btw I am doing it afraid
btw I did it afraid and was rewarded beautifully
taylor price
Claire Keane

★

izzy's playlists!
sheepfilms
Acquired Stardust

⁂

祝日 / Permanent Vacation

roma★
Show & Tell
AnasAbdin
YOU ARE THE REASON

blake kathryn
hello vonnie
Keni

Andulka
let's talk about Bridgerton tea, my ask is open
$LAYYYTER
Today's Document
will byers stan first human second

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@jujusimi
btw I am doing it afraid
btw I did it afraid and was rewarded beautifully

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From C / O Berin's Silvia Kosi exhibition
And we're live, down at the ol' bloggin' mine! I wrote about art I love and my fly ass nail set for February/March
It's Women's History Month, so obviously I'm listening to inspirational music in tribute
Nancy Wilson, born February 20th, 1937 in Chillicothe, Ohio, performing "The Very Thought of You"

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I want to live the rest of my life, however long or short, with as much sweetness as I can decently manage, loving all the people I love, and doing as much as I can of the work I still have to do. I am going to write fire until it comes out of my ears, my eyes, my noseholes -- everywhere. Until it's every breath I breathe. I'm going to go out like a fucking meteor!
- Audre Lorde, born on February 18th, 1934 in Harlem, NYC
I Go To Prepare A Place For You, Bisa Butler, 2021
Cotton, silk, and velvet quilt 90 ¾ x 64 ½ in. (230.5 x 163.8 cm) National Museum of African American History and Culture, Washington, DC
A view from inside Will Ryman's "America" (2013), a gilded log cabin based on Abraham Lincoln's childhood home, at the New Orleans Museum of Art (NOMA); more information on the installation.
Bisa Butler, Broom Jumpers, 2019, cotton/silk/wool/velvet patchwork (Mount Holyoke College Art Museum, Mount Holyoke)
Click through for the artist Amber Robles-Gordon's statement on her installation My Rainbow is Enuf, a commissioned artwork featured in the exhibition i found god in myself: a celebration of Ntozake Shange's for colored girls... curated by Souleo. The exhibition's full catalogue is available here.

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Obsessed with the artwork of Nigerian born, Ndidi Emefiele…
“My work is a combination of many things including culture. The glasses are my strategy to give the female some form of protection. It is that curtain, a veil, a mask behind which she masters the art of mobility, she is learning to work the alchemy of dissolving the hard conditions in which she finds herself. They have become a mark of identity, but also an element of style.”
"Love is lifeforce.
I believe that the creative spirit is nothing less than love made manifest.
I see love as the essential nature of all that supports life.
Love is opposed to the death of the dream. Love is opposed to the delimiting of possibilities of experience.
When we run on love, when we move and change and build and paint and sing and write and foster the maximal fulfillment of our own lives, as well as the maximal fulfillment of other lives that look to us for help, for protection, or for usable clues to the positive excitement of just being alive, then we make manifest the creative spirit of the universe: a spirit existing within each of us and yet persisting infinitely greater than the ultimate capacities of any one of us.
I think of the amazing fact, for example, that tiger lilies in a field will bloom, wild as they grow, exactly on the same day as wild tiger lilies several miles away; there is an orderliness, a perpetual inclination to grow, to become manifest from an invisible beginning, a perpetual impulse to expand, and to transform, that seems to me the essence of being, even, perhaps, the irreducible purpose of being. By nature, whether we are children or tiger lilies, it seems that our essence, our purpose does not imply harm to other elements of the world. Neither tiger lilies nor children, by their nature, threaten the rain, or the bees, or the rivers of the world.
And it seems to me that love, that a serious and tender concern to respect the nature, and the spontaneous purpose of other things, other people, will make manifest a peaceable order among us such that fear, conflict, competition, waste, and environmental sacrifice will have no place."
-- June Jordan, "The Creative Spirit and Children’s Literature", 1977
On my mind: Kadir Nelson's grace in storytelling via illustration, as seen in this selection of New Yorker past covers. I like the Eustace Tilley references remixes of the second & final two images.
"Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom — poets, visionaries — realists of a larger reality.[...]
We live in capitalism, its power seems inescapable — but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words."
I've returned to these words recently, and am so glad Ursula K. Le Guin left the treasures of her work for us to find when the moment calls for the message. 🙏🏿
Substack sees an opportunity in TikTok’s potential disappearance
One, love Mia Sato's journalism and appreciate her critiques of Substack in particular [on TikTok]. Two, fickle platforms are exactly why I value having my own site so much. Still working on the logistics, but already anticipating all the writing and research and time I get to invest in the tending of my own virtual garden plot 🌱🌿

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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