
blake kathryn
Jules of Nature
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tannertan36
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cherry valley forever

if i look back, i am lost
noise dept.
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titsay
One Nice Bug Per Day
art blog(derogatory)

Andulka
trying on a metaphor

#extradirty
ojovivo
Fai_Ryy
"I'm Dorothy Gale from Kansas"

roma★

izzy's playlists!
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@janet-o-dad

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Can u be gay depressed?
!!!!!!!!!!!!!!!!!!!!!
dumplingdynasty janehhhh allyngaestel
enter the void guuuuuurl!
lilshouldercat wearing the enormous ass earring i made her borrow from me
Can we not love her for the gorgeous and fierce mega pop star she is without appropriating her for some liberal, power feminist agenda?
On Beyonce, by RealColoredGirls.wordpress

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by Jose Muñoz
"Queerness is a structuring and educated mode of desiring that allows us to see the future beyond the quagmire of the present."
But if I were not enslaved, could I want anything?
From Leash by Jane DeLynn, 2002
"No more jobs, no more taxes, no more checkbook, no more bills, no more credit cards, no more credit, no more money, no more mortgages, no more rent, no more savings, no more junk mail, no more junk, no more mail, no more phones, no more faxes, no more busy signals, no more computers, no more cars, no more drivers’ licenses, no more traffic lights, no more airports, no more flying, no more tickets, no more packing, no more luggage, no more supermarkets, no more health clubs…"
(via kontynuujjj)
applying
obscure3rdworldcountry putting on my moustache
selected buzz words from The Matrixial Gaze by Bracha Ettinger
subjectivity as encounter, the matrixial gaze, matrixial time, matrixial space, co-poiesis, borderlinking, borderspacing, co-emergence in differentiating and differentiating, transconnectivity, matrixial com-passion, primary compassion, compassionate hospitality, wit(h)nessing, co-fading, severality, matrixial transformational potentiality, archaic m/Other, fascinance, encounter-event, besideness, primal Mother-phantasies of Not-enoughness, devouring and abandonment, empathy within compassion, empathy without compassion, seduction into life, and metramorphosis.
monstrous feminine of the day #3, art edition
Adrian Piper in the early 70s did a piece called Catalysis where she doused herself in a lot of things that smelled bad. Vinegar, eggs, milk, cod liver oil for a week, and then go out on the D train during rush hour, or a bookstore. Repulsive, maybe insane seeming woman roving the streets - wouldn't you have to be insane not to smell yourself, not to know that your sheer presence is a dare to everyone else around you to shun you? Smell has a catalytic power she says. It's not even that girls are smelly (though we know, culturally speaking, that women are bearers of all smells as some concatenation of flowers and fish and laundry), but that they carry smells. Women wafting down the street, their scent being a trace to follow. Piper closes down this lead, this path to some (woman) garden and uses it for a site of dead-ended rupture, something an art critic could fantasize about and tool around in for a while because it alludes to social relations, giving us all a moment to identify the oppressive nature of convention as an internally inhering system. The fantasy Adrian Piper invokes is that we remember to bathe, we remember not to douse our clothes in rotten eggs and milk, we walk down the street effortlessly, no sweat.
Adrian Piper, writing from Washington, D.C. in 1987: "I experimented with my own object-hood, transforming it sculpturally as I had other objects, took it into the street, confronted others with the end products, and watched the effects on my social relations. I traumatized myself, burned out, and began to withdraw..."

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weird
1. Saw Etant Donnes at the PMA last week and got kinda mad, like was really hating this rape culture misogyny death spectacle art
but then
2. Posted the Balthus painting below without making the same considerations. Why? Because I was thinking about women, wasn't thinking about power...this is my sexist shit at work I think. But I'm also thinking about how this painting didn't strike me as an image of rape when I saw it, it just didn't register that way, it seemed like people having sex with each other, and now I'm scratching my head wondering if it's just taboo trash that is an artful pleasing way of projecting harm out into the world. :/
can you put a trigger warning for rape on the balthus guitar lesson? a dude painted it and it's clearly showing the mother figure 'playing' the girl like the instrument itself. it's not consensual at all and really needs a warning.
yes, of course. sorry i didn't think of it myself, and sorry for any harm i might have caused.
trigger warning: rape. monstrous feminine of the day #2, history edition
Balthus, Guitar Lesson, 1934.
Some notes on mother-daughter representation (and identification) in lesbian relationships from queermap.com :
The Mother and the Maid appear as a dyad over and over in the myths and stories of the West. Sometimes they are one woman, like the Virgin / Mother of Christianity. Sometimes they are a lesbian couple, like the Two Goddesses at the most famous sanctuary in ancient Greece, Eleusis: Demeter and Kore; Earth Mother and Maid.
The story goes like this: the two inseparable goddesses are split apart when the Virgin Kore is abducted by Hades, Lord of the Dead. Demeter grieves inconsolably. She rages so violently that every seed is prevented from sprouting. The earth is barren, parched and withered. Finally Hades is convinced to release the ravished Kore, so that the Earth can bloom again. At the last moment, Kore eats a pomegranate seed that Hades offers. Contaminated, she must return again every winter to spend part of the year in the land of the Dead. Every winter, Demeter grieves; the earth shrivels and dies. When the Maid returns to the Mother each spring, the whole world rejoices.
The Mother, Demeter, is Kore’s mother. And she is Kore’s lover. Scholar Walter F. Otto compares the relations of other daughters of Greek myths to their divine parents, and finds none so intimate. Carl Kerényi comments, “The fervor of their love for one another reminds us rather of divine lovers such as Aphrodite and Adonis. . . .”[ii] If we accept that the Mother and the Maid read as lovers, we find the key to Demeter’s wild grief, and Kore’s withholding. The two women are bound together as closely as lovers, and separated as painfully. Reunited, they fall on each other with passionate kisses.
monstrous feminine of the day #1
When I get to my therapist's office, I'm often sweaty and I leave a circle of perspiration on the sheet that covers the pillow I lie on.
"I spend ALL my wages on your damn therapy. "
Prozac Nation, 2001, Erik Skjoldbjærg.

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dollar bin misogyny mix #2
ft. arca, feist, don crisp, beth orton, cooly g, scuba, beach house, liars, bowery electric, jessie ware, floating points, patricia, anthony shake shakir, mazzy star, FKA twigs, health, paul du lac, cuushe, liz phair
Does anyone sit this close to their therapist??
Prozac Nation, 2001, Erik Skjoldbjærg.