Joe, 29, He/Him Feel free to say hi! All my art is tagged #awhellstothejoe or #Joe Draws You can support me here: http://patreon.com/JellisDraws (and tip to fuel my caffeine addiction) and here: http://ko-fi.com/jellisart.
Fantasy and Sci-fi are the main goings on round here.
I’m a DM who’s been running a weekly homebrew game since 2019, though I’ve been a lover of ttrpg’s for over a decade now. Im an artist and a writer and you can find examples of both here.
My blog is “Multifandom” I suppose. My interests aren’t singular and the contents of this blog reflect that. Some favorites include: The Gentleman Bastard Sequence, Malazan Series, Mistborn series. I love Critical Role, TAZ, Dimension 20, too many Anime to name, Drawfee, Mass effect, dragon age, the Witcher, Destiny 2, Baldurs Gate 3 and so on!
By and large just… lots of Fantasy and Scifi. I do my best to tag.
My ask box is open.
All my art is tagged #awhellstothejoe or #Joe Draws
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[So quick reminder for people who didn’t see or remember the first post: the Virtues are bad people brought back to life by unknown forces, and forced to remain alive until they meet a specific, unknown atonement condition related to their original crimes. Faith is a bad person. She’s meant to be.]
It starts with two crime powerful crime families who have long been at war.
In life, Faith was the scion of one of these families. At the age of 22, her college girlfriend was critically injured in a hit meant for her. This incident started Faith down a path of misplaced hope and a quest for vengeance that would last fifty years, beginning when she murdered her own father, who refused to support her crusade. After assuming control of his criminal organization, she dedicated all of their resources to two related causes: medical research to keep her only occasionally conscious girlfriend alive, in agony and the constant subject of new experiments, in the vain hope of a fully curative procedure to come, and transforming into a full-fledged private army dedicated to wiping the rival family off the face of the galaxy.
It takes most of Faith’s adult life, but she ultimately succeeds, personally directing an attack that obliterates an entire colony, the last bastion of said family. When she tells her still girlfriend she has finally found her justice, said girlfriend roundly denounces her, in scathing takedown that expresses the vast disgust and contempt in which she holds Faith, witnessing the callous person she has become, and the way she has been denied any personal agency for five decades. Faith does not react well to hearing this. The nurse on duty later reported there had been screaming, as Faith leveled all kinds of insults, and that eventually a shot went off. Not much is clear after that because the oxygen apparently ignited, killing them both and damaging the room (indeed, most of the floor) beyond recognition or forensics.
Like most of the Virtues, Faith awoke without any sense that she was in the wrong. Her story as above is revealed/explored over a number of issues, in which she is serving various missions for the Director.
Faith’s Revenge is her final arc, and the culmination of her story. The Director assigns her to retrieve a fourteen-year-old girl (Hanako) who she presumes to be a runaway, but it turns out she is the opposite—she is searching for her lost family. Though the girl proves to be a real pain in the ass (not unlike Faith herself), they form a rapport. In exploring her uncertainty, anticipatory grief and sense of loss, Faith begins to understand why what she did to her own family, and girlfriend, was grotesque.
They get a major lead and it is believed that Hanako will finally be reunited with her family. Instead, it’s a trap—they find themselves surrounded by the current incarnation of Faith’s family, the monster she built, who are now using the medical technology she developed to help her girlfriend to enhance their own soldiers. Hanako sees their corporate logo and completely freaks out, even as Faith is trying to fight them off. It has triggered a memory from when she was very young, and her house was surrounded and under attack; her father managed to smuggle her out just before the net closed. Her family is definitely dead, and Hanako is the last surviving member of the family Faith dedicated her life to eradicating.
Upon realizing this, Hanako bolts, suddenly and understandably terrified of Faith, and Faith, who has her hands full fighting, cannot go after her.
The final segment of the story involves Faith racing against her own organization to locate and save Hanako. She succeeds, but only at the cost of her own life. The final showdown famously takes place across a series of barges on a water planet; Faith is mortally wounded and sinks into the water, presumably to die.
A small but vocal segment of the fanbase insists she is still alive and will return, since she is never shown dead, though the writer himself has stated otherwise.
one time i told a group of lesbian and bi women that i have never watched wicked and they were shocked, gagged, gooped, “but you’re queer. you like pussy. how have you not seen wicked?” yeah. well. i like pussy, not musicals?
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Chapters: 1/1
Fandom: Warframe
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Drifter/Arthur Nightingale
Characters: Drifter (Warframe), Arthur Nightingale, Viktor Vodyanoi
Additional Tags: Alternate Universe - Modern Setting, Emotional Hurt/Comfort, Date Gone Bad, Slice of Life, Secret Crush, Fluff, Female drifter
Summary:
When Seila’s date with Viktor leaves her stranded in the middle of nowhere, she finds herself standing on the doorstep of none other than Arthur Nightingale, her secret crush.
My first warframe fic! So excited to share this one, it was for a prompt request from @ficwip event and I had a blast exploring Seila and Arthur’s relationship in a setting without Protoframes or Techrot or Warframes. Thank you @incognito-insomniac for betaing <3
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Gale is a human colored by a disdain for his humanity. He goes into detail multiple times about how his humanity is a dissatisfaction. He wants to go further into the Weave, to know divinity completely.
Mystra is the Weave. She is magic, full stop. This is explicitly stated.
But when Gale held her, kissed her, there was nothing there to touch. Skin more like marble in its flawlessness. Eyes more like crystal in their luminance. She always smelled of sharp rosewater, always tasted of mild sweetness. Never a hint of sweat, of saliva, of any of the unclear oils and bacterias that infest the mortal form.
Somehow, I can't imagine Mystra ever laid with him as a man. Why would she bring herself low, to get in a human's actual bed? What would even be the point, when an ocean of cosmic perfection lay above?
Did it disgust him, then, to travel so high, lay with the very form of Magic, only to return to his meager human body? To be the owner of skin that smelled of sweat, skin that had scars and wrinkles and marks, skin that aged?
When Mystra cast his aside for his folly, did he long for the divine from the confines of his humanity? Did he hate the needs and limits of his body, the various hungers that cried out to be sated, when all his mind craved was that glittering perfection?
Mystra loved Gale's magic. Mystra loved him as a tiny expression of her own self.
Gale is his mind, certainly. His mind is where the magic is. His mind is remarkable. His mind is worthy of love. But this human thing, this temporary human thing that is a body, is not him in the same way. It's needy, and he wants so badly to escape from it into the divine.
And maybe that's what surprises him so much about being loved by a mortal. That someone would lay with him, Gale the man. Would bury their nose into his neck and breathe deeply the scent of him, would kiss the crows feet at his eyes and relish in the taste of his mouth.
Gale knows the touch of perfection, but the embrace of humanity has a deeper flavor, one that grounds him to the earth. One that makes him realize that flawless, perfect love is a distant thing, an inhumane thing.
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