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My picturing will, by definition, distort its subject; it's a record and an embodiment of a process of knowing; it's about the making of knowledge, which is a much larger and more unstable thing than the marshaling of facts.
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@jcbahr
393
My picturing will, by definition, distort its subject; it's a record and an embodiment of a process of knowing; it's about the making of knowledge, which is a much larger and more unstable thing than the marshaling of facts.

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Things To Do Today by Joe Wenderoth
1. thaw the wounded
2. carry the portraits out into the sea and rest them upon the breaking wave
3. destroy the capital with picturesque caress
4. mention the inexplicably famous
5. dredge the lightest bunches (ASAP!)
6. burn the symbols as soon as bone starts to become apparent in them
7. decrease the drama to the point of gesture, phrase, a weathered and weathering yard.
8. descend upon the living sound of propriety
9. gather the weight of not having said and place it upon the prettiest graves
10. organize and dispense an imperceptible the
11. perfect the ground
12. motion at the shore (as if familiar with the families there)
13. restore hunger analogies to the feast scene which has no before and no after
14. demand to see the sleep that has not been earned
15. motivate the habitually sick
16. sing the lack of anticipation upon which we are most certainly impaled
17. recall Mother
18. disconnect the vaguer images from one another and from the way in which we get on with it
19. determine the cause of the cause
20. facilitate the ways of children
21. earn what is needed for remaining beneath the sky
22. set the famous criminals free
23. force the unmonied nudes into view (and so, into wealth/evaporation)
24. urge the animals to retract themselves, their lack of standard grammar
25. rouse the allegedly unpregnant from their unfathomable slumber
26. make the beautiful go to work
27. distract the keepers of the calendar and, when they are distracted, detach and destroy their unforgivable hobbies
28. people the pin-prick this evening alone makes in the atrophied muscle of common sense
29. grope and ogle the money machine
30. make a list of things to in case of consenting adults
31. profit from the simple inability of a given body to own the breath it absently rides towards its own concept
32. get the fuck out (i.e., get to fuck)
33. develop humble obsessive donors
34. locate the words with which the deaf-mutes are never done thinking
35. mass-murder the animals with overly smooth minds
36. place a hand upon the brand-new gash in each picture--not to stop the bleeding but to know it is true
37. prepare the eyes for the oncoming absence of voices
38. nibble at the warm stone of what has been
39. mourn the continuing success of the Snack Area
40. indict the misleading absence of spontaneity following each and every serious injury
41. understand nothing but the trap in which these many fine bones are inextricably lodged
42. produce a striking likeness of any one unproductive moment
43. be mindful of the ring-card-girl-prose in oneself and in others, and be ready to make the difference a fateful myth
44. listen to the involuntary gatherers wishing for an impossible poverty
45. bless the bait-shop employees who remain unopposed to an on-going radical renovation of the idea of what is to be caught
46. collide with the hidden zoo and act surprised by the amount of unnecessary sleep hidden therein
47. picture the dirty dull scissors at work in the seeming
48. refuse to pay the suggested amount
49. tremble with the hunger of cameras fixed upon a spot incapable of becoming predestined
50. oversleep
51. distribute faulty prevention devices
52. establish eligibility for the death penalty
53. clarify a morning posture
54. sing of eyes freezing, thighs giving birth, what have you
55. overestimate the degree to which the new scene, the scene that is just now being written, is fixed
56. overestimate the degree to which the new scene, the scene that is just now being written, is broken
57. lament those who are already on the way
58. postpone, for as long as possible, moving in to the sentence that is never not under construction
59. insist on the sad waste at the heart of all honest work
60. bury the elderly in the laughter which heals each instance of prayer
61. require the intellectuals to attend indoor night-time drug-taking picnics
62. complain about the way the various escalating dangers seem to conspire
63. nudge the drowsy lumberjack
64. adhere to the faint golden grunt (even when it dips into where it comes from, where it can't go)
65. use the definitive article to make a broth
66. confine the untoward
67. polish the pre-birth emotion until it does not shine
68. mourn the health of the debonair
69. drudge the nowsy mumblejack
70. control the urge to farm
71. suck the body part of an other until there is a new feeling of closeness
72. offer help to the dying
73. embarrass that which abstracts itself from the secretly intentional clash of heads
74. endure the baby-sitting which knows no names
75. rehabilitate the truth tellers
76. devalue the circus tender
77. practice saying something
78. scrape the forgotten music from the great stadiums it accidentally built and failed to keep up
79.try to fluster the bulk of language with the idea of buried faces
80. discontinue the breadth of applicable horizon
81. lance and drain the churches
82. define the deceased
83. derive the trajectory of absolution
84. attack the display
85. let yourself "go"
86. pray for the institution of a consistently glancing blow
87. mimic the open area
88. elaborate the impasse from which each orgasm seems to shrink
89. look for what's left of the portraits on the shore
90. post signs indicating relevant battlefields
91. expose the most casual technology in the world to the logic of its various fictional aftermaths
92. make the faithful look at us
93. weep new syllables
179
Memory loves to go hunting in the dark.
280
Language is a city, to the building of which every human being has brought a stone, yet each of us is no more to be credited with the grand result than the acaleph which adds a cell to the coral reef that is the basis of the continent.
177
It is difficult to separate what happened from what seemed to happen.

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195
You adulterate the truth as you write. There isn't any pretense that you try to arrive at the literal truth. And the only consolation when you confess to this flaw is that you are seeking to arrive at poetic truth, which can be reached only through fabrication, imagination, stylization. What I'm striving for is authenticity; none of it is real.
142
There isn't any story. It's not the story. It's just this breathtaking world--that's the point. The story's not important; what's important is the way world looks. That's what makes you feel stuff. That's what puts you there.
144
The most political thing I can do is try to render people's lives, including my own, in a way that makes other people interested, empathetic, questioning, or even antipathetic to what they're seeing--but that somehow engages them to look at life as it's really lived and react to it.
110
The facts of the situation don't much matter, so long as the underlying truth resonates. Memoir is neither testament nor fable nor analytic transcription. A memoir is a work of sustained narrative prose controlled by an idea of the self under obligation to lift from the raw material of life a tale that will shape experience, transform the event, deliver wisdom. Truth in a memoir is achieved not through a recital of actual events; it's achieved when the reader comes to believe that the writer is working hard to engage with the experience at hand. What happened to the writer isn't what matters; what matters is the larger sense that the writer is able to make of what happened. For that, the power of a writing imagination is required.
Easy Ed
Ed Macauley died today. This is a fact that I know to be true because I sent the following text message to my friends: “Ed Macauley died today.” His death is a fact and, being 83 years old, it should hardly be taken as a surprise. He was born in 1928 and he died today, November 8, 2011. These are facts. Both his birth and his death happened in St. Louis, Missouri, and really, most of his life happened in St. Louis. That’s a fact too. It's also a myth.
I met him once. My hand in his--something like the feel of an old envelope rubbing in the middle of my palm. Maybe a line or two. “Nice to meet you,” or “a pleasure, sir,” or “Hi Ed.” That was that. Four or five seconds, maybe. A handshake and a hello and now this, his death. Maybe there was a wheelchair too. I don’t know, I can’t seem to remember. I hope there wasn’t.
I left him and went to stand in the student section in our brand new arena and then the lights were lowered. There was a highlight reel that clicked on once I was in the stands. There could have been audio too—some old scratchy voice coming through new speakers. Recycled memories. We were all there to celebrate a new area and a new era. Faculty. Students. Alumni. Easy Ed. The ’48 team that won the NIT. Everything was shiny and pristine. Jumbotrons. Scoreboards that had yet to keep a tally. There was no history in that building. There was no past. Then they raised the house lights. Everyone clapped. Everyone went home. That was the only time I met him.

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My small tribute to Easy Ed Macauley, a St. Louis hero. 1928-2011.
untitled-mag:
Stephen Wiltshire draws cityscapes from memory. Incredible work.
Oh, The Places I Didn't Go
Places I could have gone (or stopped) on the Eisenhower Interstate Highway System:
Indianapolis
Chicago
Louisville
St. Louis
Cincinnati
Peoria, IL
Memphis
Kansas City
Tulsa
Wichita
Salina, KS
Denver
Ogden, UT
Salt Lake City
Reno
Sacramento
San Francisco
Los Angeles
Redding
It took 5 days and almost 3000 miles but I live in Moraga now. Even with that list, I'm not sure how exactly I got here.

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