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Claire Keane
2025 on Tumblr: Trends That Defined the Year
official daine visual archive


#extradirty
Fai_Ryy
cherry valley forever
Today's Document
Peter Solarz
todays bird
h
🩵 avery cochrane 🩵
ojovivo

ellievsbear
we're not kids anymore.
𓃗

PR's Tumblrdome
Xuebing Du
wallacepolsom

❣ Chile in a Photography ❣

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some kind of friend inside mew
i love writing out numbers and then putting them in parentheses like "one (1)" even when i dont need to i think its funny
stitched back up

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nightmares
part 2 to this everyone lives au comic (and this one also lol.) 24 pages of asgore and chara arguing over the morality of killing children as promised
many posts about grace dying in the lab explosion, but consider: stratt dies, and grace has to navigate an entirely different kind of betrayal when it’s revealed she named him as contingency director. she knew what it means to carry that weight, and was still willing to lay it on his shoulders without so much as asking - but it’s also the most pronounced act of trust anyone could possibly give him. so he’s angry, and honoured, and grieving, and the person he most needs to talk to about it all isn’t there to hear it
“i have to listen to my body’s needs” secret boss fight written by person who has chronic and disabling wrist pain which has fundamentally changed his relationship to his hobbies and his job <- i care it as someone who has also had chronic pain in my wrist/hand for 5 years
another thing i tend to think about with this. i also just think in chapter 5 there's a theme of care and dependency. the flowers have extreme guilt over being taken care of by asgore. flowery conceptualizes himself as weak and useless. in the dark world, his fantasy, he tries to return the care given to him to asgore to "make up for" asgore taking care of him when he should've died decades ago. it's an extreme example, but i also resonate with his feeling.
when your body or mind puts you in a situation where your reliance on other people becomes really explicit, you're trained by the world to see that as shameful or to see yourself as deficient. your efforts to ignore your needs just to avoid "being a burden," will leave you worse off. you punish yourself because of deeply internalized ableism.
regardless, even by virtue of being a living thing on this planet, you are already designed to need others. you have to listen to your body's needs even against a society that teaches you you shouldn't. you have to be okay with the fact that you have needs. sometimes your needs are different or are greater than the person next to you, and all you can do is listen to your body and turn to others when you need them. you're still a person when you need people.
when toby says this:
it's interesting to me how much he uses the language of deltarune to express this feeling. your hopes and dreams slipping away, and bitterness growing is literally the explanation we get for shadow crystals (and so wept the fallen star, making rivers with its tears. then, slowly, from the bitter water, something grew. it looked like glass). this is also the crushing feeling when you lose a sense of control when you're in pain, when you can't do things the way you want, the way you used to. but when you find yourself still able to fly, you do so because you've adapted. you've listened to your body. you've learned that listening to your body means changing the pace, letting yourself be cared for, letting yourself be helped.
as far as toby's said it, having to expand his team has made deltarune a better game. chapter 5 is so expansive because so many people helped to make it. Pink's fight has sprite work from guest artists, music with Camellia, bullets programmed by Toby's team. She is, to me, a love letter to Deltarune's development process as a whole and how it has shaped Toby, and a reflection of the kinds of thoughts Toby has shared with us about developing Deltarune alongside pain. I also think it's a beautiful follow-up to Gerson's themes of storytelling and authorship (letting go of "perfection" + accepting the contributions of others = both about rescinding control and embracing perseverance). Pink is also so much more than this, but I've been thinking about this a lot.
The 3rd Sanctuary
you freaks like deltarune right
guy with the coolest cane in the galaxy

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break out of your role 🌻🌟
I like to think that Xigbar + the foretellers are using Scala as Caelum as their “home base” so I have this scenario in my mind:
*everyone is having a meeting* Gula, walking in late: “there’s a mouse in the library”
Aced: “did you kill it?”
Gula: “nah.”
Everyone: “ok????”
Mickey, spying from the rafters: ???? The lost masters????
three graces and the golden apple
i like drawing him sad when i’m sad ouhh cata i lobe you
I've often heard it said that Susie's feelings for Noelle have advanced to an almost-jarring degree in comparison to where she was in prior chapters, and that if they'd been given just a little bit more time to cook, it would have come across much more naturally to us as players. And, when initially playing through the chapter for myself, I agreed with this assessment at first. It did seem very quick and sudden from my perspective, and I wondered if the game had done enough to "earn" this moment.
But I've thought about it some more, and I've come to realise there's more going on here than we're being shown - indeed, considering the way that Deltarune only permits us to witness certain moments within its narrative while skipping over others, and how our limited perspective is itself tied to Kris, it becomes obvious in retrospect that there have been key moments in the development of Susie's feelings to which we have simply not been privy. For instance, all we see of her in Castle Town is her getting ready for her big date, but we haven't seen the preperation leading up to that moment. We haven't seen her and Ralsei discussing it, as doubtless they did while Kris wasn't there. For all we know, they could have spent the entire night hyping Susie up for this date, and we simply wouldn't be any the wiser.
And yet, even this isn't the full story, because once again our perspective is tied to Kris's, and so in a sense we see what they see. And so, after spending the full day at the festival with Susie and Noelle, and then falling asleep on the bench next to them while they talked for HOURS - hours we did not get to witness, mind you - we are seeing not just what the game only permits us to see, but also we're seeing this development the way that Kris themself is seeing it - as a bewildering escalation of Susie's feelings towards Noelle that have seemingly come out of nowhere, and are now threatening to sweep her entirely out of their reach. We are witnessing Suselle as this all-encompassing event that's seeping into every single aspect of their time in the dark world - see how Susie won't flirt with enemies if instructed to (ignore Pink), and that she'll suddenly wear ribbons after spending four entire chapters refusing to, and how she's constantly being called away in the service of deepening her devotion to Noelle.
And if we witness all of this, coming from the emotional gut-punch that was Chapter 4's conclusion, and feel slightly knocked off-balance by how rapidly this relationship has blossomed... well, wouldn't you say that perhaps we are being invited to consider this development through the eyes of somebody who may well not have wanted it to progress so quickly, so suddenly, so violently? Are we not being invited to perceive this through the eyes of somebody who, despite everything, still isn't quite ready to let go of their friends, and fears above all else being left behind and forgotten about?
If that's how some players are seeing Suselle's development in Chapter 5, then perhaps it's only because it's how Kris sees it, too. And honestly, I feel that's a really clever and subtle narrative device that really enhances my own appreciation of both Suselle and of Kris's own inner turmoil. Well played, Deltarune, well played.

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rude reawakening
guy who definitely doesn't blame himself for anything or has self-destructive tendencies