Instagram story for KRY about hand washing, for #GlobalHandwashingDay
Cosmic Funnies
trying on a metaphor

Xuebing Du

tannertan36
styofa doing anything
Cosimo Galluzzi
we're not kids anymore.

ç„æ„ / Permanent Vacation

Misplaced Lens Cap

@theartofmadeline
Sweet Seals For You, Always

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NASA
Jules of Nature
2025 on Tumblr: Trends That Defined the Year

⣠Chile in a Photography âŁ
Stranger Things
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@jenlindblad
Instagram story for KRY about hand washing, for #GlobalHandwashingDay

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I am so thrilled to announce that I made this with hiccupsthlm:
Looking for the Creative Time Summit Stockholm afterparty? Download and follow an audio guide to lead you to the party spot. The guide is produced by HICCUP (The Hub for Independent Curators and Creatives United in Production) in collaboration with Maria Kotlyachkova, Emmeli Person, and Jens Evaldsson. It includes artistic reflections on the surroundings and some of the concepts presented in the Creative Time Summit. On the way you will learn about the history of the area and hear music inspired by the surroundings. You will also learn about Epigenetics and perhaps even be invited to participate in a live public art project.
The HICCUP project group consisted of Isis Graham, Alex Manson, Sally MĂŒller and Jen Lindblad with support from The Public Art Agency Stockholm and Studio MossutstĂ€llningar.
Instructions: Start the guide when you exit the metro/subway at GĂ€rdet station. Begin walking towards the VĂ€rtahamnen exit, but wait to get on the escalator until you are instructed to do so!
Attention art history nerds!
There is a maximum capacity for safe and positive experiences with art in museums. The right capacity absorbs diversity in learning styles. Some people can sketch in museums. Some people can take photos. Some people can talk. Some people can look. Any of these actions can be catalysts for deep and meaningful engagement. And they can all do all of these things peaceably if there is enough breathing room among them.
Museum 2.0: Blame the Crowd, Not the Camera: Challenges to a New Open Photo Policy at the National Gallery

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(via )
(via Art History Snapchats Are The Best Snapchats)
When you, as usual, press "send" five minutes before the deadline to the Swedish Art Council

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Finally!!
Sittplatsen i fönstret pÄ Seven Eleven Àr som gömslet i skogen, man ser allt utan att synas. En plats som finns överallt syns inte lÀngre. Jag letar efter platser som inte vill mig nÄgonting. PÄ jakt efter platser som inte Àr kluriga koncept, som inte Àr idéer om identitet eller slogans om samhörighet. DÀr staden fÄr göra det den Àr bra pÄ, erbjuda anonymitet, ensamhet, tomhet. DÀr den struntar i dig.
Den asociala staden | Dan Hallemar | Expressen
âOur goal is to support the creation of a wide range of works, from animated GIFs to software-based visualizations, and our hope is that through this open call, artists and developers will help shape the contours of the platform. We want them to help us explore it, to bump up against its constraints, to push the platform in directions we havenât yet considered.â
Hyperallergic: After Blockbuster Kickstarter, Electric Objects Is Appealing to Artists
This is the best thing I've ever read.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Otto Hesselbom, SommarnattsstÀmning, 1900 (via Nationalmuseum)
"Many psychologists think that we forget languages, and other things, because of 'disuse'âthe memories that we donât try to recall very frequently become more deeply buried over time. Other studies have shown that forgetting a native language might be an adaptive strategy that helps us learn a second one."
Forgetting and Remembering Your First Language - Atlantic Mobile