j. poole

we are good people, and we have suffered enough.

a wonderfully patient and creative nonnie asked for a list of prompts based on interactions between two good friends in the aftermath of a trauma that happens to one of them, and i’m nothing if not a sucker for angst and deeply emotional connections! so here we go! i’m hoping these will be up to the nonnie’s expectations! have a wonderful day, my lovelies, and DO NOT ADD TO THIS LIST !!

“ i really hate seeing you like this… “

“ why don’t we hang out tonight? like we used to, you know? order in cheap take-out, watch crappy movies, go for a walk… whatever you want, right? “

“ please say something… anything. even if it’s telling me to shut up and leave you alone… just say something. “

“ i really miss you, you know. “

“ i’m here. you got that? i don’t care if you never say anything to me ever again. i don’t care. i’m not going away, and i’m not going to stop being here for you, no matter how long you glare at me or ignore me or pretend that you’re okay. because i know you’re not. i know. “

“ talk to me. i don’t care what we talk about. it doesn’t have to be anything big. we don’t need to talk about whatever happened to you, not unless you want to. i just… just talk to me, will you? “

“ you know, i talk to a lot of people every single day. i hear all their voices telling me all kinds of stuff; i hear it all. and the only voice i really wanna listen to is yours, you know? even when you’re driving me crazy. so come on. please… just drive me crazy again? “

“ …seriously? no come-back? no witty retort? no… sarcastic shot at me? come on, i… i know we never ask these things, but, honestly, i’m worried about you. what’s going on? “

“ penny for your thoughts? hell. a dollar? ten? fifty? my whole life-savings? damn, at this rate i’d give away everything i own just to hear your voice again. “

“ this is like, the ninth voicemail i’ve left, and i know you hate voicemails, so i’m thinking this might be the one that pisses you off enough to pick up the phone and talk to me. because despite the number of times i’ve told you to shut up, i’m actually begging you to say something, now. weird how things work out, isn’t it? anyway. pick up your freaking phone, moron. please. “

“ will you please talk to me? please? “

“ i have exhausted every single topic that i can think of to get you to open your mouth and say something to me. all of them. you leave me no choice… how are you? “

“ listen, we’re all really worried about you. okay? and we wanna help you, but we don’t know how. so how about you write us a note, or something? maybe just, open the door, huh? i just wanna know that you’re okay. “

“ you’re not alone, you know. you’ve got people who love you. who care about you. you’ve got me. and i’m not going anywhere. “

“ look, i don’t know what happened to you. and i don’t need you to tell me, okay? i don’t… i just want you to know that i’m here. i got you. no matter what. and if you need some space, then… then i can leave. just tell me what you need, okay? “

“ i don’t need you to say anything. you don’t even need to open the door. i’m just gonna slide this paper under the door, okay? you tell me what you want for dinner, and i’ll bring it up. “

“ i’m sending you on a list of therapists and group support meetings in the area, okay? you don’t have to go, but… promise me you’ll take a look at the list, right? “

“ listen, i know you gave me a copy of your key for emergencies, and this feels like an emergency, but… if the silent treatment is part of you trying to get some space, then i don’t wanna intrude. you know? so just text me if that’s what this is, and i’ll leave you alone. “

every sansa moment: 16/?

a selection of some of my favorite underrepresented situations and actions for one of my favorite tropes! feel free to add + REVERSE to any of the prompts to change the situation and provide context as necessary. do not add to this list.  

CRADLE : sender picks up the injured / unconscious receiver and holds them close to their chest, carrying them to safety. 

GUARDIAN : facing down a threat, sender pushes receiver back with an arm, moving to stand in front of them and protecting them with their own body.

TENDER : receiver wakes up to sender caressing them gently; a hand carding through their hair, brushing hair off their forehead, a hand on their cheek, a thumb swiping under their eye.

SHELTER : seeing a threat barreling toward them (such as a storm, the shockwave from an explosion, or a building they’re in collapsing), sender holds the injured / incapacitated receiver close, turning their back to the threat to bear the brunt of the impact instead of the receiver.

FLICKER : sender thinks they’re too late to save receiver and begins to mourn them / sinks in defeat and grief, holding them close, only to find through a simple action (a cough, a twitch of a hand, a murmured word) that they haven’t left them after all. 

DELIRIUM : receiver wakes up to sender’s relief, only for receiver to not believe it’s really sender (that they’re imagining sender or that they don’t think sender would come for them) or that they’re finally safe. 

CONCEAL : both muses have been injured or have fallen ill, though sender keeps their injury / illness secret in favor of taking care of receiver. however, as receiver gets better, sender’s injury / illness worsens from lack of care, and they wind up collapsing, their injury / illness fully revealed. 

GUIDE : sender has been injured, but their skills are needed to help with the muses’ current situation (an escape plan, tending a wound, or diffusing a weapon, for example). sender has to walk receiver through the procedure, all the while trying to stay conscious. 

SAVIOR : receiver is at the mercy of a threat, and all seems lost, only for sender to suddenly burst in and come to their rescue, bearing weapons and all the protective spirit they can muster, to the relief / confusion / anger of receiver.