Happy birthday, James Baldwin. In death, you still give us so much life.

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Happy birthday, James Baldwin. In death, you still give us so much life.

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June is Pride Month. According to the Williams Institute at UCLA, 39% of LGBTQ adults in the U.S. identify as people of color. In USA Today, Earl Fowlkes, president of the Center For Black Equity, spoke about racial issues within the LGBTQ community. "Racism is a daily occurrence in the LGBTQ community, because it's reflective of what's going on in the general community. There's no difference." ———————— With conversations about race dominating the public domain, I will be highlighting 5 Black queer writers who've shaped American discourse. ———————— Bayard Rustin is a man whose life was shaped by the very prejudices the movement fought against, not only because of his race, but also because he was gay. Rustin would spend his life fighting for the rights of others, even while facing discrimination of his own. As told by History.com, While King spoke as the face of the civil rights movement, another man stood behind the scenes, an indispensable force within the movement. ———————— Rustin is best known as the chief organizer of the March on Washington for Jobs and Freedom. He was posthumously receive the Medal of Freedom from President Barack Obama in November 2013. ———————— Buzzfeed notes that neither Rustin's sexual openness nor his controversial political positions came without great costs. He wound up behind bars for practicing his nonviolent Quaker faith (from 1944 to 1946 in a Pennsylvania prison for conscientiously objecting to serving in World War II) and for practicing homosexuality (60 days in a California jail for "sex perversion" in 1953). And his many achievements — like pioneering one of the first Freedom Rides, refusing to give up his seat on a segregated bus in 1942, more than a dozen years before Rosa Parks did, and helping found the Southern Christian Leadership Coalition to support the efforts of a then young, largely unknown minister named Martin Luther King Jr. — often were tainted under the threat of exposure for his unpopular behavior and criminal convictions. ———————— More info in comments. Happy Pride. #BlackOutBookChallenge (at Atlanta, Georgia) https://www.instagram.com/p/CBPxFQ5BY33/?igshid=1xrhsmcjn47xq
June is Pride Month. According to the Williams Institute at UCLA, 39% of LGBTQ adults in the U.S. identify as people of color. In USA Today, Earl Fowlkes, president of the Center For Black Equity, spoke about racial issues within the LGBTQ community. "Racism is a daily occurrence in the LGBTQ community, because it's reflective of what's going on in the general community. There's no difference." ———————— The idea that Pride Month can't be observed at the same time as protests for racial equality, Walker said, is part of the "notion that black people aren't gay, and gay people aren't black." ———————— With conversations about race dominating the public domain, I will be highlighting 5 Black queer authors who've shaped American discourse. I welcome you to celebrate these literary figures with me, as I continue to learn out loud. ———————— Roxane Gay is a writer and professor of English at Purdue University whose work focuses on women's rights, race and identity. Her most recent book, Ayiti, is a collection of stories about the Haitian diaspora. ———————— She is also a contributing writer at the New York Times, as well as the author of the books An Untamed State, Bad Feminist, Difficult Women, Hunger, and World of Wakanda for Marvel. ———————— Roxane's book, The Hunger, is one of two of her titles that I hope to read this year. A memoir, she describes her trauma as the victim of a gang rape at 12 years old as the impetus for her overeating. As she told People Magazine, “I didn’t ever want to be over-powered again,” explains Gay, who reached 577 lbs. at her heaviest. “I thought if I’m fat, boys won’t come after me. I wanted to make myself bigger.” ———————— A self-proclaimed "Bad Feminist," Gay writes about and stands for gender equality and intersectionality of identity. In many of her published essays and public talks, she eschews the white-washed of feminism for a more inclusive version that respects the, at times, opposing identities every woman faces in her life. She is known for speaking about the dichotomy of womanhood and wants to see a society that doesn't force women into economic vulnerability, but ensures their agency as equals to men. Happy Pride. (at Atlanta, Georgia) https://www.instagram.com/p/CBNA7kuBBg4/?igshid=16o6zo3si1t2v
Calletta di Venice. December 2018 “Perchance even dearer in her day of woe.” December 2018 . I loved her from my boyhood,—she to me Was as a fairy city of the heart, Rising like water-columns from the sea, Of joy the sojourn and of wealth the mart; And Otway, Radcliffe, Schiller, Shakespeare’s art, Had stamped her image in me, and even so, Although I found her thus, we did not part, Perchance even dearer in her day of woe Than when she was a boast, a marvel, and a show —Lord Byron, Venice #streetphotography#streetphotographyincolors#ig_streetphotography #fromstreetswithlove#spicollective#streetbwcolor #wearethestreet #lensculture #everybodystreet#streetsgrammer#life_is_street#storyofthestreet#streetphotographers#streetphotographerscommunity#ourstreets#capturestreets#lensonstreets#streetfinder#spi#streetphotographyworldwide#streetphotographyinternational #veniceitaly #venicecanals (at Venice, Italy) https://www.instagram.com/p/B41ST6mAsH9/?igshid=f47sdfweeoi7
Though fog, focus on the bright. #therarejems (at Palm Beach, Florida) https://www.instagram.com/p/B4nrYYgguYV/?igshid=1r84dv1c1bfjb

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Fondamenta di Venezia. December 2018 “To build a city where it is impossible to build a city is madness in itself, but to build there one of the most elegant and grandest of cities is the madness of genius.” — Alexander Herzen #streetphotography#streetphotographyincolors#ig_streetphotography #fromstreetswithlove#spicollective#streetbwcolor #wearethestreet #lensculture #everybodystreet#streetsgrammer#life_is_street#storyofthestreet#streetphotographers#streetphotographerscommunity#ourstreets#capturestreets#lensonstreets#streetfinder#spi#streetphotographyworldwide#streetphotographyinternational #veniceitaly #venicecanals (at Venice, Italy) https://www.instagram.com/p/B42zBPJgDQI/?igshid=1pbc508psksby
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“untitled (proclamation)” by laurel woodcock
“I miss our giant and commonly admired LOVE RULES installation. Hank Willis Thomas created this piece after a personally tragic event caused by gun violence. In LOVE RULES he stresses the importance of love and compassion in everyday life by stating, ‘Love is an invitation to people to stand up and be generous every day of their lives. It is not an action of receiving, but rather an action of giving. My question is what do you do to give love?’ I hope this piece inspires you as it does me: to live compassionately and give back to loved ones, neighbors, health professionals, essential workers, and to fellow New Yorkers currently struggling. The neon installation is found in our Lobby and warmly welcomes you to the Museum—much like our staff in Visitor Engagement. Our front of house team, office team, guides, and ASK team look forward to greeting you all again soon!"
Posted by Patricia Abrego, Visitor Experience and Engagement Hank Willis Thomas (American, born 1976). LOVE RULES, 2018. Neon. Courtesy of the artist. © Hank Willis Thomas. (Photo: Jonathan Dorado)

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Inspired by the Black Power movement and active as a feminist in the New York art world in the 1970s and ‘80s, Howardena Pindell favored a craft-inspired aesthetic. Her choice of materials aligned with her commitment to political activism. Reflecting her conceptual and material interest in print- and paper-making, Kyoto: Positive/Negative incorporates personal references into abstract forms. The use of rice paper here alludes to the artist’s first trip to Japan in 1979, accompanied by her father, a mathematician. The red dots may allude to a memory of a childhood road trip, when at a root beer stand in northern Kentucky, she and her father were given mugs with red circles on the bottom—a means of designating separate utensils for African Americans under Jim Crow laws.
Posted by Jenée-Daria Strand Howardena Pindell (American, born 1943). Kyoto: Positive/Negative, June 1980. Lithograph, etching, aquatint, and collage with chine colle on paper.B. Brooklyn Museum, Purchased with funds given by the Louis Comfort Tiffany Foundation, 85.48. © artist or artist’s estate
“I think many of us working alone at home right now can identify with Gustave Courbet’s painting Isolated Rock (ca. 1862). Windswept clouds, a stony shoreline, and the singular rock, roughly yet beautifully painted with a palette knife, make for a melancholy image that evokes feelings of helplessness and inevitability in the face of natural forces. These days, however, I’m choosing to give Courbet’s painting a more hopeful (and very anthropomorphic) spin by imagining this magnificent, solitary rock facing the sea, sky, and future with strength and determination."
Posted by Lisa Small Gustave Courbet (French, 1819-1877). Isolated Rock (Le Rocher isolé), ca. 1862. Oil on canvas. Brooklyn Museum, Gift of Mrs. Horace O. Havemeyer, 41.1258 (Photo: Brooklyn Museum)
Witchoria (the tutorial)
The real thing, Suffer Rosa
I really want to pick up this theatrical dinner aesthetic.

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They were gone, without a word, snapped out, made accidental, isolated, like ghosts even from our pity.
Mystery train, Aaron Durand