Sound performance with Philipp Kehder @ Hosek Contemporary, Berlin, July 28th 2021. Camera: Kevin Schmitz
wallacepolsom

Product Placement
hello vonnie

Kiana Khansmith
Three Goblin Art

ellievsbear
taylor price
Cosimo Galluzzi
Mike Driver
i don't do bad sauce passes

titsay
"I'm Dorothy Gale from Kansas"
d e v o n
Alisa U Zemlji Chuda
Misplaced Lens Cap
cherry valley forever

Origami Around
seen from Canada

seen from Malaysia

seen from France
seen from Malaysia

seen from Türkiye
seen from United States
seen from Netherlands
seen from United States
seen from United States
seen from Saudi Arabia
seen from Canada

seen from India
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seen from United States

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@joellepidoux
Sound performance with Philipp Kehder @ Hosek Contemporary, Berlin, July 28th 2021. Camera: Kevin Schmitz

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Future correspondences is an art installation and performance about microorganisms. The space is covered with soil and has stations containing various bacteria cultures. Via a projection screen, the audience is literally part of the performance. The GoPro camera mounted on the body of the performer livestreams what is happening within the space. Appearing almost like in a video game, the audience witnesses a micro world ā from the bacteria living on our bodies to the bacteria living within our bodies ā without which human life wouldnāt be possible. The sound in the performance ā or the continuous whispering voices we hear ā are speeches from researchers, philosophers and scientists. In their talks, they make observations on the interconnectivity ā or symbiosis ā between human bodies and microorganisms. Tobias Rees, an anthropologist and philosopher, Ā reminds us that the human neurotransmitters in our brain are produced by the bacteria we have in our gut, and this bacteria population Ā depends on the food we eat. It means that our mind, āour most intimate selfā so to say, actually depends on agriculture.
Future correspondences is an art installation and performance about microorganisms. The space is covered with soil and has stations containing various bacteria cultures. Viaā¦
Mycelium growth @Synnika Space, Frankfurt am Main, 2021.Ā
in|on|off| bodies of water [
Sound Performance, Gallus Theater, May 2021, Frankfurt.
https://vimeo.com/718300247

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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in|on|off| bodies of water [
is a sound performance with Philipp Kehder about the cycles of water and our - human and nonhuman - relation to it.Ā
The video āEncounter between (non-) humansā is a short clip of the performance from the visual artist JoĆ«lle Pidoux, here in collaboration withā¦
The video āEncounter between (non-) humansā is a short clip of the performance from the visual artist JoĆ«lle Pidoux, here in collaboration with the sound artist Philipp Kehder. The performance is a constellation of three elements: texts, sounds and a sculptural work. It has been created during corona time as the performers are inside the art space and the audience standing outside. The whole performance develops itself in a crescendo between beats, sounds creating from both performers and text reading. It lasts 1 hour minimum.
10.07.2020, Hafenplatz, Offenbach am Main, Germany
āLife as surplusā, 2020.
āEncounter between {non}-humansā, performance with Philipp Kedher, 2020.
āEncounter between {non}-humansā is a duo performance and a constellation of 3 elements: texts, sounds and an art installation. I alternate between text reading and interaction with the sculptural work with which I create also sounds thanks to a contact microphone on the finger tip meanwhile Philipp is producing a whole crescendo of noises, sounds, rythms and beats from his beat-computer and Synthesizer.Ā
Our duo is currently working on the next performance (planed in Berlin by Hosek Contemporary) on the theme of water.Ā
Check out the trailer on my Vimeo page:Ā https://vimeo.com/447618688
āGrowthā, 2020, (Part 2)
āGrowthā (part 2) is the falling sculpture made of soil and mycelium. The brutal crash of the sculpture, or better said the shift from the ordinary to the extraordinary in order to represent the fragility in the relation between humans and its own environment.Ā

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āGrowthā, 2020. (Part 1)
āGrowthā is an organic sculpture (soil + mycelium) that was built in order to evolve with the time: the light curve makes it fall apart and the color of the soil changed due to the temperature of the room.
Photo credit: Robert Schittko
Feeds telling passages of lives. Stories delivering moments of truth. I canāt distinguish the truth of the story.Ā
Maybe because all is happening so fast?
A canyon.Ā
Like a canyon missing the flow of water passing along.Ā Dry like the cracking of a ground; stuck like the small root deep in it,Ā fighting to survive and to grow again one day, looking for reaching the sunlight again.Ā
When will come the flood again?Ā
My last works *Tiefseeā (deep sea) exhibited in the āTiefsee raumā (deep sea space) of our school reflect a possible near future where the lack of water cristallised the relation between humans and the environment.Ā

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
My last works *Tiefseeā (deep sea) exhibited in theĀ āTiefsee raumā (deep sea space) of our school reflect a possible near future where the lack of water cristallised the relation between humans and the environment.Ā
āFootprintā is a serie of works in process. Extractivism is a recurrent theme and inspiration in my work. Humans still consider nature as a resource, a capital. Installing a divot with a rubber boot on a tar ground roof top with a view on the new buildings and a crane finds meaning for me. Above all when the collected soil comes actually from 5 jeopardized grounds between Offenbach and Frankfurt. Nature under control, disappearing nature: two contradictions of a reality still valid.