Jennifer Swann

☔️☔️☔️

The best fall foliage LA has to offer is on the ceiling at @cantersdeli

🐘🐘🐘🐘🐘

Two women writers reflect on autumn. 

You do you, Elaine Sturtevant, you do you. #hatersgonnahate but also I'm not sure I totally understand the work, either? #carryon (at MOCA | The Museum of Contemporary Art, Los Angeles)

Behold: the most delicious footage I have ever shot! Here’s how to make the burger our founding fathers would have wanted you to make.  

Laurene Landon, whose small but poignant role in the new Zoe Cassavetes movie Day Out Of Days speaks volumes about women in Hollywood 

I interviewed Rhys Ernst, Transparent co-producer, about This is Me, his fascinating series of short documentaries that explore the lives of transgender and gender non-conforming people in Los Angeles. 

Michelle Millar Fisher, curatorial assistant in MoMA's architecture and design department on acquiring the rainbow flag to their collection 

#preach 🙌 (at Pupuseria Jiquilisco)

Debbie Allen, whom I interviewed last week about ballet’s historic moment.

When I was 15, I bought a bootleg copy of “Decline of Western Civilization” from a guy in a plaid suit whose business card said “punk rocker.” We were at Sunset Junction Street Fair, a now-defunct music fest in Silver Lake, and I’d just achieved a rite of passage for punk rockers everywhere. The movie, with its rare footage of X, Black Flag, and the Germs, has had a profound impact on me ever since. It even inspired me to make my own punk rock documentary in high school. This year, director Penelope Spheeris released all three Decline movies for the first time ever. When I got the opportunity to interview her, I asked the question on everyone’s minds for years: what took so long?