updates Now, it's a frustrating place to post your comics with no rest. It's 2026, we shouldn't be treating cartoonists this way still.

Webtoons (the company) is always going to be interested in making a profit. That's sort of where it all starts and stops here. They'll embrace the slop machines (more slop sources) for investors, they'll mistreat creators, cancel 'unprofitable' comics, censor work, and protect that bottom line. That's their MO, always!

So when I see these conversations that inevitably float around about Webtoons and how the only response is 'stop using it', I think we also need to deconstruct what it's done to creators and readers and how they engage with/create works too- because it doesn't seem that simple of a solution

Webtoons has solidified itself in webcomics as the Place to start and stop with comics. They want you to use their app of course, but they've conditioned folks to think it's the only way to share your stuff. How do we break this? How do we get people to stop using it?

We share resources 😎

you’ve seen hockey yaoi, now get ready for…

When your crush is the ship's mechanic (and resident slut) and you have to knock on his door in the middle of the night because the heat broke... but also you're awkward and inexperienced as hell, and it turns out the resident slut also just likes cuddling his friends. And yet it all works out.

(original characters, main cast here!)

👋 Hi Wellies,

First—

Ukazu says, a rising tide lifts all boats, including the S.S. Check, Please! She’s hopeful that the success of Heated Rivalry, as well as another queer romance graphic novel-turned-TV show Heartstopper, will make the dream of seeing her work onscreen into a reality: The book has been optioned for adaptation. — Vanity Fair

Check, Please! has been optioned for a film/television adaptation. A while ago, actually—and that’s lovely. Nevertheless, the vast majority of options do not become television because it takes a million things going right to get projects off the ground.

That being said.

Ahem.

Speaking of getting projects off the ground...

From when Bitty first stepped out into the rink at Faber, to when he kissed the ice at graduation, we've all been part of this fun, weird, magical world of Samwell hockey. But when I left the world of Samwell hockey, I left knowing Jack and Bitty's story was done. Bitty's journey as the first openly gay NCAA Division I hockey captain was done. We baked the last pie; we shut off the lights at the kegster; the story was complete.

…But as I looked around I realized, I had one more story to tell.

Which is why I'm thrilled to announce that a brand new volume of Check, Please! will be serialized in 2026. Dozens of new comics, exciting update drops, your favorite characters with brand new storylines, and characters you've yet to meet.

Hello, Internet Land—SMH is coming home.

This fifth year of Check, Please! will be filled with shenanigans, drama, hockey, pies, Haus parties, and a new message of acceptance that is near and dear to me. And it's been brewing over the last year and half! But with the latest boom in queer hockey stories, I figured, hey! ¯\(ツ)/¯ Here's another one to look forward to. :)

Marginalized athletes still face harmful bigotry, and for this reason, queer sports stories are more important than ever. I love Samwell hockey and how each of you has embraced this roster of athletes.

There's so much more to come.

Ngozi 🏒🥧❤️

=

MORE NEWS? SURE:

It's been a long ten years and I finally get to talk publicly about what happened behind closed doors.

Please take the time to read this letter linked above and please avoid working with these people. You are more valuable than an opportunity for people like them to use you as cash cow for your work.

Three years ago, I was approached by many artists at Hiveworks asking if their mistreatment was normal. That their feelings of horrible self worth within the company was really just a 'them' problem. Turns out, it was unfortunately normal in that we ALL felt that way. Stolen funds, reworked projects without permission, favouritism, opportunity sabotage- These were the common occruances over at Hive. Artists felt used, ignored, and walked all over to pay Hives bills and ego. People didn't know what to do. I helped co-found the guild in response to so many artists feeling this way, and we slowly gathered together to make a better Hive. Yeah, that's right- we thought we could help change and save the company if we all colaborated, hurt set aside and transparency deeply needed. Unfortunately, that wasn't in the cards. We spent 3 years going back and forth with staff to understand the debt, the mistreatment, the empty promises only to realise that the staff who was left to deal with the mess (because the CEO and COO went hands off or left) couldn't fix what was destroyed.

Hiveworks was supposed to be a beacon for webcomickers. It was supposed to be an indie opportunity to flourish in the small ways we can. But it became yet another example of a greedy publisher who saw an opportunity to take and take and take. It was also a vanity project for Isa and Xel too. They wanted the prestige of working in 'publishing' but didn't care a lick about the artists who brought readers in. If you were someone she thought was an artistic threat, Isa would go out of her way to humble you and put you in your place. That happened Many MANY times to me and my fellow creators. Not only was Hive using our work, it also would remind us how worthless we were in the same breath. Everything felt like some sort of competition, and Isa and Xel made sure artists didn't talk to ecahother about it too. So many instances of the two of them going around gossiping in public about 'the real story' when it came to their mismanagment and inability to handle their job. They would use someone else as a scape goat and pretend they did all they could. It was highschool stuff.

As for my particular case, I was the bane of their existance apparently. I was rumoured to be out for Isas job because artists would go to me for support and she hated that. I was apparently trying to ruin things because I saw those cracks. Squeaky wheel and all that. I took the risks I did, i didn't care about being 'everyone's friend' or missed out on 'the connections' because I didn't want to play that game. Artists were feeling used, stolen from, and neglected. I spoke up, and many others started to feel safe to do so too. The more we shared stories (and man, there are HORROR stories) the more we realised that the inner workings of Hive were more tangled than we thought. Our years of organising lead us to approach the cartoonist co-op for extra help. We tried our best to do what we could for Hive to survive.

After we were hit with the 'actually we're in a quarter of a million in debt' and they wanted us to help financially (while owing artists and staff money) it was the curtain call for Hive as a company. Isa left the sinking ship previously to avoid responsibility, and Xel ghosted the rest of us. All of this is to say that these kinds of people who promise the world with your work and take advantage are such a common and frustrating thing in not only comics, but all creative avenues. And speaking up and against them is the only way to make these cycles stop.

My particular experience is pretty mild comparatively, but it mattered very much to me, and I hold grudges. I'll put this under a cut because it's long.

Part One (current) || Part Two || Part Three

The Faun's Love Story

Part One (current) || Part Two || Part Three

Fans of long gay comics can rejoice because this is finally done! The longest one yet, and the first three parter! Click through to parts two and three to finish Clove and Ning's story and to unlock Ning's mysterious backstory. (If you want to reblog them in sequential order, start with three, two, then one.)

If you enjoyed this or any of my previous long comics, please consider tipping on my Ko-fi!

These things take so much time and tips make a huge impact on my finances as I'm a poor broke art student and these comics are a labor of love! If you'd like to never see these again please block the tag, "do you love the color of the comic" and you will be freed.

THE ONE WHO TYPES IN ALL CAPS!!!!!!1!

Car/Gun/Plane guy who will critique your car/gun/plane

Carl, the cool boomer/gen-Xer who reads it with his kid/grandkid

"how long until the story is finished" or "I'll come back when there's more to read"

the ones who are always normal and good and polite and have nice conversations with each other

"actually I am a [rare profession] and [thing adjacent to my rare profession] doesn't work this way and you should have known that"

the one who only comments in gifs and memes but you understand them so it's okay

"I don't like how this character is developing so slowly on a comic that updates 1 page a week for 20 years"

the one who will always tell you exactly what you drew wrong or inconsistently between pages

12. Weird Fetish Guy but whose infinite knowledge of [THING] ends up being the most valuable resource you've ever had in your entire life because he's really chill, just extensively knowledgeable and passionate about toes or something, and eventually you realize "oh my god he can never stop reading my comic because i need him more than he needs toes" because you can offhandedly say something like "hey does anyone know where I can find a reference image of a three quarter upshot of the foot when it's at an angle against the floor with the heel closest to the camera" and the exact thing you need is in ur replies in less than 7 seconds and full of useful tips to keep in mind to make drawing it easier and ultimately improves the final product

Tale of a Prince: a mini comic series follows a fairytale story with a twist.

i got the chance to contribute a comic for the first issue of @/glimmr-mag !!! thank you to everyone who backed the kickstarter!!