tannertan36
Cosimo Galluzzi
Janaina Medeiros
will byers stan first human second
hello vonnie
noise dept.
Not today Justin
occasionally subtle
NASA
Jules of Nature
TVSTRANGERTHINGS
todays bird
Claire Keane
art blog(derogatory)
AnasAbdin
seen from New Zealand
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@joch22
Nelle stampe di hokusai scorre un tempo che non esiste più, un tempo in cui le ore duravano di più e i particolari di tutta una vita assumevano una dimensione che ora è scomparsa, inghiottita dalla nostra corsa insensata, senza soste.
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Wright: The Wright Groove / The Dave Brubeck Quartet on BBC's Jazz 625 on June 9, 1964.
Bassist Eugene Wright (born May 29, 1923)
Personnel: Dave Brubeck - piano, Eugene Wright - double bass, Joe Morello - drums, and Paul Desmond - alto saxophone.
@YouTube
¿Puede una herramienta de oficina ser tan apasionante como una carta de amor? Esta es la Olivetti Valentine, lanzada en 1969 y diseñada por el legendario Ettore Sottsass. En una época donde las máquinas de escribir eran pesadas, grises y aburridas, la Valentine irrumpió con un rojo vibrante y una personalidad provocadora. Sottsass no quería diseñar una simple herramienta de trabajo; él buscaba crear lo que llamó una "anti-máquina". Quería un objeto que fuera como un juguete o un compañero de aventuras, algo que pudieras llevar al parque o usar en la cama. Fue pionera en el uso de plástico ABS ligero y su propio estuche funcionaba como parte del diseño, permitiendo una portabilidad nunca antes vista. La Valentine nos enseñó que el diseño industrial no solo debe resolver problemas técnicos, sino que tiene el poder de despertar emociones y reflejar la cultura pop. Es el recordatorio de que incluso los objetos más funcionales pueden —y deben— tener alma. ¿Crees que hoy en día hemos perdido ese toque de personalidad en nuestra tecnología? Cuéntamelo en los comentarios y sigamos descubriendo estos íconos del diseño. #íconosdeldiseño
Un oggetto che travalica il confine tra il bello e l'utile amalgamando nella sua materia entrambe le caratteristiche. La più bella macchina per scrivere di tutti i tempi.
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The Burn of Time
A single leaf,
half alive, half memory —
its heart smolders
in the slow breath
of an overcast noon.
時の焦げ跡
一枚の葉、
半分は生き、半分は記憶。
曇りの午後に、
その中心だけが
まだ微かに燃えている。
Una singola foglia
metà viva, metà memoria,
il suo cuore arde ancora
sotto il lento respiro
di un mezzogiorno soffocato di nubi.
(traduzione mia)
Translated in Italian by me.
Wonderful poetry
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Mimmo Jodice (Italian, 1934 – 2025)
Strada 232, Oasi Zegna 2008
Riesci a udire la voce? La tua, nel silenzio?
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Io sono solo un poeta, posso solo scrivere. Voi, se volete, fate girare le mie parole: non fermeranno l'orrore ma costringeranno coloro che hanno la coscienza sporca a vergognarsi. I'm just a poet, all I can do is write. You, whenever you want, you can spin around my words: they won't stop the horror but they'll force those who feel guilty to face the shame.
