No Manās Land (2016) | Jeannie Rhyu |Ā mirror, wood, crystals, light, dry ice
āNo Manās Landā uses light to blur the boundary between the virtual and the physical reality.
The mirrored surfaces of the cube reflect the light off each other, creating an infinite virtual space within the mirrors. However this virtual space is merely an illusion provoked by the passages of light. In other words, this space is a no manās land, unclaimed by any physical conditions or rules. However, by having the video mediate the experience of the sculpture, this no manās land is captured by the lens of the camcorder. The āspaceā might not be real but it is now data, a file that ātakes up space,ā an online object that can be shared, a paradox of space and no space that no one and yet everyone can own - as long as they remain in the alternative reality of this exhibition space.
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